genius thread. Havent watched the video yet. But that music theory shyt is all Cap
As it pertains to modern music. Study the organic function of the ados pioneers not no damn music theory
People wouldn't risk calling this out in fear of appearing anti-intellectual
But music theory is mainly for non blacks who dont have the soul to do it organically.
None of the architects were using their "music theories" as a bedrock to create music
They were using music theory.
The problem is White Supremacy doesn't believe in music THEORIES just MUSIC THEORY as
based on WHITE Musicians from three damn centuries ago.
However, the "Blues" has it's own distinct approach to music, it has it's own THEORY and BODY OF KNOWLEDGE.
My guyz 12Tone also had something to do to this conversation:
Yup, most ados JAZZ musicians by the bebop era knew classical theory but they all (the great ones) preferred to make sure the foundations stayed in Blues harmony/tonality but many in those days refused to learn how to read musical notation/learn western harmony because they believed it would kill their natural soulfulness.
But at the same time you had guys like Coltrane, Monk, Davis, Duke Ellington and many
more who weren't just "learned" in music theory, they were exceptionally knowledgeable in it.
Davis went to Julliard and basically there was nothing left for the guy to learn so he just left.
Ellington was playing piano from a young man until the day he died.
He was an exceptionally accomplished composer as well as improviser.
Coltrane ? Breh knew "Music theory" inside and out and he could play
conventional (at the time) Jazz and he could improvise exceptionally well.
There are many others who fit into this mold.
Barry Harris THE GAWD:
Exceptionally learned in music theory to the point he's basically created a method/system
for improvising that that goes against the convention 2-5-1 stuff most learn when learning Jazz.
David Baker (composer) - Wikipedia <--- One of the first people to try to codify and "explain" Jazz.
Also an exceptionally learned musician.
There are several others I could name but the goal for all of them was to explain Jazz using the only theory they knew, which is old CPP music theory. However this theory had to be
modified and expanded to explain Jazz and blues to the point that Jazz has it's own separate and distinct school of thought.
The problem to reiterate what I stated earlier isn't that there's "music theory", it's that there were individuals who outright dismiss anything that doesn't conform to "Music Theory" based on old white dudes (some of which had some dope shyt IMO)