I'm assuming that the people who'll welcome Diddy with open arms never canceled him in the first place.
I don’t think those two belong in the same conversation at all.
Diddy is being accused of actual harm to people, financial exploitation, abuse, and coercion. That’s behavior with real victims and long-term consequences.
Kanye, on the other hand, is mostly dealing with speech and public behavior, saying wild, offensive, or controversial things, and clearly going through episodes at times. You can criticize that all day, but it’s not the same category as systematically hurting people behind the scenes.
People keep trying to group them under “canceled celebrities,” but that flattens everything into one bucket when it shouldn’t. Not all controversy is equal.
One is about what someone did to people.
The other is about what someone said and how they act publicly.
Those aren’t interchangeable
you can listen to whatever you want, but you dont have to take time out of your day to defend kanye west on the internet
i still think thoia thoing is funny and turn that shyt up in the car, but im not gonna get on the coli and carry his piss bottle
kanyes first 2 records gotta be the most overrated records ever made at this point. solid 8.5/10 but treated like 30/10 lol. i wonder about people who love him who started at Yeezus. i havent liked anything hes done since MDBTF, and he had like 200 producers holding his hand on that shyt.
you know why the old ye is dead? because all the people who helped him push the buttons and import the files dont want anything to do with him anymore for the most part. he still has mike dean somehow. more people should read production credits. kanye barely did anything on his 'masterworks'. id love to hear from No ID about this lol
of course i could say the same thing about dr dre
You can listen to whatever you want; that’s not the issue. But this idea that working with other producers somehow makes Kanye or Dre “frauds” is just lazy.
That’s how music is made at the highest level. Collaboration isn’t a secret—it’s the standard.
Kanye wasn’t some industry plant that labels randomly decided to prop up. Early Kanye was a risk. He didn’t fit the image; he wasn’t a street rapper, and labels weren’t lining up to make him a star. He built that off his sound and vision, not because people were “holding his hand.”
Same with Dre. You don’t accidentally become the driving force behind multiple eras, N.W.A, Death Row, Aftermath, if you’re just some guy getting carried. At some point, people have to admit that leadership, direction, and ear matter just as much as pressing buttons.
People act as if an artist didn’t sit there and make every sound themselves; it doesn’t count. By that logic, most classic albums wouldn’t exist.
Credits don’t expose frauds, they show how the process actually works.