This is very much along the lines of what I expected, very heavy on Bay Area guest appearances, (way too much of Krondon and the like) and producers, but the other shift in content is Mitchy has aged and 'grown up' to an extent, however, some of that is overwhelmed and weighed down by an over reliance on what I'll describe as pimp shyt, which is embedded in SD gang culture, esp. A bunch of these dudes aren't even rappers to put it mildly....Part of that whole circuit is the Vegas circle of gang bangers and gangsters turned pimps, putting out tapes and tracks, and a bunch of that shyt is wack, as far as music, but gets embraced by those in the lifestyle. There is too much of that here, though Mitchy's bars are always many cuts above anyone else on the same subjects....and his SD/Cali references far surpass generic rappers like Game and Problem.
Songs like 'Y.A', 'Grown Man', and 'Since You've Been Gone', are on a complete different tier, as far as subject matter, production, and themes. They reflect a mature, introspective Slick, conflicted about the life he's chose, and others have chosen, in part because of his influence, music and street. A haunting kind of contradiction, that I want to expand on, in another thread, is his personification of young prostitutes, on 'YA', and his relentless glorification of pimping throughout the rest of the album. Dude is selling dreams about the game. The hookers are, by and large not these glamorous 'snow bunnies', but young black girls getting turned out by people from the same conditions as them.
The album is weighed down with tired subject matter, bad production, pimping and balling, many songs without much besides Slick and his dope verse, over wack beats, with wack guest spots. 'California Stunt Team', despite it's title isn't among these, strong production and on point, tight rhymes escalate it over most of the album.
'Hey Lil White Girl', despite his hometown references, and his flow is a really tired track, the subject matter sags through a decent beat, taking a very grating trip into the fascination with white bytches and sexual escapades. These song will get a lot of love, easy to relate to, but they aren't tracks that really showcase the artist and rapper Mitchy has always been. Like a lot of Mitchy's work, it's uneven, and if trimmed down to 10 tracks or so, would be an exemplary project, it's still a great testament to Slick's talent, at 45 years old or so.