Pete Rock Likes Twitter User-‘Only Nas would make 5 LP w/ The Least Inspired Producer of All Time" Tweet

FunkDoc1112

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Premo, Pete Rock, and Alchemist do NOT organically match up with Nas any longer. Thats what this “Boom Bap Only”’contingent needs to understand. Nas has outgrown that box as an artist, if be hadn’t then he’d STILL be working with them. NO artist is going to listen to some beats by legendary producers, click with it, want to write to it, and just PASS on it. If Nas felt like he organically matched with Pete Rock it wouldn’t have taken 25 years for them to work together again, especially with Pete Rock crying and bytching about it. If Nas felt he organically matched with Alchemist it wouldn’t have taken 17 years for them to work together again. Nas and Dilla have ONE song together, The Season. Nas and Madlib have ZERO official songs together. Its impossible to say they would match with Nas organically

The only real question mark is Premo, as Nas has said THAT album still might happen. And even with THAT there’s a reason why Nas said he’s been wanting to work specifically with Hit Boy and as SOON as he went independent and could make his own decisions freely he sought out who? Not any insert 90’s boom bap producer, he sought out HIT BOY. Whom he ORGANICALLY meshed with and has been able to put out 5 albums with. It just needs to be accepted that this isn’t 1994 or 2002 and that Pete Rock, Alchemist, and Large Pro just simply are NOT those guys for Nas anymore. And honestly its not like he hasn’t been saying that directly (but respectfully) FOR the last twenty years in his own lyrics and the moves he makes. It really is absurd to listen to a man laugh as he proclaims that a song featuring an old school sounding break beat and Large Professor’s voice is SOLELY for “Trapped In The 90’s” nikkas and expect he’s ever again going to make a full album of the same sound. Its absurd to hear the man rap “The Nas enthusiasts think they know what's best for me/More than I know whats best for me” and think to yourself that he has any desire whatsoever to be put into a box sonically. Hell its absurd to listen to “They’d thought i’d make another Illmatic/but its always forward i’m movin/NEVER backward” and expect he cares whatsoever about capturing the same sound he mastered when he was 17.

These are crazy expectations when the man himself has been telling us over and over that these are NOT organic decisions certain fans expect him to make.
You talkj about Nas outgrowing Boom Bap when a cool 75% of Hit-Boy's output with Nas has been great value boom bap trying to evoke the feeling of his older stuff :gucci:
 

FunkDoc1112

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Maybe Nas didn’t like it?

Again you can’t FORCE this stuff
Stop treating Nas as if he's infallible and every artistic decision he makes is justified and "correct." Nas went a whole 7 year run in the 00s of working on forgettable beats that resulted in projects that fizzled and hurt his standing in the game until Life Is Good came around. Just because those guys were the producers that were inspiring Nas doesn't mean the results were actually great.
 

TripleAgent

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You talkj about Nas outgrowing Boom Bap when a cool 75% of Hit-Boy's output with Nas has been great value boom bap trying to evoke the feeling of his older stuff :gucci:
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Stop treating Nas as if he's infallible and every artistic decision he makes is justified and "correct." Nas went a whole 7 year run in the 00s of working on forgettable beats that resulted in projects that fizzled and hurt his standing in the game until Life Is Good came around. Just because those guys were the producers that were inspiring Nas doesn't mean the results were actually great.


In your OPINION you mean he went on a 7 year “forgettable” run. Verifiable metrics don’t back that up whatsoever but its your opinion if you didn’t like those albums cool, whatever.

Now to your other point, I actually agree every artistic move isn’t the “correct” move but again we’re talking about ARTISTS. You can’t put any rapper or singer in front of the hottest beat YOU feel like you’ve ever heard and force any greatness out of them unless they use writers, which USED to be frowned upon and would be a devastating blow to someone of Nas reputation as a brilliant LYRICIST if ever it were proven true. So if the artist isn’t going to cheat his own artistic morals then its going to be what its going to be. Thats what I was saying to Piff Perkins and anyone with any common sense can understand that basic point.


We were using Dilla as an example. The beat Dilla sent Nas for whatever reason didn’t work for him, but the beat for Gobstoppers DID so obviously Nas fukks with Dilla, he made sure to put Dilla’s final album out and work with the estate to make sure everything was done to everyone’s mutual satisfaction. There’s been a lot of dikking around with Dilla’s music after his passing but Nas made sure the business was right on that.

