Albums Tyler, The Creator - CALL ME IF YOU GET LOST (Discussion Thread)

Sad Bunny

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I could fukk a trillion bytches every country I done been in
Men or women, it don't matter, if I seen 'em, then I had 'em
But with you, it's a feeling 'cause we twinnin' and we matchin'

:banderas:
 

Tenchi Ryu

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Sweet/Thought you wanted to dance

Oh my goodness

tenor.gif
 

shopthatwrecks

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well what makes tyler different when it comes to him "being in character"

i can understand production as there is clear differences there. but writing wise it seems to same to me.
Tyler drops troll bars when he is wolf Haley mode no tellin what he might end up saying
 

Piff Perkins

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I’ve been around Tyler..


I’ll just say this…


Most of us who know him believe he flirted with the homosexual shyt to jump ahead of cancel culture. His music was super offensive and could have been detrimental if the mob deemed him problematic, but he strategically deaded that before it could even happen.. look at the timing of cancel culture and his sudden switch from cherry bomb to flower boy. It’s literally simultaneous

This is the opposite of what I've heard about Tyler. Tyler might have to deal with the gay version of #MeToo at some point, based on how he has (allegedly) been moving. He likes young white dudes.

In terms of the album, I like it. It's dope. I'll get deeper into it tomorrow but the producer is dope, rapping is dope, and I like how the features fit. NBA Youngboy sounds amazing on here, rapping over a different beat for once.
 

2 Up 2 Down

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:wow:
Finally gave this a listen at the gym.
:wow:

Tyler doesn't get the credit he deserves in hip-hop. I always thought his production was good, but he has improved so much over the years as well as his lyrics.
Flower Boy, Igor, and Call Me If You Get Lost are all equally good and all three have high replay value which has become more and more of a rarity in the rap game.
 

PlayerNinety_Nine

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Listening to this again -- there's lowkey 00's easter eggs all over this. :ohhh:

Tyler using the Lloyd Banks flow on 'Lumberjack', The 'How We Do' interpolation and I'm :snoop: that I only just caught that his flow on the last verse of 'Safari' is a blatant homage to DOOM.
 
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