Rick Ross Says He Is In An Exclusive ‘2 Percent’ Club With JAY-Z & Drake

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Rick Ross has made a bold claim that only him, JAY-Z, and Drake share rare air in the space of making music in the studio.

During an interview on the Drink Champspodcast, which dropped on Saturday (May 13), Rozay delved into many aspects of his career, including his collaborative relationship with Drizzy over the years and the exclusive class he and his other two rap contemporaries share.



“Me and Drizzy, our relationship is most definitely is real close,” Rick Ross said. “Imma be honest, I don’t know how much music we got because it’s so easy working with the homie. Imma be honest. We in the two percentile hen it comes to writers and creators. It’s called a two percentile. The two percentile — listen, if you not ready for this…. walk out of the room. But the two percentile is when you walk into the room, you hear something, a beat or a production that you actually love and can actually create it, write it, and execute it right then. I can’t say I’ve done that with many artists. It’s not even five artists.”

He continued: “He [Drake] is in the two percentile. And me being in the game over 20 years — And imma be honest, I understand when you working with Rozay, you don’t want that type of pressure on you. You come to the studio with me, it’s very few people that’s comfortable enough to listen to a beat, take my direction from it and create something in that moment, record it right then, and stand on it.”

Check out the full interview below:

JAY-Z. The reason why I take my hat off to Hov. It was ‘Free Mason.’ We was at [Madison Square Garden]. Hov was on tour. I told Hov I’m finna come to your tour and imma just kick it with you. He had no idea I had the production, the beat, the record, the idea. And so I went to the tour. We backstage. It may be 20 minutes before he go and perform. This the greatest n-gga in the game. This Rozay. I’m still halfway broke n-gga. I want it. I want that motivation.”

So I went backstage, right before he went on stage. ‘Big homie let me play you this beat.’ I’m expecting him to tell me ‘Not right now. Not right now.’ And I tried him, straight up. So I play my verse and the beat from ‘Free Mason.’ He leaning up against the wall before he go on stage. And he just started rapping right there. And what he saying is pertaining to what we talking about. So Hov is a two percenter.”
 

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Rozay is for sure a legend out of the past 20 years but he started slowing up after Black Market. His momentum hasn’t been the same after that album unlike Drake. Hov is Hov.
 

Apollo Creed

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Rozay is for sure a legend out of the past 20 years but he started slowing up after Black Market. His momentum hasn’t been the same after that album unlike Drake. Hov is Hov.

That Deeper than Rap to Teflon Don Run + the tapes in between was legendary lol.

Rosy had a weird ass career when you really do think he was maybe Drake tier from his marketing [at one point] but hell nah.
 

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These nikkas make it seem like making rap music is this hard ass science, that’s not special at all but I guess he work with so many guys with ghost writers and producers his image has been clouded
 

Lucky_Lefty

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I’m honestly starting to believe this nikka has a mental illness. Delusions of grandeur ass nikka is the epitome of “lights, camera, action”, then when they’re turned off
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The two percentile — listen, if you not ready for this…. walk out of the room. But the two percentile is when you walk into the room, you hear something, a beat or a production that you actually love and can actually create it, write it, and execute it right then. I can’t say I’ve done that with many artists. It’s not even five artists.”

OK, this part of the statement makes sense, but a lot of people won't get it because a lot of people don't think putting a song together is an art. Understandably, I didn't get it either. I just looked at it as listening to a beat, writing to it, and recording it. The "execution" though makes or breaks the song though because an artist can have a great idea, but it doesn't necessarily sound great.

With Ross, that "2%" he's saying he exists in hasn't been home for him lately. Ross was great at pulling the very best out of everybody he was working with, but now it's like he's been getting scraps. Just think, he got one of Nas's best verses on "Triple Beam Dreams". It was some verse of the decade caliber verse. One of the highlights of Jay Z's MCHG was the song that featured Ross. One of Drake's most quotable lines came from the same tape that featured "Triple Beam Dreams".
 

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OK, this part of the statement makes sense, but a lot of people won't get it because a lot of people don't think putting a song together is an art. Understandably, I didn't get it either. I just looked at it as listening to a beat, writing to it, and recording it. The "execution" though makes or breaks the song though because an artist can have a great idea, but it doesn't necessarily sound great.

With Ross, that "2%" he's saying he exists in hasn't been home for him lately. Ross was great at pulling the very best out of everybody he was working with, but now it's like he's been getting scraps. Just think, he got one of Nas's best verses on "Triple Beam Dreams". It was some verse of the decade caliber verse. One of the highlights of Jay Z's MCHG was the song that featured Ross. One of Drake's most quotable lines came from the same tape that featured "Triple Beam Dreams".
FWMYKIGI was Ross song first.
 
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