KENDRICK LAMAR'S POPULARITY (PUNK'D)

GeeEffKay

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you know youre a desperate, terrible troll when you:

1. bring up ashton kutcher and punk'd
2. talk about a dudes haircut

:heh:
 
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Kendrick's a good rapper but I didn't see what everyone loved about GKMC

I only still listen to about 4 songs from the album :yeshrug:
 

MINT

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Kendrick Lamar was poised to have a memorable 2012. Even without major distribution or a single to increase exposure, his 2011 indie release, Section.80, landed on year-end “Best Of” lists at hip-hop and mainstream outlets alike. It should be no surprise, then, that K. Dot’s 2012 major label debut, good kid, m.A.A.d city—an even more meticulous effort—earned similar praise. It wasn’t just because more people heard it, it was because of what they heard.

The solemn materials and the production choices tie in uniformity, while the interweaving skits complete the picture. Kendrick Lamar’s solo debut, good kid, m.A.A.d city , tells the story of a young K.Dot stomping through the boulevards of Compton with his cronies, partaking in teenage rampage, and eventually facing tragedy. It’s not an untold story, but how Lamar unveiled the package is what makes it so mesmerizing.

Yes, it’s early to deem it as a classic, but the fact that such a discussion occurred is a feat in itself. There’s no denying the album serves as a testament to rap’s past creative epiphanies, and sets a new standard

The critics raved about it, and fans loved it. Kendrick Lamar, delivered a debut album far surpassing most folks expectations both creatively and commercially
This album saved hip hop, best album I have heard since illmatic
 
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But why dont ya shyt on wack ass rappers like Chief Keef and 2Chainz, instead of dissin a nikka that's reppin the culture properly on the mainstream level... Like I said, u nikka's is just Tryna be different

nikkas hate anything that's poppin, they don't care about any of that.

east, west, south, mid-west
lyrical or non-lyrical
soft or gangsta
conscious or superficial

if a rapper is popping there's always these dudes that have to let everyone know every chance they get they don't like them.
 

Non Sequitur

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being that this current generation cosigned jcole with his stale rhymes, im not suprised they crowned this black Alfred E. Neuman hottest rapper:rudy:

e46.gif
 

jerzboy

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Take a look at the last bit of albums released by MAJOR labels in the past year..... And then listen to his album. If u can't appreciate his music then I don't know what to tell u. U don't have to think he's a savior but to deny that his album is good is just odd.
 

USSInsiders

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Kendrick Lamar was poised to have a memorable 2012. Even without major distribution or a single to increase exposure, his 2011 indie release, Section.80, landed on year-end “Best Of” lists at hip-hop and mainstream outlets alike. It should be no surprise, then, that K. Dot’s 2012 major label debut, good kid, m.A.A.d city—an even more meticulous effort—earned similar praise. It wasn’t just because more people heard it, it was because of what they heard.

The solemn materials and the production choices tie in uniformity, while the interweaving skits complete the picture. Kendrick Lamar’s solo debut, good kid, m.A.A.d city , tells the story of a young K.Dot stomping through the boulevards of Compton with his cronies, partaking in teenage rampage, and eventually facing tragedy. It’s not an untold story, but how Lamar unveiled the package is what makes it so mesmerizing.

Yes, it’s early to deem it as a classic, but the fact that such a discussion occurred is a feat in itself. There’s no denying the album serves as a testament to rap’s past creative epiphanies, and sets a new standard

The critics raved about it, and fans loved it. Kendrick Lamar, delivered a debut album far surpassing most folks expectations both creatively and commercially
This album saved hip hop, best album I have heard since illmatic

:rudy: is this a copy pasta from Pitchfork or is that your honest opinion :dead:

nvm XXL :troll:
 
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