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Strasserism, the “Red-Brown Alliance,” and the Online Left
Orwell, the conservative’s favorite socialist, famously once opined in 1944, during the peak of actually existing fascism, that “fascism,” in the pens and mouths of the literati, had been voided of all content and transformed into a floating signifier attached to foes of all kinds. The right has been grateful ever since for Orwell’s equivocation, as their own genealogy contains some shameful relatives they’d rather forget. He declined to provide any original definition of fascism, but he did correctly perceive that its emotional payload made it a useful label for ideologists.
Recently, a related label has bubbled up into left online chatter, a close kin of so-called National Bolshevism—Strasserism. In the majority of instances, this use of “Strasserism” should not be taken literally, but as shorthand for a defiantly edgy brand of populism, whether nominally left or right. This has not stopped, however, a slew of thinkpieces and Twitter “analysis” dedicated to turning over every rock, no matter how seemingly innocuous, in the search for “red-brownism.” For the most part, this discourse treats Strasserism and National Bolshevism as functionally equivalent, rarely actually interrogating their historical content. The former has, for whatever reason, recently trended over the latter, perhaps because of its novelty.
“Strasserism” as a polemical category has become part of the tedious dialectic between two camps within the left over identity politics. It is rare that genuinely Marxist perspectives find themselves represented in this argument; it is a (mostly online) dispute between, on the one hand, a right-opportunist and workerist social-democratic tendency, and on the other, a “common sense” activist leftism, in which class is merely one identity among others in an intersectional coalition. What both sides share is a conviction, conscious or not, that is a denial that the proletariat represents a universal class.
It is within this discourse that Strasserism has been applied to the former by the latter, and then by the former to themselves in an act of ironic appropriation. A common target is Angela Nagle, whose Kill All Normies—essentially a Dummy’s Guide to *****—first brought her public attention. The book’s thesis, supported by research which consisted mostly of Wikipedia and many nights spent lurking on various internet fora, was perceived as “SJWs created the Alt-Right.” This naturally opened up an audience which clamored for “normie socialism,” which is social democracy minus the sorts who might appear on a Youtube cringe compilation, or as Kate Griffiths defined it, “an assertion of electoral politics, and specifically those within the Democratic Party, as the horizon of the socialist movement today as opposed to direct action and working class self activity. Normie Socialism or Communist Transgression.” Red Wedge. September 27, 2018. Accesse Nagle followed up this hit with an essay misusing Marx to argue against open borders and reprised it in an appearance on Tucker Carlson’s primetime Fox News slot. Carlson made an obvious choice, as with shifting winds he has exchanged his bow-tie libertarianism for a brand of Laschian populism that looks backward to Fordism and its single-income nuclear family. “Strasserite” has also been reserved for the subreddit r/stupidpol, who with dubious humor titled their podcast feed (an aggregation of other podcast episodes) “Strasserites in Pooperville” after a clumsy Twitter clapback. Other targets include Aimee Terese (formerly of Dead Pundits Society), Michael Tracey, Benjamin Studebaker, The eXile, and Anna Khachiyan of Red Scare.2
The most recent fusillade in this mirror-universe culture war is Peter Soeller’s recent Medium two-parter, which warns of a “merger of nationalism with socialist welfare policies to strengthen a mythologized white working class.”“The Rightwing of the DSA Left.” Medium, 29 Mar. 2019. " . Strasserism is here viewed as a possible consequence of “class reductionism.” Conveniently, Soeller rejects the Marxist notion that fascism has a class dimension, instead embracing a non-explanation: fascism is an “autonomous outgrowth of internalized reactionary ideas.” This interpretation of fascism as a mind-virus that infects Twitter accounts is not only silly, but self-serving. As I will argue later, this kind of unprincipled Nazi-hunting is driven by an implicit acceptance of the category of “social fascism,” which in its sensationalism crowds out genuine Marxist criticism of social democracy.
There are other examples. Black Socialists of America, a small organization mostly known for its social media presence, tweeted a thread in March which claimed that Strasserism manipulated anti-liberalism to trick leftists into supporting nationalism, antisemitism, and xenophobia. It included several incorrect claims, such as that Otto Strasser saw Marxism-Leninism as “a softer, Russian form of National Socialism,” or that the Strasser brothers sought cooperation with the Soviet Union.Black Socialists of America. This thread more or less baited Marxists, especially Leninists, with the smear of Strasserism. BSA’s own leanings are vaguely Proudhonist. Accordingly, the thread was capped off with a warning that, among other things, “decentralization” should be a sticking point for leftists, lest they fall prey to the wiles of fascists in red clothing.
