This shyt sounds “fresh” and “dope” to y’all
for almost 2 decades. I remember when it came out. and to this day, DJs will toss this in among NEW hip hop records and it's seamless. You just chose a random ass Timbaland production that nobody even heard of. That was a throw-a-way/filler beat.
This is timeless. & this is just 2 off the top of my head.
Only reason you know they are from the 90's is cause we all know the damn songs.
You just chose a random ass Timbaland production that nobody even heard of. That was a throw-a-way/filler beat.
Only reason you know they are from the 90's is cause we all know the damn songs.
dont do it youserlfRap side...
Half these rappers nowadays are R&B nikkas with bad autotuned voices.
Perhaps timbos beats are more relevant than you may think.
It was on his debut album my bruh..
nikkas use any sound when it comes to music production. It's just how they put it all together.Okay? What does it being on his debut album have to do with anything?
Like I said.... That's a random song, that nobody knows.
Credit whoever you need to doesn’t really matter ...it’s dated and sounds like nothing that is modernI'm not gonna go as far out to say that Timbo created that drum pattern, but he definitely helped popularize it. With that being said, you only associate that pattern with the late 90's/early 2000's because of Timbo.
If Timbo didn't exist, you probably wouldn't think that.
And what do you mean nobody uses those sounds anymore?
It’s his fukking song nikka ... with his production .... “buhh buhhh buhh i don’t know it so it don’t count towards his style only the most popular ones do”
Credit whoever you need to doesn’t really matter ...it’s dated and sounds like nothing that is modern
Also Rodney Jerkins was doing similar shyt with his drums around the same time
There are common sounds and production techniques also that define eras musically ...this is obviously obvious ... just like right now producers are on the rythmic 808 wave ... sped up samples were a wave at one point ... double time drums were a wave at one point ... heavy sythizers were a wave at one point etc etc .... if you don’t want to acknowledge that certain sounds are ascribed to certain eras the premise of this thread and you trying to argue one guy as being “more modern” than the other guy is pretty dumb and baseless as it would mean that any song from any era could double as modern and has no sonic watermarks that date its origin ...
We know this is not the case ... and I can prove it by watching you try to explain why track X or track Y sounds less or more modern than something new out today ...don’t see what you are having difficulty comprehending here honestly
There are common sounds and production techniques also that define eras musically ...this is obviously obvious ... just like right now producers are on the rythmic 808 wave ... sped up samples were a wave at one point ... double time drums were a wave at one point ... heavy sythizers were a wave at one point etc etc .... if you don’t want to acknowledge that certain sounds are ascribed to certain eras the premise of this thread and you trying to argue one guy as being “more modern” than the other guy is pretty dumb and baseless as it would mean that any song from any era could double as modern and has no sonic watermarks that date its origin ...
We know this is not the case ... and I can prove it by watching you try to explain why track X or track Y sounds less or more modern than something new out today ...don’t see what you are having difficulty comprehending here honestly
Solid argument.
I'd have to say that's false, and in fact a lot of sounds Timbo was using can be used in this modern era.This is not what I’m saying really ...because in that example it would depend on what pieces and parts/sounds exactly they are using .... Tim has a wide catalogue as you know ... so it would be a question of are they using some obscure bass and then putting hella filters and distortion on it to make it sound way different? See that’s a whole other subject ... that’s like what good sample producers do ... they can take some shyt from the 60’s and make it sound fresh ... but that’s not what I was trying to get at ... I was just saying that whole beat in PARTICULAR sounds like it’s from the 90’s and if someone came out with it today it would be like ohh you’re trying to intentionally do a vintage sound like on some Bruno Mars type shyt ....but that’s why I also said “More Than A Woman” could work today because it sounds closer to what modern Pop/Rnb acts are preforming over nowadays except that that wahhh wahhh sounding synth bass he has on there doubling his regular bass line ... that particular sound was very heavy in the early 2000’s rnb music I think destiny child had something similar on that “No No No No No” remix
But lemme get this straight.....you tellin me, a nikka can't make a modern sounding track in Fruity Loops or whatever these new nikkas use with a Timbaland/Missy Soundkit?
Does it sound bad or good? What value is having a track that “sounds new” but is shyt?
If you want something from the late 90’s like jigga what I can go
Did that double time shyt and made just as big of a hit
But could timberland switch his entire style and do shyt like this at the same time?
How many times did other producers go back a try to flip these shyts like Dre did years down the road ....
shyt is no contest ... more hits ... more range ... while having more musical staying power per track... Dre the G.O.A.T
