So when we’re informed that politics is off the menu as a topic of conversation before sitting down to chat with Kendrick, it’s hard not to feel short-changed. Swedish journalist Mats Nileskär – the guy whose Tupac interview Kendrick samples at the end of the record – persuasively suggested that these songs double as a soundtrack to an emerging civil rights movement in the US. Surely their author would have a word to say about that?
“No politics!” barks Kendrick’s manager, who’s been lurking silently in the background throughout our interview, when I try and smuggle a question in under the table. “Kendrick’s here to promote his album.”
“But surely the album is political!” I sputter indignantly. “Isn’t it relevant to…”
“No politics,” the manager replies, with an air of finality.