Alexander Reid Ross has made something of a minor career out of “red-brown” investigation. He has written multiple essays and a full-length book on the subject. Ross has long maintained a presence online as an anarchist whose foreign policy views conveniently line up with that of the American state department. It is not surprising that this “CIAnarchist,” whose Russia obsessions often fail to separate him from the average boomer liberal, manages to place Chapo Trap House, The eXile, and the “dirtbag left” (a marketing neologism for a brand of leftist humor) in the same Venn diagram as Alexander Dugin, who most agree is a literal fascist. ease-in-out 0s;">6 The title of Against the Fascist Creep, his 2017 book on the subject, refers to “the crossover space between right and left that engenders fascism. This is clearly a nod to liberal horseshoe theory, and Ross positions Strasserism between the ends of the horseshoe, with the (trivially obvious) caveat that the Strasser duo were not leftists. To prevent this red-brown menace, Ross calls for leftists to “abandon the geopolitics of edgelords, and build a public reputation as… defenders of the commonweal.” Translated, we might say this equates to siding with Western NGOs on global conflicts, just to be sure you won’t be lumped in with fascists.
Of course, sincere (or merely half-ironic) Strasserites exist, particularly online. Any foray into the murky corners of Frog Twitter or the Chans will reveal a buffet of ideologies for the taxonomist. It is here where one will most likely encounter the syncretism of which Strasserism is a subtype. Of course, this syncretism is not exactly a fusion of left and right, but mostly rightist ideas in an unfamiliar, and superficially “left,” package. Cold War stereotypes of Actually Existing Socialism, morally inverted and divested of any content too meaningful to capture in Youtube compilations of military parades are joined to the standard grievances of the far right—the collapse of family, race, and nation. John Paul Cupp, the white nationalist who idolized Juche and Iraqi Ba’athism before converting to Islam, probably best exemplifies the lunatic edge of this spectrum, on which one can find every sort of pathology.;White Power and Apocalyptic Cults: Pro-DPRK Americans Revealed.
This pseudo-syncretism is a product of a unipolar world in which a victorious liberalism, having defeated all alternatives, drives its reactionary critics into cooperation and coalition with any forces of resistance. Indeed, this is the basic premise of Dugin’s The Fourth Political Theory—a popular frontism of the far right. Dugin wishes to constrain what he calls the “monotonic process” through a global realignment informed by a dichotomy between, among other things, land and sea powers (in Dugin’s jargon, Eurasian and Atlanticist). This monotonic process is akin to Hegel’s concept of bad infinity, a linear series of self-referrals which progresses continually along one axis, without ever becoming “total” and all-embracing. It is grouped in with the ideas of Enlightenment, progress, and the West as a whole, which only a coalition of particularisms can combat effectively. One could say that this is not so much syncretism as the right-wing of post-modernism, which takes the incommensurability of groups and identities for granted.
There may also be an element of novelty, as this sort of syncretic or post-modern fascism can surprise those who expect that fascism is incapable of evolution, stuck permanently in a dead-end of Nazi LARPing. Individuals like Cupp demonstrate that the far right is willing to experiment, but also that without a mass base the political elides into the aesthetic—it retreats into what Carl Schmitt, in his self-critique Political Romanticism, calls the “cathedral of the personality.” Given the personalities involved, we might rather call them basements.
Returning to Strasserism more specifically, it is known to the English-speaking fascist world primarily through A. K. Chesterton, who met Otto Strasser in 1955, during his post-war return journey to West Germany via Ireland. A. K. Chesterton was the cousin of Catholic traditionalist and witticism-generator G. K. Chesterton, whose distributism (and that of Hilaire Belloc’s) bears more than some resemblance to Otto’s own system, as we shall see later. A. K. Chesterton shared with Strasser his medievalism, ruralism, and opposition to Hitler, although this is mostly where the similarities end. However, he is seen as a foundational figure for the British fascist organization the National Front, and it is through him that Strasserism became, if in a muddled form, almost an official ideology of the National Front, particularly during the 1980s. 9 It was in this period that the edgelord neofolk band Death in June formed, taking its moniker from the infamous Night of the Long Knives, in which Otto Strasser’s brother Gregor was executed. A former member of Death in June, Tony Wakeford, joined the National Front for a time, and lyrics he composed during this time demonstrate the flavor of the NF’s “Strasserism”:
Orwell, the conservative’s favorite socialist, famously once opined in 1944, during the peak of actually existing fascism, that “fascism,” in the pens and mouths of the literati, had been voided of all content and transformed into a floating signifier attached to foes of all kinds. The right has been grateful ever since for Orwell’s equivocation, as their own genealogy contains some shameful relatives they’d rather forget. He declined to provide any original definition of fascism, but he did correctly perceive that its emotional payload made it a useful label for ideologists.
