Early Album Review: Method Man | Meth Lab II: Lithium
by
Jenny S.4 hours ago
Method Man emerges from the lab with the second installment in the Meth Lab series.
Upon first listen of
Meth Lab II, you come to the realization that closing out the year wouldn’t have been the same without being graced by one of our refined
dignitaries of hip-hop. Initially, the most unforeseen observation about the sixth studio release by Method Man is that the album finally and tangibly materialized three years after part one saw the light of day and four months after he offered our first taste with
Grand Prix and
Wild Cats.
That thought alone has me curious just how many moons ago talks of creating the album transpired. Suffice to say, we have seen one of the best and most waterlogged years in hip-hop and sometimes we need a barrage of choices so we can separate the wheat from the chaff, mediocrity from prodigiousness and it is in that moment when we become acutely aware of exactly what and who has been missing.
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Even at the seasoned age of 49, Meth was never a man hell bent on proving to other souls, the industry, or to himself of the talents bequeathed to him at birth. Though he may boast on his latest release with words like, “My flow ever lasting / My lines never lacking / Even on Christmas Eve, I out rhyme whoever rappin.”
Even then, it could never be considered bragging. It’s simply a lyricist reminding us of a truth that could never be denied no matter which teenager bops onto the scene.
Meth Lab II offers habitual signs of more classic punchlines to add to his collection.
While there may be plenty of sneering and satirical ‘commercial breaks’ peppered throughout the twelve episodes reminiscent of intermissions gone by, there is zero blatant egoism. His manipulation of words flows off the tongue like water as he reclaims his rung at the top of the ladder. “I’m pushing fifty / Can’t find your woman / She pushin’ with me.”
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While his departure from music may have appeared at first glance to be him going through the motions of rap retirement without an encore for the loyalists, the outsiders’ perception fails and the clock keeps ticking. His verses are meticulously consumed with the semantics of rhyming words. Who other than Method Man could weld, “I’m butter slippery / They think I’m shifty.” Of course, there is a good portion of
Lithium when we aren’t in awe of the minutia of rhymes and fall into the well-chosen rhythm of the production.
While Meth provides the meat and potatoes, the guests create the necessary garnishes on the plate that instinctively work together verse for verse. Proof that creativity is a by-product of chemistry and you can’t make a good collaboration without it.
Everyone from Hanz On, Cappadonna, Joe Young,
Redman, Raekwon, Noreaga, to Snoop Dogg, Sheek L, and Masta Killa showed up punched in and ready to work, filling the collaborative effort with density that doesn’t seem to lean on a personal agenda or propaganda so much as pure precision in the lab.
What does this all mean for those of us who wonder what comes next after an emcee has nothing left to prove but a desire to express that which lives in the soul of every artist that must be delivered through their art?
It means that Method Man still has an ear for beats that don’t suffer at the mercy of genius lyrical content, he maintains the ability to push the right buttons and monopolize the attention of the consumer and by simple virtue of that fact, we’re going to greedily need another album and soon. Please. Pretty please.
Early Album Review: Method Man | Meth Lab II: Lithium