Last night, Big Sean released "Control," a track that won't make his upcoming album, Hall of Fame, due to sample-clearance issues. It's a seven-minute epic pulled along by a squeaky Spanish-language sample, with guest verses from a terse, confident Jay Electronica and an acrobatic Kendrick Lamar. The latter's endless-in-a-good-way rapping here expands from an intoned chant to a gravelly near-yell, delivering loaded lines wherein he declares himself "the King of New York"; places himself amid some of rap's all-time greats (Jay Z, Nas, Eminem, Andre 3000); and, via direct shout-outs, offers up a challenge to the rest of his straight-spitting generation: "Jermaine Cole, Big K.R.I.T., Wale / Pusha T, Meek Mill, A$AP Rocky, Drake / Big Sean, Jay Electron', Tyler, Mac Miller / I got love for you all but I'm trying to murder you nikkas." The verse immediately knocked everybody over.
But "Control" is not quite as impressive as it seems. There's a great deal of filibustering in Kendrick's verse: Far too much name-checking just to fill space (from Kurupt to Lindsay Lohan), and numerous lines that say the same exact thing in pretty much the same exact way
http://www.spin.com/articles/kendrick-lamar-control-verse-big-sean-jay-electronica/
But "Control" is not quite as impressive as it seems. There's a great deal of filibustering in Kendrick's verse: Far too much name-checking just to fill space (from Kurupt to Lindsay Lohan), and numerous lines that say the same exact thing in pretty much the same exact way
http://www.spin.com/articles/kendrick-lamar-control-verse-big-sean-jay-electronica/