Yeah agreed. I like Marco Polo production a lot, just seems weird that his sounds would be used at all for this... That might have more to do with the Ian/Brady Watt connection...To be fair I have too much respect for Marco Polo to call him some white boy. He's a legend, I respect him. My issue is twofold. I vividly remember nikkas clowning Hit Boy for sample packs during the KD run. Especially when he'd have horns in tracks. I vividly remember Pete Rock laughing about the sound being an imitation of the real thing. Even on this forum there was discussion about it. Can't remember the track but Hit Boy sampled a very basic, super common pack for one of the horns and dudes gave him a lot of shyt for it.
I don't fukk with most sample packs, which is why I can't stand a lot of modern Griselda shyt (Beat Butcha). I will say when it comes to white boys, Alchemist and Jake One have good drum kits. But it gets to my second issue: I don't think the sound translates well in a lot of rap music because it sounds static and lifeless. It rarely sounds like musicians are naturally jamming and being recorded - instead it sounds like guys are standing around playing what they think will work for rap. It's very glaring on this album. Like that AZ track where it seems like they're trying to interpolate/riff off some Nautilus type shyt and it just sounds lame as fukk. That's a Polo sample pack btw.
Again I think this has to do with DJ Premier business agreements and how he releases music as a solo artist/duo. PRhyme embraced this as the concept, but Premo seems to only make beats from sound packs and live bands when he's releasing music himself like these 3 projects this year
His random placements over the last few years sound like his normal beats...
As for Hit, he's known to do this. Get Light on KD3 was basically a loop from a popular sound pack, there are other examples from that run as well that I can't place at the moment
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What’s the 5?