So no, not every artistic decision is the right one. Not every artistic decision Nas made in his career has been correct (Rush recording Nastradamus) but on the other side to say he went SEVEN years on projects that “fizzled” and hurt his standing is categorically false and nothing more than a lame troll attempt
 

FunkDoc1112

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So no, not every artistic decision is the right one. Not every artistic decision Nas made in his career has been correct (Rush recording Nastradamus) but on the other side to say he went SEVEN years on projects that “fizzled” and hurt his standing is categorically false and nothing more than a lame troll attempt
If you don't think those albusm fizzled then you just have your head in the sand :mjlol: The "Nas picks bad beats" thing literally came from that stretch of albums in the mid-00s, and no it wasn't the "stuck in the 90s" boogeymen you keep defaulting to but the broader world of rap fans as a whole. No amount of reviews from mainstream publications can override the underwhelming reception the albums got from rap fans when they dropped. The albums unquestionably hurt Nas' reputation as someone who could deliver engaging music
 
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If you don't think those albusm fizzled then you just have your head in the sand :mjlol: The "Nas picks bad beats" thing literally came from that stretch of albums in the mid-00s, and no it wasn't the "stuck in the 90s" boogeymen you keep defaulting to but the broader world of rap fans as a whole. No amount of reviews from mainstream publications can override the underwhelming reception the albums got from rap fans when they dropped. The albums unquestionably hurt Nas' reputation as someone who could deliver engaging music

Believe what you want bro. I’ll be here in reality.
 
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ISO

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To me Salaam Remi is better than Hit Boy and from a production standpoint Life is Good is better than any of these albums…

Hit Boy is a good producer and the beats are fine he’s not a problem but Nas has declined vocally, lyrically, and I don’t like his attempts to ride trap beats shyt just don’t sound right, also his subject matter/themes have become predictable.

I’m also not sure why Nas chose to drop all these albums with the same producer he oversaturated. The albums are cool but all this classic, 4.5 mics shyt is stan talk.
 
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As insane, resentful, and passive aggressive as Pete Rock may be, and has been over the years, the fact that he has a legitimate argument for being the greatest producer to ever put his hands on a beat machine gives him a cachet on this topic that none of us, Nas, or Hit-Boy will ever have.

If he were to question Nas's pen game then that's a different story. But to argue Pete doesn't have any insight to speak on what backdrop would bring the best out of an MC, even one he hadn't worked with in decades, is just foolish. You literally could count the people more qualified to speak on this than Pete Rock on one hand.
 

FunkDoc1112

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Believe what you want bro. I’ll he here in reality.
The reality according to Nas stans, sure. But you talk to most folks, SD, HHID, and Untitled were "cool" at best and that's why Life Is Good was such a shot in the arm for Nas' rep. shyt HHID and Untitled came out during the peak of my Nas' stannery and I still remember trying to convince people (and myself) that those albums were better than they actually were :mjcry:
 

Stick Up Kid

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Pete Rock definitely coming off a bitter & jealous in all honesty but if we keeping it real…Queensbridge Politics is easily a top 5 song Nas released in the last 10 years.

not even close lol

1. Store Run
2. Death Row East
3. Car 85
4. Blue Benz
5. Nas is Good
6. Composure
7. Michael & Quincy
8. Speechless
9. Thun
10. Rare
 
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not even close lol

1. Store Run
2. Death Row East
3. Car 85
4. Blue Benz
5. Nas is Good
6. Composure
7. Michael & Quincy
8. Speechless
9. Thun
10. Rare


QB Politics is a dope, solid song all around, but far from untouchable. But none of those listed come anything close to touching "Art Of It". That's a top 10-15, arguabley even better, Nas track for his entire career.

Yeah the song is over 10 years old, but that should be Exhibit A to point to to dispel the "Nas has outgrown boom-bap production" myth people run with.
 

DontEemTry

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The reality according to Nas stans, sure. But you talk to most folks, SD, HHID, and Untitled were "cool" at best and that's why Life Is Good was such a shot in the arm for Nas' rep. shyt HHID and Untitled came out during the peak of my Nas' stannery and I still remember trying to convince people (and myself) that those albums were better than they actually were :mjcry:

"Life Is Good" :wow: Album had a lot of very high highs. Production was varied and interesting. Topics were heart felt.

Crazy that nikkas don't see the difference.
 

Mike Wins

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The reality according to Nas stans, sure. But you talk to most folks, SD, HHID, and Untitled were "cool" at best and that's why Life Is Good was such a shot in the arm for Nas' rep. shyt HHID and Untitled came out during the peak of my Nas' stannery and I still remember trying to convince people (and myself) that those albums were better than they actually were :mjcry:

The Distant Relatives and LIG one two punch did a lot for him. 2004-2008 was the worst stretch of his career when he was active. Really he could have stopped there with his spot solidified

I would argue DR accomplished a lot of what Untitled was shooting for but was more inspired musically and a lot better replay value. Also felt like close to zero label interference on that one, unlike HHID and Untitled where there's multiple tracks that felt like they only on there to appease the label
 
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