A Motown thread
I already read The Temptations and Marvin Gaye biographies. Now I'm onto Stevie Wonders autobiography. I'm bout to write like 10 paragraphs in this shyt
My fav Motown songs :
J5 Darling Dear - a young MJ in his first prime. Yes, this nikka had multiple primes. Vocals were pitch perfect and the way he carried the lead at such a young age always sits with me. But the real star of this song is the Funk Brothers; the in house Band that played on just about all of Motowns hit songs. Particularly, James Jamerson eating that bass line to DEATH.
2nd Temptations Since I Lost My Baby-
Smokie Robinson was in his mf bag when he wrote this. The lyrics always stand out as so simple but emotionally complex at the same time. The way David Ruffin conveyed the tug of war emotions of the song vocally was masterful. A lonely man knowing the good things about the world but realizing he can't enjoy them because his girl is gone. The Tempts on the background vocals are so smooth as well. I like to listen to the acapella version and hear the distinct voices of all the members: Pauls earthy baritone, Melvins pure bass, Otis soft and mellow tenor and Eddies sweet falsetto. These 5 men in my opinion are the #1 vocal group of all time and this is my fav Tempt song.
Lastly, Stevie Wonder For Once in my Life-
Whew this song is a masterclass in the art of vocal performance and he has many songs where he gives a masterclass in vocals, musicality, writing etc. This song I believe is where Stevie took off as a respected vocalist. 18 years old and ate this song up. Keep in mind, this is a difficult song to sing. It's fast and very uptempo. Not a lot of breathing room vocally. Lots of dynamic pitch changes and a half step modulation from the key of F to F#.
Side note: Motown producers and writers used to intentionally make songs too high for the singer because they felt it brought more "feeling" or "soul" to the vocals. So they would learn your comfortable vocal range and make your songs maybe 1 or 2 keys higher to bring more out of you. You can definitely hear this a lot with David Ruffin because he would strain on a lot of his songs but it sounded really soulful. Check out Aint too Proud to Beg and I'm Losing You for examples of this.
Back to Stevie. The singer and band had to get this shyt right in one take. No mess ups. The Funk Brothers also played on this track and their musical magic was otherworldly. But Stevies high energy voice carried this song. His high pitched squeal while being able to come down and cut that corner clean as hell at 1:15 while keeping his breathing and pitch perfect is amazing. I also have to pay homage to the God Earl Van Dyke on keys. As a piano player myself, I always marvel at how full, crisp and well timed he played on this song. The piano definitely leads/carries this song as the main instrument. It dominates throughout the track as the only instrument you can almost alway pick out besides the bass of course.
Happy Thanksgiving
