The Devil's Advocate
Call me Dad
so now master p been running around lying about his split the whole time... in the same article priority is praising him and the deal AFTER it was over.. and all this time not a single person called him on it... come on brehof course Master P would say that..
he probably got 20%(which is actually good.. very good).. companies like Priority, dont get rich giving away 80% of their own money, and giving away their master recordings.. if you believe that- i really dont know what the hell to even tell you..
and, P didnt pay those guys.. ask Kane-N-Abel, Mia X, hell.. he didnt even pay Beats By The Pound.. thats why they quit working with him..
ask mia x hmmm

XXLMag.com: Many people can empathize with your decision to step away from the game but was your split from No Limit amicable?
Mia X: We never split up. We are the godmother and godfather of each other’s children, we are in-laws to each other; we are truly family. We still hang out. I just went to a Juvenile concert with Fiend, Mr. Serv-On and KLC and it was really fun. We still communicate with one another because all of us we’re family…
XXLMag.com: What about Master P?
Mia X: We all still love Percy [Master P] dearly but at the same time you got brothers and sisters that you just don’t fool with for one reason or another, that don’t mean you don’t love ’em—dude is family… I wish things could be a little different. I wish we wouldn’t have lost the communication. No Limit was run like a family business, when he went to play basketball [in the NBA] the communication broke down between him and all of the artists.
XXLMag.com: How so?
Mia X: We had a different relationship with our CEO; we used to sit down at the roundtable to discuss the projects, the marketing, videos, dates and then things got really formal and unfamiliar. A lot of people think it had a lot to do with money, it really didn’t. It had more to do with way things were structured. No Limit was a movement, we had a good thing. When things shifted, my parents died and I was like, Well, P ain’t at the label so I might as well not go back and that’s pretty much what happened.
Read More: Mia X, Been Through the Storm - XXL | Mia X, Been Through the Storm - XXL
what about KLC, the founder of beats by the pound

Where would people know you from?
I was a part of Beats by the Pound. Me, Moby dikk, Craig B, and Odell used to be the in-house producers for No Limit. There was another cat named Carlos who’s no longer with us. I produce solo now, with Medicine Men.
Why did you end up leaving No Limit? How did things deteriorate?
When people bring up the money I do talk about it, but it wasn’t the money that made us leave. It was the communication. When [Master P] decided to go pursue his basketball career, it ****ed up our communication. Whenever we had to talk to him, we had to go through somebody. When it goes through somebody, it gets back to him all ****ed up. That started some bull****. Money didn’t have anything to do with us leaving, but after we left, ****, he started sending papers to our lawyers about “failure to report to work.” So we were like, **** it. We were never signed to a contract, so we wasn’t even tripping on the money. We just wanted out. There were several times when we, [Beats by the Pound], tried to talk to him to get the situation solved, because it was some minor ****. It was just his pride. And one thing I know from experience is that he’s a real good person, but he’s influenced by the people around him. So a lot of the decisions that he made didn’t really come from him, it was just what other mutha****ers was telling him.
and just to round out every name you listed... lets ask kane n abel

Describe your overall experience with No Limit Records
You could actually see the principles of success put into motion, believing in yourself, believing in what you are doing. But on the flip side, when you are on top, you have to pay the closest attention to what you are doing, because its so easy to fall down.
Kane & Abel Interview | No Limit Twin Rappers LatinRapper.com
seems to me it's exactly what i said.. they gave the man an 80-20 deal, thinking he'd never come up with marketing and promo money.. and if he did, it wouldn't sell anyway... and he fukking did it.. independent.. no machine.. no borrowing of money.. to the tune of 500 mil
the deal was over, they had to re-up, and priority was like fukk nah.. don't you think if they was getting 80% of no limit, they would re-up in a heartbeat?
then P started branching out, getting involved in the nba, sports management, movies, tv, a bunch of extra shyt... they had a new deal with actual parent companies, and shyt broke down. it wasn't that mom and pop, indy label anymore
but lets stop disrespecting P on here.. like he didn't come first and do what all these nikkas is attempting.. to get rich OWNING a label... not 30%, not even 50%, 80% and up...
jay used to have it.. started selling off roc.. didn't want to put his money up... what happened
dre had it.. started selling it back to iovine.. now he only owns 30% of aftermath
people was trying to do it.. P pulled that shyt off.. a black man at that... give that man his props





Ted Turner shouldnt have sold it, now what we gonna watch instead of WWE? TNA???? 

