Scream 7 | Discussion Thread

Jaguar93

Veteran
Joined
Jan 28, 2016
Messages
22,496
Reputation
7,054
Daps
104,765
:yeshrug:I personally didn’t care for the core 4. :picard:Especially Mindy, but Scream 6 proved that you can do a Scream movie without Sidney. They could’ve let the Barrera sisters finish their trilogy and return to Sidney in Scream 8. Especially since Ortega was going to die in the original Scream 7. I mean, even Halloween had the Jamie Lloyd Trilogy.
 

re'up

Veteran
Joined
May 26, 2012
Messages
21,415
Reputation
6,683
Daps
67,397
Reppin
San Diego
About damn time, lol. Scream 4 is legitimately good. Probably the last time I would consider a film in the franchise to be actually creepy.

I saw Scream 4 at the midnight premiere showing with one of my high school homies who loved horror movies, and it was a great time but I remember thinking the movie wasn't that good. I watched again recently, and it's a lot better now. Some of those ideas about social media and victim narratives just became the way the whole world works. The filter it was shot with is terrible. Scream 3 was the last one to look like a normal movie. Scream 5 didn't look good, Scream 6 was solid, and Scream 7 was amateur.

I watched some whole video on it, and movies are shot differently now, with less extras, more green screen, and blander lighting. It makes them connect us less to them, because it doesn't look like the natural world.
 

Silkk

Can't Change My Damn Avi :beli:
Joined
May 2, 2012
Messages
216,663
Reputation
22,790
Daps
544,262
Said the same thing. And both of them have very similar flaws.

Yea they both had paper thin new characters and the absolute worst killer motives.

At least Scream 7 didn't shyt on a legacy character.
The Ray heel turn was dope to me. Every scream fan had been begging for years to see it happen with one of their legacy characters, At least IKWYDLS had the balls to actually do it

And the light skin dude and madelyn cline both smoked it to me :yeshrug:
 

re'up

Veteran
Joined
May 26, 2012
Messages
21,415
Reputation
6,683
Daps
67,397
Reppin
San Diego
Yea they both had paper thin new characters and the absolute worst killer motives.

At least Scream 7 didn't shyt on a legacy character.

Did you think it felt like "unnatural" as in the sets had no character or feeling of a real place? And the characters also talked like no people ever would. The characters in the I Know What You Did Last Summer remake made a Nicole Kidman AMC movie joke, despite being 20 years old and living somewhere on the Massachusetts coast or whatever that was.

There was this jarring line in Summer about "what if men went to therapy?" It doesn't offend me as a man, it's just a bad line that made no sense, and that no real person would ever say. There's an equally bad line in Scream 7 "I'm Sidney fukking Prescott's daughter"

Both movies had horrible shots, and editing, and pacing, they lurched around from scene to scene. There was an inertness to both, like they never really got started or settled in. There's a really good movie somewhere in the general Scream 7 plot, with a lot of tension and creeping feeling of dread as the killer gets closer and closer to Sidney's domestic life. This just dives right in. There's no buildup of normalcy, outside a few pat scenes.
 
Last edited:

re'up

Veteran
Joined
May 26, 2012
Messages
21,415
Reputation
6,683
Daps
67,397
Reppin
San Diego
The Ray heel turn was dope to me. Every scream fan had been begging for years to see it happen with one of their legacy characters, At least IKWYDLS had the balls to actually do it

And the light skin dude and madelyn cline both smoked it to me :yeshrug:

The thing to me was it made zero sense. Not within the context of that character, or his motivations. The movie doesn't sell it. If they wanted Ray to be a killer, they would have to write that movie. I still think it's a little dumb, but they would have had to SHOW that he had unraveled through the writing and the acting. Instead, he plays it entirely straight until the final scene. As I write this, I have no idea what his motive was.

Thats what is missing from a lot of these movies is sharp scripts and movies that show instead of tell. How much fukking expositional writing is there in both movies? There's a line in Summer where one character says "so how does it feel to be going to your engagement party", after showing shots of young women dressed for an engagement party. It's lazy.

The Ray thing felt lazy to me. And then they dress it up in all this PR language in the press release interviews, "well, we wanted to challenge the conventions of the genre, and felt like we could honor his legacy and add this new angle to the character"
 
Last edited:
Top