Kendrick Lamar was poised to have a memorable 2012. Even without major distribution or a single to increase exposure, his 2011 indie release, Section.80, landed on year-end “Best Of” lists at hip-hop and mainstream outlets alike. It should be no surprise, then, that K. Dot’s 2012 major label debut, good kid, m.A.A.d city—an even more meticulous effort—earned similar praise. It wasn’t just because more people heard it, it was because of what they heard.
The solemn materials and the production choices tie in uniformity, while the interweaving skits complete the picture. Kendrick Lamar’s solo debut, good kid, m.A.A.d city , tells the story of a young K.Dot stomping through the boulevards of Compton with his cronies, partaking in teenage rampage, and eventually facing tragedy. It’s not an untold story, but how Lamar unveiled the package is what makes it so mesmerizing.
Yes, it’s early to deem it as a classic, but the fact that such a discussion occurred is a feat in itself. There’s no denying the album serves as a testament to rap’s past creative epiphanies, and sets a new standard
The critics raved about it, and fans loved it. Kendrick Lamar, delivered a debut album far surpassing most folks expectations both creatively and commercially
This album saved hip hop, best album I have heard since illmatic