Proof Three Six Mafia are better soul samplers than any east coast producer

[JustCKing]

Don't get why y'all get upset that people like three 6 mafia and wanna give em props

Nobody's upset over the admiration for 3-6. What's infuriating is the overboard hyperbolic statements that overstate their influence and importance. Somebody on here said that Project Pat was a household name. Come on. He' s a Southern legend, but he was never big enough to where people who didn't listen to his music knew he was. Snoop is a household name. Jay z is a household name.

Posters on here claimed this was a Top 3 influential group when you have Public Enemy, NWA, Tribe, Run DMC, Geto Boys, etc.

 

[The G.O.D II]

This 3 6 Stan revival shyt reminds me of how everyone loves street fighter third strike about 15 years after the fact. Super hilarious.

 

[Inspect Her Deck]

RZA the only acceptable answer

 

[mobbinfms]

This is decent flip but nothing special...rather simplistic and straightforward compared to what alot of Memphis producers used to do...and the drums he added were weak on that track which is the achilles heel for alot of NY producers...

an obscure sample flip like that was standard fare for alot of 90's era Memphis producers



taken & flipped from the little sound @ 2:59-3:04

I asked for a legendary three six beat and you post a song nobody's ever heard from an artist nobody's ever heard of? :pdahell:

And that's dope that Zirk took a pretty obscure part of that record and used it for a beat, but I can clearly hear the original in that beat. You can't in the Mobb record. That's the whole point, he took a piano and manipulated it so much it was unrecognizable. The original wasn't discovered for 16 years. And the only way you can hear the original is in that video I posted that breaks down how the sample was modified.

Also, Havoc, Primo, RZA drums and drum programming are far better than 36.
Actually that's true for most any NY legend.

 

[10:31]

This 3 6 Stan revival shyt reminds me of how everyone loves street fighter third strike about 15 years after the fact. Super hilarious.

Stan revival?

Blame the dominant sound in the culture abroad and globally.. Don't blame 3 6 unless you're giving them credit


Credit > blame

 

[3rdWorld]

They got beats..no doubt about that..but the WU production staff is leaps ahead

 

[Jonah]

nikka this aint 2005. stop bringing up old shyt like 36 mafia. aint no one giving a shyt about them... Statlanta aint popular no more.

 

[Monoblock]

I'm just here to post some of my favorite Three Six joints.

 

[Mob H]

3 6 have never made a song this good. EVER.

And Rocky's got at least 20 joints better than that.

If Rocky didn't have Juicy J bouncing around like a thot in his videos, y'all wouldn't even know about 3 6 Mafia. Keep it real. All this "3 6 da gawd" shyt started as a means of deflecting from Rocky's achievements. Most of y'all stay saying "Rocky sucks", yet you wanna give someone else points for the sound him and Yams created

at acting like the new kids are studying 3 6 Mafia like that. They didn't give a fukk about them then and they don't give a fukk about them now



perfect analogy

A$AP Rocky's whole style is Houston, TX and Triple 6, fukk you mean?

 

[SirBiatch]

breh what are you even talking about?

lol you got all that from me saying that this song reminds me of some old school three 6?

I used your post as a launching pad

 

[SirBiatch]

A$AP Rocky's whole style is Houston, TX and Triple 6, fukk you mean?

so you're saying Rocky has NO East Coast influences? aside from the East, what about Bone Thugs?

 

[Lord Mecca]

For one. I felt M.A.D.E was dope. Lol. Philadelphia Freeway was one of the best Roc release's on that label. He's also done stuff for other artists outside of The Roc. Which is why I told u to check his production credits cause it might surprise u. I mean the nikka had tracks like I Really Mean It and considered it a throwaway track. U may not personally like a lot of his shyt but dude has a dope track record up until he stopped making beats full time and focused on strictly Djing full time.

Please tell me where I should be surprised with his production credits lol. There's nothing to be surprised about. You're acting like I'm gonna look at it and be like "WOW... he did THAT!?" Nah... he had about a 3-4 year run... strong singles... with a lot of misses in between. For every "great" Just Blaze track you post, I could post a subpar one. This is all a rebuttal about OP saying he's the greatest east coast producer. He's not even remotely close. His production credits are thin compared to the other producer greats. I dunno what I'm supposed to be surprised by.

That's cool you think M.A.D.E. is dope but in the scope of time not a goddamn soul talks about that album. People are always bringing up their flashback albums and I never seen anyone mention M.A.D.E. lol. Probably cause it was mediocre... but who knows maybe for whatever reason people forgot it exists. He's a producer who gets four spots an album tops who had big singles. Nothing more. Not GOAT status. Didn't say he wasn't good (as stated above)... he definitely ain't no GOAT.

 

[Wacky D]

chicken head and don't save her alone which are 2 terms still being used as we speak are both bigger then anything on that album, stop it breh, this is literally the 1st time I see anybody bring that album up on here.

LOL

I don't know how old you guys are but those terms were out LONG before that middle-of-the-road ass project pat album.

She really said the entire current game is a by product of 3 6 Mafia

lol.

these threads are surreal.

From the ashes of humbled Outkast,Wu Tang stans rises 3-6 Mafia stans...another year another group I'ma have to put back in proper perspective....

OH SH*T.

my ninja stillnotsoft str8 surfin on these dudes.

I felt that chit in my bones holmes.

Not only Paul & Juice...i'd take the sampling and overall production skills of other 90's era Memphis producers like Squeeky, Zirk, Ball & G, Blackout, DJ Sound, Tommy Wright III...over pretty much anybody...east,west, south, midwest...whereever...damn there my entire top 10 producers are all outta Memphis....they were 2 decades ahead of the curb...you can throw on some random shyt from a relatively no name click outta Memphis from the 90's and the production will sound fresh as hell...damn there indistiguishable from alot of shyt today



^^^ this is from '95...you can easily confuse this for some drill rap shyt recorded today

these links sound amateurish and sloppy.

that's why they didn't blow like that. not because they were before their time. meanwhile, people like dj u-neek & traxster were killing it.

it sounds fresh now because the game is full of remedial retard rappers nowadays who have no business being on. these are the people yall are bragging about. look at this chit b. LOOK AT THIS CHIT MANE:

 

[DJDONTNOBODYPAYME]

Snoop is a household name. Public Enemy, NWA, Tribe, Run DMC, Geto Boys, etc.

One of the very first albums i ever heard (was parts) of a Public Enemy cassette and a Heavy D one.
Then after that it was various shyt but mainly from Wu-Tang and Death Row.
If no one wants to play dementia. Then you would know that everybody had to have their own Flare. Prophet Entertainment of course being no different
Their was influenced by their "idols" but they did their own thing (it was political correct)
Project Pat and Three 6 are just as much of a household name than the ones you just named. Its time for you to grow up and move up from your 2nd Childhood




Dj Paul and Juicy J the blueprint. Stop your petti shyt

 

[King Sun]