Albums Nas & DJ Premier - Light-Years (Discussion Thread)

Cladyclad

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Anyway.. has anybody ever come across a Preme interview where he was asked how does he know what lines to select to scratch. Some be obvious to the title of the song. But when he picks EPMD To the ladies and all party goers (So Watcha Sayin) and then LL for "If you know who you are then make yourself seen. (I need Love)

How the fuhk does he remember to go to obscure lines like that? lol

Its more than just a beat sometimes
Ask a dj from the 80s til now why he know popular songs from his era brehs

yall on fire today lol

How did he think of this? :ohhh:
 

dubsmith_nz

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Word. He spoke on that before when they asked him about Da Youngstas and the line for "Mass Appeal".

He always said that as a deejay he remembers so many lines that they just come to him when he's thinking about scratches. He said sometimes the lines doesn't work and sometimes they work perfectly, lol. He's the best at that too. Dude finds lines that nobody would even think to use.

I would of loved to see him incorporate scratches from some more modern rappers, just to mix it up a but. It was doep hearing Ab Soul scratched up.
 
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Anyway.. has anybody ever come across a Preme interview where he was asked how does he know what lines to select to scratch. Some be obvious to the title of the song. But when he picks EPMD To the ladies and all party goers (So Watcha Sayin) and then LL for "If you know who you are then make yourself seen. (I need Love)

How the fuhk does he remember to go to obscure lines like that? lol

Its more than just a beat sometimes


He's said before that he just has shyt in his head that he'll use, or occassionally the artist themselves will suggest a specific line or hook.

He's a DJ. I don't think his process is that complicated.

The shyt I find more intricate are the phrases or random expressions he'll use. "C'mon!", "yeah", etc. Takes a good ear for a producer to use the timing, volume, tone, etc of various samples to mesh with the beat.

Like, Pete Rock on Sneakers when he just randomly scratched Gza saying "Yo!", that had absolutely nothing to do with anything. Wasn't even part of the hook, he just scratched it in after the second chorus ended.
 

Barney Rubble

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Word. He spoke on that before when they asked him about Da Youngstas and the line for "Mass Appeal".

He always said that as a deejay he remembers so many lines that they just come to him when he's thinking about scratches. He said sometimes the lines doesn't work and sometimes they work perfectly, lol. He's the best at that too. Dude finds lines that nobody would even think to use.
There was a time when it was an honor to have your lines scratched on a record, especially Preme. I remember Prodigy making a big deal that he was the most sampled voice in hiphop history. I miss scratching in general and wish this album had a little more.
 

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Word. He spoke on that before when they asked him about Da Youngstas and the line for "Mass Appeal".

He always said that as a deejay he remembers so many lines that they just come to him when he's thinking about scratches. He said sometimes the lines doesn't work and sometimes they work perfectly, lol. He's the best at that too. Dude finds lines that nobody would even think to use.

The "Yes indeedie, I wrote graffiti" from Passing Me By was perfect on Writers.
 

Awesome Wells

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I'm from Detroit, went to school here (UM) and in Cali (USC). I'm also probably 15 years younger than you. I never said I'm from that era. But I listen to a lot of hip hop, I love 80s/90s rap and bro...this does not sound like that. And when Hit Boy did this shyt (sample packs, drum kits, etc) he got clowned and people were talking about beats not having layers. Well now what.

This is not me dying on a hill for Hit Boy. I'm not gonna sit here and give the "Hit is one of the greatest producers of all time" hype speeches that some people were giving during the run. His best beats are still with Kanye, Drake, and Kendrick. But I didn't see any discussion about sample packs or live drums or that wack bassist until I brought it up. People been in here pretending like this is Step In The Area or something and the unwashed masses don't understand it's not 1994-1999 era(s) Premo. Fam...it's not either.

I highly doubt you're 15 years younger than me. That would mean you weren't even born when IWW dropped, lol.

But the point is, this record is aimed at a certain era and listener. So if you're saying "it's not good", you're speaking to the quality of the music. But for those of us who it speaks to, it's perfect and we love it. So that's when it's kinda time to just accept that this kinda music just isn't being made for you. It's for us. That doesn't mean the music "isn't good". It means you just don’t like it. And that's okay.

Nobody cares about Hit Boy. This is about an album made by two GOAT's. Premier has been killing sh*t since '88-'89. We are not going to start throwing random beat makers in talks with the best producer of all-time. Nah. Premier has made a lot of dope sh*t over the past 2-3 years. The kinda sh*t that people wanted Nas to rap over. But that's not what Nas wanted for this album. What he wanted for it, is what he sat and made with Preem. Premier makes beats on the spot at the direction of the MC and for what they want to say. He's not going to dig in a stash of 30 year old beats and tell Nas "This is probably what the people online want to hear you on. Try these". LOL!!
 
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