Recently, a related label has bubbled up into left online chatter, a close kin of so-called National Bolshevism—Strasserism. In the majority of instances, this use of “Strasserism” should not be taken literally, but as shorthand for a defiantly edgy brand of populism, whether nominally left or right. This has not stopped, however, a slew of thinkpieces and Twitter “analysis” dedicated to turning over every rock, no matter how seemingly innocuous, in the search for “red-brownism.” For the most part, this discourse treats Strasserism and National Bolshevism as functionally equivalent, rarely actually interrogating their historical content. The former has, for whatever reason, recently trended over the latter, perhaps because of its novelty.
“Strasserism” as a polemical category has become part of the tedious dialectic between two camps within the left over identity politics. It is rare that genuinely Marxist perspectives find themselves represented in this argument; it is a (mostly online) dispute between, on the one hand, a right-opportunist and workerist social-democratic tendency, and on the other, a “common sense” activist leftism, in which class is merely one identity among others in an intersectional coalition. What both sides share is a conviction, conscious or not, that is a denial that the proletariat represents a universal class.
It is within this discourse that Strasserism has been applied to the former by the latter, and then by the former to themselves in an act of ironic appropriation. A common target is Angela Nagle, whose Kill All Normies—essentially a Dummy’s Guide to *****—first brought her public attention. The book’s thesis, supported by research which consisted mostly of Wikipedia and many nights spent lurking on various internet fora, was perceived as “SJWs created the Alt-Right.” This naturally opened up an audience which clamored for “normie socialism,” which is social democracy minus the sorts who might appear on a Youtube cringe compilation, or as Kate Griffiths defined it, “an assertion of electoral politics, and specifically those within the Democratic Party, as the horizon of the socialist movement today as opposed to direct action and working class self activity. Normie Socialism or Communist Transgression.” Red Wedge. September 27, 2018. Accesse Nagle followed up this hit with an essay misusing Marx to argue against open borders and reprised it in an appearance on Tucker Carlson’s primetime Fox News slot. Carlson made an obvious choice, as with shifting winds he has exchanged his bow-tie libertarianism for a brand of Laschian populism that looks backward to Fordism and its single-income nuclear family. “Strasserite” has also been reserved for the subreddit r/stupidpol, who with dubious humor titled their podcast feed (an aggregation of other podcast episodes) “Strasserites in Pooperville” after a clumsy Twitter clapback. Other targets include Aimee Terese (formerly of Dead Pundits Society), Michael Tracey, Benjamin Studebaker, The eXile, and Anna Khachiyan of Red Scare.2
The most recent fusillade in this mirror-universe culture war is Peter Soeller’s recent Medium two-parter, which warns of a “merger of nationalism with socialist welfare policies to strengthen a mythologized white working class.”“The Rightwing of the DSA Left.” Medium, 29 Mar. 2019. " . Strasserism is here viewed as a possible consequence of “class reductionism.” Conveniently, Soeller rejects the Marxist notion that fascism has a class dimension, instead embracing a non-explanation: fascism is an “autonomous outgrowth of internalized reactionary ideas.” This interpretation of fascism as a mind-virus that infects Twitter accounts is not only silly, but self-serving. As I will argue later, this kind of unprincipled Nazi-hunting is driven by an implicit acceptance of the category of “social fascism,” which in its sensationalism crowds out genuine Marxist criticism of social democracy.
There are other examples. Black Socialists of America, a small organization mostly known for its social media presence, tweeted a thread in March which claimed that Strasserism manipulated anti-liberalism to trick leftists into supporting nationalism, antisemitism, and xenophobia. It included several incorrect claims, such as that Otto Strasser saw Marxism-Leninism as “a softer, Russian form of National Socialism,” or that the Strasser brothers sought cooperation with the Soviet Union.Black Socialists of America. This thread more or less baited Marxists, especially Leninists, with the smear of Strasserism. BSA’s own leanings are vaguely Proudhonist. Accordingly, the thread was capped off with a warning that, among other things, “decentralization” should be a sticking point for leftists, lest they fall prey to the wiles of fascists in red clothing.
