cee-lo killed this smile mama smile 

"Assassinate Trump like I'm Zimmerman
now accept these words like they came from Eminem
Democratic party sentenced to the pendulum
killin em, I voted for André Benjamin
head of Black music? Do you know what rhythm is?
Stick ya hand in the basket, it gets venomous"
yall not hearing this man
Funny watching so many give Ross his just due...
It hit most of us around Deeper Than Rap
Drives me crazy that he follows a formula and always sprinkles in trap songs and then does a few songs in a row for the ladies that bog down the middle.
He did the same thing on deeper than rap.
Just give us one album all soulful lyrical shyt.
Drives me crazy that he follows a formula and always sprinkles in trap songs and then does a few songs in a row for the ladies that bog down the middle.
He did the same thing on deeper than rap.
Just give us one album all soulful lyrical shyt.
I'm not talking about the lyrical content... I'm talking about the very slight variations in the formula, production choices, and sequencing of a lot of his projects.
Black Dollar:
Tracks 1-9: Justice League shyt, smooth and boom bappy type, or just generally more hip-hop oriented songs
Tracks 10-12: Southern trap type songs
Tracks 13-14: Smooth rnb shyt for the bytches or some "fukk these hoes" type songs
Tracks 15-17: Celebratory/reminiscing closing songs
+ a Jay-Z sampled remake tribute song
Mastermind:
Tracks 1-7, 9: Justice League shyt, smooth and boom bappy type, or just generally more hip-hop oriented songs
Tracks 8, 11, & 15: Southern trap type songs
Tracks 10 & 13: Smooth rnb shyt for the bytches or some "fukk these hoes" type songs
Tracks 14 & 16: Celebratory/reminiscing closing songs
+ a Biggie sampled remake tribute song
GFID:
Tracks 1-7: Justice League shyt, smooth and boom bappy type, or just generally more hip-hop oriented songs
Tracks 8-10: Southern trap type songs
Tracks 11-14: Smooth rnb shyt for the bytches or some "fukk these hoes" type songs
Track 15: Celebratory/reminiscing closing song
Teflon Don, Deeper Than Rap, and Port of Miami follow this formula too but I won't get into those... don't remember Trilla or the other 2 mixtapes, but only other projects that don't look like this are Rich Forever & Hood Billionaire, both of which are pretty much hi-hats, 808s, and trap sounds for the whole album. Don't get me wrong, I thoroughly enjoy most of Rick Ross' projects, I've just grown a lil tired of the rigidness in how he makes them.
Drives me crazy that he follows a formula and always sprinkles in trap songs and then does a few songs in a row for the ladies that bog down the middle.
He did the same thing on deeper than rap.
Just give us one album all soulful lyrical shyt.
Funny watching so many give Ross his just due...
It hit most of us around Deeper Than Rap