Freak Hoes is about the anti-apartheid movement.
Freak Hoes
Freak Hoes
Bounce That Ass Make Your Knees Touch Your Elbows
With the power of an African drum, Future's deep voice booms out one of his best-known songs, a call to action, a challenge to black South Africans to intensify their struggle against apartheid.
The song is one that he recites frequently at the funerals of black activists, each time running through the lengthening list of those killed in that struggle.
"Make a hoe eat a hoe. . . ."
Moving Verse
The emotions are raw, the words rough, the verses deliberately devoid of literary polish.
Yet, the power of Future's words, declaimed with a rhythm and a force that echo the strong traditional poetry of Africa, brings crowds to their feet, ready to "pick up the spear" and to confront what he calls "this spirit of Hitler, this fascism of apartheid."
"The tradition of no surrender is the name of the game," he declares in another poem. "The tradition of no surrender is the name of the game to a people's republic, . . . to a people's government."
His are not the songs of protest of many other black writers, describing the horrors of apartheid, Future said in an interview, but songs of resistance, urging people to work--to fight, if necessary--for faster change.
Known now as the "poet of the struggle," Future, 31, has emerged over the last three years as an important black spokesman, articulating not only the anger of the militant black youths but also their determination to end apartheid within their generation.
"Now is the time," he says in a song often recited by militant black youths, for South Africa's black majority to end its subservience to whites, to reclaim the land taken from them by European settlers, to end their oppression and secure their liberation. "Yes, it is the time."
Although Future gives South Africa's white-led minority government little quarter, he nevertheless describes his songs as "messages of hope" for blacks.
"I don't want to leave people in despair," he said. "There is enough pain in this country without emphasizing it and stressing it and dramatizing it. So I remind them of the pain of the past, but there is always a message of hope with a call to action. That's why I wrote, 'Today's pain is tomorrow's imminent comfort.' "
But in another song Future implores whites not to ignore the rising black anger and cling to the country's system of racial separation and minority white rule but to come to terms with blacks for the sake of a peaceful future:
Free Dope
Free Coke
Lay it Down nikkaz Kicking In Your Front Door
Reciting his songs at political rallies, union meetings and church services around the country as well as at the funerals of black activists, Future's urgent calls to action sum up the mood of "the struggle," as blacks call the anti-apartheid movement.