I love Latina women
Veteran
It’s an interview from GQ magazine with him and Tyler The Creator.
Direct quotes from the interview:
P: “What’s going on man?”
T: “Livin.’ Waitin’ on you, man. Not like for this call, like waiting for the new shyt that was supposed to come out ages ago. You playin’.”
P: “No, I’m not, I’m not, I’m out here in Paris, I just ended up doin’ twelve N.E.R.D records.”
T: “Can’t wait man!”
P: “Listen, you’ll have something to ride to. I mean, look, like I told you, they’re big choruses, but you know, out of nowhere, I’ll just come out of nowhere with the three-bar, crazy-nuts chords that go three-bar to four-bar to eight-bar. It’s good bro, it’s good. This is like that feeling that I felt when we made In Search Of...[2001]. I won’t sit here and tell you that they were hits. I knew it was different, and I knew there won’t be nothing out there like this. But I’m talking about the feeling. I wanted to do everything. I wanted feelings. I wanted the motherfukkin’ great composition. I wanted great chords. I want to use chords I never used before, and not just the dreamy ones. The ones that I’ve never done, that I fukkin’ hated. But using them in ways to get to other chords where the changes are such a release. And then, lyrically, the harmonies here…all the songs just have rainbow harmonies.”
Link to interview
www.gq.com
Direct quotes from the interview:
P: “What’s going on man?”
T: “Livin.’ Waitin’ on you, man. Not like for this call, like waiting for the new shyt that was supposed to come out ages ago. You playin’.”
P: “No, I’m not, I’m not, I’m out here in Paris, I just ended up doin’ twelve N.E.R.D records.”
T: “Can’t wait man!”
P: “Listen, you’ll have something to ride to. I mean, look, like I told you, they’re big choruses, but you know, out of nowhere, I’ll just come out of nowhere with the three-bar, crazy-nuts chords that go three-bar to four-bar to eight-bar. It’s good bro, it’s good. This is like that feeling that I felt when we made In Search Of...[2001]. I won’t sit here and tell you that they were hits. I knew it was different, and I knew there won’t be nothing out there like this. But I’m talking about the feeling. I wanted to do everything. I wanted feelings. I wanted the motherfukkin’ great composition. I wanted great chords. I want to use chords I never used before, and not just the dreamy ones. The ones that I’ve never done, that I fukkin’ hated. But using them in ways to get to other chords where the changes are such a release. And then, lyrically, the harmonies here…all the songs just have rainbow harmonies.”
Link to interview

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