Shameful and embarrassing how NYC artists and fans are stooping so low for music relevence.

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You weirdos are obsessed with New York

I have yet to see a thread about how 21 savage sounds nothing like goodie mob or how schoolboy q doesn't make G funk or how Midwest has zero identity and hops on whatever sound is hot
or why los angeles rapper ot genasis is making trap music that sounds like he's straight outta zone 6
 

OnlyInCalifornia

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If he sounds like her it don't mean Dej influenced him or he's copying her his biggest influence is Drake. He does R&B hybrid rap music. Y'all gotta stop thinking that these young nikkas go in the studio with the intention of sounding like anyone. Akon is another dude he's been compared to just because he's melodic.

Sounds like Def Loaf, a mid west artist. Major influence, a kid from Canada who also came up trying to ride the Southern wave :snoop:



Now, Young M.A. is biting Kevin Gates? :russ:

What about Young MA is more New York than New Orleans? I think you got your New's mixed up.

Gold grills is not NY? That started in NY all the rappers here in the 80's had 'em. Search up Eddie Plein he moved to Atlanta from NY and got grills popping in Atlanta.

Don't nit pick and try to argue one point. I said low riders, gold grills and lean. Not just gold grills. You know exactly what I meant and I know you are a pretty smart poster. Don't play games.

I have never seen a low rider in NY and I don't see any of the young rappers in them. Bloods and Crips been here since the 90's. Lord Tariq and Capone-N-Noreaga was talking about Bloods in '97. Bloods and Crips are everywhere, you got Bloods in Atlanta.

They mention em....people are into em....



As for mentioning low riders.....theres been tons and tons of examples of you guys doing it in songs from Puffy Daddy to Jim Jones to 50 cent. Bloods being in Atlanta means nothing because we are not talking about Atlanta here. You are trying to do a classic mis-direction. Bloods and Crips being in NYC since 97 doesn't mean it's okay or it is something New York. That still is and always be associated with Los Angeles.

Lean is being used nationwide. The slang we're copying like thot is used nationwide we have our own slang as well. Y'all gotta accept that regionalism is dead. The youth literally does not give a fukk about the shyt y'all talking about. They make what sounds good to them.

Regionalism isn't dead. And people always liked what they liked. People loved Eastcoast records in LA during the supposed West vs East. That's not the point. New York rappers trying to sound like Southern rappers is getting more and more popular....selling out their sound and roots....

SchoolBoy Q and YGs albums do not sound like Gucci Mane and Futures. Period. Regional sounds and styles are not 'dead'

If we are basing things off the kids then again it's rappers like Lil Uzi Vert (Philly) and Lil Yauchty (Atlanta) are who we should be talking about....
 

ucanthandlethetruth

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This clown A Boogie done stole a females flow. :scust:




We all know about Designer stealing Future flow and cadence with no shame. :what:




Is NYC hiphop turning to the Republican party? :patrice:

:umad:...nikkas see NY cooking :banderas:that said you 100 about that dej loaf/a boogie shyt :ehh: dude is avg but son buzzing hard y'all nikkas need to get of ny daily nutsack and wake the fukk up already this the internet age nothing is the same..there are very few original artists breaking new sounds or flows and everybody is just cloning and sharking everybody else's wave it ain't just ny it's everyone sharkng everyone. it's the time period we in and if anything all rappers are clones of ny for rapping in the first place:mjpls: it's only right nikkas restore the feeling:lolbron:
 

ISO

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Sounds like Def Loaf, a mid west artist. Major influence, a kid from Canada who also came up trying to ride the Southern wave :snoop:





What about Young MA is more New York than New Orleans? I think you got your New's mixed up.



Don't nit pick and try to argue one point. I said low riders, gold grills and lean. Not just gold grills. You know exactly what I meant and I know you are a pretty smart poster. Don't play games.



They mention em....people are into em....



As for mentioning low riders.....theres been tons and tons of examples of you guys doing it in songs from Puffy Daddy to Jim Jones to 50 cent. Bloods being in Atlanta means nothing because we are not talking about Atlanta here. You are trying to do a classic mis-direction. Bloods and Crips being in NYC since 97 doesn't mean it's okay or it is something New York. That still is and always be associated with Los Angeles.



Regionalism isn't dead. And people always liked what they liked. People loved Eastcoast records in LA during the supposed West vs East. That's not the point. New York rappers trying to sound like Southern rappers is getting more and more popular....selling out their sound and roots....

SchoolBoy Q and YGs albums do not sound like Gucci Mane and Futures. Period. Regional sounds and styles are not 'dead'

If we are basing things off the kids then again it's rappers like Lil Uzi Vert (Philly) and Lil Yauchty (Atlanta) are who we should be talking about....

Kevin Gates don't get play in NY, he's not a popular rapper among youth here. Why you comparing them what similiarities they got other than being tatted and Rican? You're basing Young M.A. off one track a lot of her shyt is very "traditional"...

This is Kevin Gates to you? :dahell:




NY Bloods are different from Cali Bloods. United Blood Nation was founded in Rikers Island in the early 90's so inmates could protect themselves from other gangs. I mean we're talking about a gang that's existed in NY for damn near 25 years. I remember growing up my moms would tell me to be careful on Halloween because Bloods would slice people for initiation. This is a part of NY street culture.

Regionalism is dead because it doesn't matter where you're from anymore. Slang and all that has spread nationwide. This is the internet age. If it's not dead why do so many artists sound like they from somewhere else?

-you said A Boogie sounds midwestern like Dej Loaf, when Dej isn't a traditional Detroit artist and can be categorized as Southern. I know Detroit for having rappers that can spit like Eminem and Dilla beats...

-you yourself said Drake was a Canadian who got hot off a Southern style. From what I've seen Toronto rappers pre-Drake rapped in a street NY punchline style...

-you said Shmurda bit Keef when Keef is from Chicago. If I'm not mistaken Chicago was known for neo soul rap like Kanye/Lupe/Common and fast spitters like Twista/Do or Die/Crucial Conflict. Keef makes drill which is basically trap music with Chicago gang banging thrown in...

If you really think about it you're contradicting yourself...

These dudes aren't trying to sound like anyone they're a reflection of the times. A Boogie "My shyt" is what a NY hit record sounds like in 2016. All these kids are a representation of NY.
 
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Wild self

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Who from the Midwest sound like A Boogie? Big Sean don't, Chance don't, G Herbo don't. Only thing y'all can say is Dej and that's only because he's melodic.

NYC didn't shun A$AP they sold out and slowed down.

Question: What is a New York rapper supposed to sound like in 2016? What is New York production supposed to sound like in 2016?

Doing something different and ending the stagnant auto tune songs catered to thots that's been going around the last decade.

INNOVATE! Stop catering to thots and make music that dudes like to hear again.
 

ISO

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Who shunned them in NY other than corny :flabbynsick: nikkas who was talking that regional B.S.?

Because the youth in NY didn't. Live.Love.A$AP was the tape to smoke to, dudes was changing they social media names adding A$AP to their names. Shabba and Work by Ferg got mad love in the city.

Rocky stopped jacking Harlem and started fukking with SoHo/London/Beverley Hills. Yams died, Rocky dropped an experimental album, Ferg fell off. Rocky still a star.
 
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This is real hip-hop to the young nikkas. Let the young nikkas eat. When u was bumping Nas ya mom's wanted to fukk the temptations. every generation got they own taste it is what it is.
Disagree...my grandpops had jazz...my pops had motown...I had hip hop...my kids have...oh they still on hip hop...which I grew up on and understand...cats need to stop using that back in the day your parents didn't understand your music bs...
 

Max Goonberg

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Disagree...my grandpops had jazz...my pops had motown...I had hip hop...my kids have...oh they still on hip hop...which I grew up on and understand...cats need to stop using that back in the day your parents didn't understand your music bs...

Point is things change. What you grew up on and whats coming out 2016 is not the same. Which is why all you diccheads is in here complaining.
 

Awesome Wells

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Doing something different and ending the stagnant auto tune songs catered to thots that's been going around the last decade.

INNOVATE! Stop catering to thots and make music that dudes like to hear again.

This here.

I don't think it's about old versus young. It's most of these dudes are just wack. The old heads were raised in an era where the standard was higher for MC's. There were rules. One of them being that you couldn't sound like anyone else. Another, you had to actually be dope. People just wanna hear something that sounds new, and not like everything else that's out now. That's what's missing.
 

Stuntone

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This here.

I don't think it's about old versus young. It's most of these dudes are just wack. The old heads were raised in an era where the standard was higher for MC's. There were rules. One of them being that you couldn't sound like anyone else. Another, you had to actually be dope. People just wanna hear something that sounds new, and not like everything else that's out now. That's what's missing.


Standard's were definitely higher back than. Cats weren't cool with other MCs copying their skills to the T. I remember when Shyne first came out, NYC and everyone was hating until they realized the flows and content was way different from BIG.
 

Stuntone

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This here.

I don't think it's about old versus young. It's most of these dudes are just wack. The old heads were raised in an era where the standard was higher for MC's. There were rules. One of them being that you couldn't sound like anyone else. Another, you had to actually be dope. People just wanna hear something that sounds new, and not like everything else that's out now. That's what's missing.


Standard's were definitely higher back than. Cats weren't cool with other MCs copying their skills to the T. I remember when Shyne first came out, NYC and everyone was hating until they realized the flows and content was way different from BIG.
 
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