Vanity Fair says that K.Dot SHOULD win but Swift WILL win
Who is it for? By the Grammys’ loopy standards, AOY is the big kahuna. Win this and go down in history, even if it’s just because you plundered this from Beyonce last year (sorry, Beck!).
Which albums have won before? Sgt. Pepper’s Lonely Hearts Club Band. Songs in the Key of Life. Thriller. The Joshua Tree. The Miseducation of Lauryn Hill. 21. Heard of ‘em? Tapestry. Jagged Little Pill. River: The Joni Mitchell Letters. Wait. Actually forget that last one because RiverHerbie Hancock’s Joni Mitchell covers album—beat out both Kanye West’s Graduation and Amy Winehouse’s__ Back to Black in 2004. For my money, this is the single starkest piece of evidence for the Grammys’ accelerating irrelevance. No shade to Herbie, though.
Who is nominated this time? Sound and Colour by the Alabama Shakes, To Pimp a Butterfly by Kendrick Lamar, Traveller by Chris Stapleton, 1989 by Taylor Swift, and Beauty Behind the Madness by the Weeknd.
Who should take the gold? This one’s easy. Kendrick Lamar’s To Pimp a Butterfly is a pop opera, a self-reflection, and a call to action. It’s a masterfully produced, multi-textured hip-hop concept album and an 80-minute poem all at once. It’s as close to capital-A Art as popular music gets. Oh, and it debuted at No. 1 on the Billboard 200, has been certified platinum by the Recording Industry Association of America, and got a sweeping endorsement by the leader of the free world. The Grammys would do well to be on the right side of history here.
Who’s actually gonna take the gold? Sadly, it’s unlikely that the Grammys will get this right. A quick scan through its history reveals the Academy’s abhorrence to bestowing its highest honor on a hip-hop album. And unlike Lauryn Hill’s The Miseducation of Lauryn Hill and OutKast’s Speakerboxx/The Love Below, the only two rap albums ever to win AOY, Lamar’s LP makes no obvious pop concessions and doesn’t attempt to burnish the brute force of its themes for mainstream audiences. There’s no “Hey Ya” here.
This one’s going to 1989, one of the decade’s most ubiquitous albums (it has produced five Top 10 singles—including three No. 1 records—and has sold more than 5 million copies), and it is the album that cemented Taylor’s pop superstardom. Swift will also likely become the youngest person to win this award twice (she won in 2008 for Fearless).
Grammys Predictions: Who Should Win, and Who Will Win?
Who is it for? By the Grammys’ loopy standards, AOY is the big kahuna. Win this and go down in history, even if it’s just because you plundered this from Beyonce last year (sorry, Beck!).
Which albums have won before? Sgt. Pepper’s Lonely Hearts Club Band. Songs in the Key of Life. Thriller. The Joshua Tree. The Miseducation of Lauryn Hill. 21. Heard of ‘em? Tapestry. Jagged Little Pill. River: The Joni Mitchell Letters. Wait. Actually forget that last one because RiverHerbie Hancock’s Joni Mitchell covers album—beat out both Kanye West’s Graduation and Amy Winehouse’s__ Back to Black in 2004. For my money, this is the single starkest piece of evidence for the Grammys’ accelerating irrelevance. No shade to Herbie, though.
Who is nominated this time? Sound and Colour by the Alabama Shakes, To Pimp a Butterfly by Kendrick Lamar, Traveller by Chris Stapleton, 1989 by Taylor Swift, and Beauty Behind the Madness by the Weeknd.
Who should take the gold? This one’s easy. Kendrick Lamar’s To Pimp a Butterfly is a pop opera, a self-reflection, and a call to action. It’s a masterfully produced, multi-textured hip-hop concept album and an 80-minute poem all at once. It’s as close to capital-A Art as popular music gets. Oh, and it debuted at No. 1 on the Billboard 200, has been certified platinum by the Recording Industry Association of America, and got a sweeping endorsement by the leader of the free world. The Grammys would do well to be on the right side of history here.
Who’s actually gonna take the gold? Sadly, it’s unlikely that the Grammys will get this right. A quick scan through its history reveals the Academy’s abhorrence to bestowing its highest honor on a hip-hop album. And unlike Lauryn Hill’s The Miseducation of Lauryn Hill and OutKast’s Speakerboxx/The Love Below, the only two rap albums ever to win AOY, Lamar’s LP makes no obvious pop concessions and doesn’t attempt to burnish the brute force of its themes for mainstream audiences. There’s no “Hey Ya” here.
This one’s going to 1989, one of the decade’s most ubiquitous albums (it has produced five Top 10 singles—including three No. 1 records—and has sold more than 5 million copies), and it is the album that cemented Taylor’s pop superstardom. Swift will also likely become the youngest person to win this award twice (she won in 2008 for Fearless).
Grammys Predictions: Who Should Win, and Who Will Win?