Alexander Reid Ross has made something of a minor career out of “red-brown” investigation. He has written multiple essays and a full-length book on the subject. Ross has long maintained a presence online as an anarchist whose foreign policy views conveniently line up with that of the American state department. It is not surprising that this “CIAnarchist,” whose Russia obsessions often fail to separate him from the average boomer liberal, manages to place Chapo Trap House, The eXile, and the “dirtbag left” (a marketing neologism for a brand of leftist humor) in the same Venn diagram as Alexander Dugin, who most agree is a literal fascist. ease-in-out 0s;">6 The title of Against the Fascist Creep, his 2017 book on the subject, refers to “the crossover space between right and left that engenders fascism. This is clearly a nod to liberal horseshoe theory, and Ross positions Strasserism between the ends of the horseshoe, with the (trivially obvious) caveat that the Strasser duo were not leftists. To prevent this red-brown menace, Ross calls for leftists to “abandon the geopolitics of edgelords, and build a public reputation as… defenders of the commonweal.” Translated, we might say this equates to siding with Western NGOs on global conflicts, just to be sure you won’t be lumped in with fascists.
Of course, sincere (or merely half-ironic) Strasserites exist, particularly online. Any foray into the murky corners of Frog Twitter or the Chans will reveal a buffet of ideologies for the taxonomist. It is here where one will most likely encounter the syncretism of which Strasserism is a subtype. Of course, this syncretism is not exactly a fusion of left and right, but mostly rightist ideas in an unfamiliar, and superficially “left,” package. Cold War stereotypes of Actually Existing Socialism, morally inverted and divested of any content too meaningful to capture in Youtube compilations of military parades are joined to the standard grievances of the far right—the collapse of family, race, and nation. John Paul Cupp, the white nationalist who idolized Juche and Iraqi Ba’athism before converting to Islam, probably best exemplifies the lunatic edge of this spectrum, on which one can find every sort of pathology.;White Power and Apocalyptic Cults: Pro-DPRK Americans Revealed.
This pseudo-syncretism is a product of a unipolar world in which a victorious liberalism, having defeated all alternatives, drives its reactionary critics into cooperation and coalition with any forces of resistance. Indeed, this is the basic premise of Dugin’s The Fourth Political Theory—a popular frontism of the far right. Dugin wishes to constrain what he calls the “monotonic process” through a global realignment informed by a dichotomy between, among other things, land and sea powers (in Dugin’s jargon, Eurasian and Atlanticist). This monotonic process is akin to Hegel’s concept of bad infinity, a linear series of self-referrals which progresses continually along one axis, without ever becoming “total” and all-embracing. It is grouped in with the ideas of Enlightenment, progress, and the West as a whole, which only a coalition of particularisms can combat effectively. One could say that this is not so much syncretism as the right-wing of post-modernism, which takes the incommensurability of groups and identities for granted.
There may also be an element of novelty, as this sort of syncretic or post-modern fascism can surprise those who expect that fascism is incapable of evolution, stuck permanently in a dead-end of Nazi LARPing. Individuals like Cupp demonstrate that the far right is willing to experiment, but also that without a mass base the political elides into the aesthetic—it retreats into what Carl Schmitt, in his self-critique Political Romanticism, calls the “cathedral of the personality.” Given the personalities involved, we might rather call them basements.
Returning to Strasserism more specifically, it is known to the English-speaking fascist world primarily through A. K. Chesterton, who met Otto Strasser in 1955, during his post-war return journey to West Germany via Ireland. A. K. Chesterton was the cousin of Catholic traditionalist and witticism-generator G. K. Chesterton, whose distributism (and that of Hilaire Belloc’s) bears more than some resemblance to Otto’s own system, as we shall see later. A. K. Chesterton shared with Strasser his medievalism, ruralism, and opposition to Hitler, although this is mostly where the similarities end. However, he is seen as a foundational figure for the British fascist organization the National Front, and it is through him that Strasserism became, if in a muddled form, almost an official ideology of the National Front, particularly during the 1980s. 9 It was in this period that the edgelord neofolk band Death in June formed, taking its moniker from the infamous Night of the Long Knives, in which Otto Strasser’s brother Gregor was executed. A former member of Death in June, Tony Wakeford, joined the National Front for a time, and lyrics he composed during this time demonstrate the flavor of the NF’s “Strasserism”: