Trump Administration Begins Black History Museum Purge

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I don’t understand what you’re saying are you saying that Bernie is as good as it gets for someone with a semilegimate shot at the white house or are you saying that if he’s the best that we got then we should #Don’tVote?
Yeah as far as candidates with the spotlight on them, yeah I'm saying Bernie is who you suck it up for.


Personally since 2019 outside of the Black Political Caucus, I spend any time and money I have donating to more grassroots organizations. I was putting money into the Cornell West Green party ticket in 2024 till the goofy decided to bounce. 2028 will prolly be the last year I give Democrats a shot, and then I'm going full Green by 2032. Registering Green and everything. Folks showing you right now exactly what they're worth in these times.
 

Wiseborn

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Yeah as far as candidates with the spotlight on them, yeah I'm saying Bernie is who you suck it up for.


Personally since 2019 outside of the Black Political Caucus, I spend any time and money I have donating to more grassroots organizations. I was putting money into the Cornell West Green party ticket in 2024 till the goofy decided to bounce. 2028 will prolly be the last year I give Democrats a shot, and then I'm going full Green by 2032. Registering Green and everything. Folks showing you right now exactly what they're worth in these times.
You donate??? Anyone who donates even a buck to anyone isn't a #bothsider in my eyes

Thanks for the clarification
 

Kasgoinjail

AKA RehReh 😇
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Never forget the ⚫ people that helped achieve this monumental moment for blackz in America

I wish we had ⚫ people like that here in the 🇬🇧

(not)

 

Still Benefited

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:francis: Yet talking fukking heads will look over this revelation like the many that pretended that Project 2025 was on the same level as the McCarthy era. But people are too fukking stupid to realize that like the McCarthy era, black folks are the ones going to get the most smoke.


Therefore black people should be recieving the most tangibgles if we are getting the most smoke. But instead we get "lift everyone" rhetoric. If there are more things being done to harm you consistently. Seems like there should be a black specefic agenda of counter measures/planning:respect:
 

Anerdyblackguy

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The Trump administration said on Tuesday that it would begin a wide-ranging review of current and planned exhibitions at the Smithsonian Institution, scouring wall text, websites and social media “to assess tone, historical framing and alignment with American ideals.”

White House officials announced the review in a letter sent to Lonnie G. Bunch III, the secretary of the Smithsonian. Museums will be required to adjust any content that the administration finds problematic within 120 days, the letter said, “replacing divisive or ideologically driven language with unifying, historically accurate and constructive descriptions.”

The review, which will begin with eight of the Smithsonian’s 21 museums, is the latest attempt by President Trump to try to impose his will on the Smithsonian, which is governed by a Board of Regents that includes a mixture of Democrats and Republicans and is overseen by Congress. Kim Sajet, the head of the National Portrait Gallery, resigned in June after Mr. Trump said he was firing her for being partisan. The Smithsonian’s governing board said at the time that it had sole responsibility for personnel decisions.

The White House said in its letter that its review “aims to ensure alignment with the president’s directive to celebrate American exceptionalism, remove divisive or partisan narratives and restore confidence in our shared cultural institutions.” The letter adds that the “goal is not to interfere with the day-to-day operations of curators or staff, but rather to support a broader vision of excellence that highlights historically accurate, uplifting, and inclusive portrayals of America’s heritage.”

News of the letter was earlier reported by The Wall Street Journal. It is signed by Lindsey Halligan, a special assistant to the president; Vince Haley, the director of the Domestic Policy Council; and Russell T. Vought, the director of the Office of Management and Budget.
Neither the Smithsonian nor Mr. Bunch immediately returned calls seeking comment.
Some historians expressed concern at the political interference in an institution that was long viewed as independent, including Samuel J. Redman, a history professor at the University of Massachusetts Amherst who has written extensively about the Smithsonian.
“This a full assault on the autonomy of all the different branches of the institution,” he said. “Here now we have this truly massive political assault that is taking place and in a way too that is totally out of the bounds of professional practice.”
The review will include an examination of the Smithsonian’s plans for celebrating the 250th anniversary of American independence next year. But it goes well beyond that, and will involve a detailed look at all current and ongoing exhibitions.
In March, Mr. Trump issued an executive ordertitled “Restoring Truth and Sanity to American History.” In it, he claimed that the Smithsonian, in particular, had “come under the influence of a divisive, race-centered ideology” and that it promotes “narratives that portray American and Western values as inherently harmful and oppressive.”

Initially, the review will focus on eight Smithsonian museums: the National Museum of American History, the National Museum of Natural History, the National Museum of African American History and Culture, the National Museum of the American Indian, the National Air and Space Museum, the Smithsonian American Art Museum, the National Portrait Gallery and the Hirshhorn Museum and Sculpture Garden. Other museums would be reviewed in a later phase, the White House’s letter said.
 

Gloxina

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The Trump administration said on Tuesday that it would begin a wide-ranging review of current and planned exhibitions at the Smithsonian Institution, scouring wall text, websites and social media “to assess tone, historical framing and alignment with American ideals.”

White House officials announced the review in a letter sent to Lonnie G. Bunch III, the secretary of the Smithsonian. Museums will be required to adjust any content that the administration finds problematic within 120 days, the letter said, “replacing divisive or ideologically driven language with unifying, historically accurate and constructive descriptions.”

The review, which will begin with eight of the Smithsonian’s 21 museums, is the latest attempt by President Trump to try to impose his will on the Smithsonian, which is governed by a Board of Regents that includes a mixture of Democrats and Republicans and is overseen by Congress. Kim Sajet, the head of the National Portrait Gallery, resigned in June after Mr. Trump said he was firing her for being partisan. The Smithsonian’s governing board said at the time that it had sole responsibility for personnel decisions.

The White House said in its letter that its review “aims to ensure alignment with the president’s directive to celebrate American exceptionalism, remove divisive or partisan narratives and restore confidence in our shared cultural institutions.” The letter adds that the “goal is not to interfere with the day-to-day operations of curators or staff, but rather to support a broader vision of excellence that highlights historically accurate, uplifting, and inclusive portrayals of America’s heritage.”

News of the letter was earlier reported by The Wall Street Journal. It is signed by Lindsey Halligan, a special assistant to the president; Vince Haley, the director of the Domestic Policy Council; and Russell T. Vought, the director of the Office of Management and Budget.
Neither the Smithsonian nor Mr. Bunch immediately returned calls seeking comment.
Some historians expressed concern at the political interference in an institution that was long viewed as independent, including Samuel J. Redman, a history professor at the University of Massachusetts Amherst who has written extensively about the Smithsonian.
“This a full assault on the autonomy of all the different branches of the institution,” he said. “Here now we have this truly massive political assault that is taking place and in a way too that is totally out of the bounds of professional practice.”
The review will include an examination of the Smithsonian’s plans for celebrating the 250th anniversary of American independence next year. But it goes well beyond that, and will involve a detailed look at all current and ongoing exhibitions.
In March, Mr. Trump issued an executive ordertitled “Restoring Truth and Sanity to American History.” In it, he claimed that the Smithsonian, in particular, had “come under the influence of a divisive, race-centered ideology” and that it promotes “narratives that portray American and Western values as inherently harmful and oppressive.”

Initially, the review will focus on eight Smithsonian museums: the National Museum of American History, the National Museum of Natural History, the National Museum of African American History and Culture, the National Museum of the American Indian, the National Air and Space Museum, the Smithsonian American Art Museum, the National Portrait Gallery and the Hirshhorn Museum and Sculpture Garden. Other museums would be reviewed in a later phase, the White House’s letter said.

Lmao legit got a fukking white supremacist in the White House.

If we can’t flip the House in ‘26 this shyt is a dub. I’m sorry. This mess is going to get worse and worse and worse.
 
Last edited:

Tair

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Lmao legit got a fukking white supremacist in the White House.

If we can’t flip the House in ‘28 this shyt is a dub. I’m sorry. This mess is going to get worse and worse and worse.

***'26 (next year)
 

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Remember to slap the shyt outta a fukk bytch of America nikka for this bullshyt. Both sider bytch ass nikkas
 

get these nets

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06/16/25

Enslavers posted as many as a quarter million newspaper ads and flyers before 1865 to locate runaway slaves, in slaveholding states and northern states as well. The public crowdsourcing project, Freedom on the Move, has digitized tens of thousands of these advertisements in an open-source site accessible to the public. Without a concerted effort to collect and digitize these ads, the names, faces, personalities and sense of individuality of these freedom-seekers might otherwise be lost to history

For genealogists and for the tens of millions of people related to those who were enslaved, these records provide an unparalleled opportunity to glean details of what they were like. “The vast majority of the 48 million Black Americans alive in 2025 might be able to find some of their ancestors in the ranks of the people advertised for the ‘crime’ of trying to free themselves from slavery,” he said.

While the words are written by their slaveowners and oppressors, character and personality frequently shine through. From an 1849 ad in the Daily Picayune newspaper of New Orleans:

“$100 reward for the delivery of Brazile in either of the city prisons. He ran away last July, has been seen dressed in women's clothes several times in the city and also in genteel male apparel. He is a regular attendant of the balls, speaks French and English, is about 21 years old, a dark mulatto or copper color, has a Roman nose, rather slender genteel person. He formerly belonged to Henry Hopkins Esquire of the city. He came from Charleston, South Carolina five years ago and has the Charleston brogue when speaking English. Inquire at number 73, Baronne Street.”

While grants from the NEH tend not to be enormous, Baptist said, this one was a significant matching grant: $1 for every $4 raised, up to $750,000 awarded, for a total of $3 million. To date they have raised $1.5 million from other sources, with approximately $375,000 from the NEH. The grant started in 2021 and was slated to finish at the end of 2026.

According to Baptist, the stop-work order eliminates a couple of staff and graduate research positions and imperils people’s funding at Cornell, as well as a sub-award at Howard University.

Without online access to these digitized records, Baptist said, details about people trying to escape slavery would be difficult or impossible to find, which makes preserving the documents even more urgent.

“Everything decays and has to be renewed,” Baptist said. “Paper newspapers start to fall apart over time, microfilm decays and gets harder to read. It’s expensive to digitize things and companies want to keep things behind a paywall. Creating this and putting it out there in usable formats, and storing it in multiple places, ensures its safety.”
 
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