http://www.thefader.com/2015/06/09/vince-staples-interview-summertime-06
Summertime '06 is a double album, released June 30th.
Most major-label artists put out singles that fit radio formats, but you haven’t released anything remotely in that vein. Have you felt any pressure to make a hit?
It’s changed. The last two years, no important artist has had a “single.” Drake doesn’t have a single. J. Cole doesn’t have a single. Jay Z doesn’t have singles. They just put out music. OG Maco had a single. OT Genasis has a single. You can’t predict the singles. So the fact that labels are still trying to market singles is weird to me.
No one listens to the radio anymore. We got auxiliary cords, Sirius, Pandora, and Spotify. Who wants to hear clean versions of music? In our phones is what’s important. The radio’s not breaking singles. Vine is breaking singles now. Twitter’s breaking singles.
When I die, no one’s going to play my single. You feel me? The question is, “What did this person stand for?” I feel like my songs are things I stand for. I’m trying my hardest to paint a picture with the music, because without these pictures being painted, you fall by the wayside.
Do you think the culture has shifted?
Hip-hop culture has. It’s not appreciated. You get too much of it. When you’re a kid, you don’t appreciate home-cooked meals. You want to go to McDonald’s because your mom always cooks. You want Chicken motherfukking McNuggets.
Do you think hip-hop gets taken less seriously than other genres?
Hip-hop is the most imitated, most influential, most creative, most underappreciated, underrespected music form there is.
What was it about the summer of ’06 that made you write an album about it?
It was the most intense time. We were in the seventh or eighth grade and getting away with everything, until one of my best friends ended up in jail. He’s there right now, for allegedly killing a little girl.
In gang culture, the summer is when people start dying. Everybody’s outside or at the beach with their shirts off. Now you can see the tattoos, those sleeves. “Oh, what’s that?”
This year my little brother turned 18. He got a 15-year [sentence] when he was 15. Little nikkas is getting 15-to-life, 20-to-life, when they get to be 16 or 17. But when we were 15, we were getting away with shyt. It was us against the older motherfukkers.
Did you watch the Baltimore riots closely this spring?
Yeah. I get it. In Baltimore, they saying, “fukk the police.” They’re really fighting against the police. My whole thing is everybody wants to bicker and complain, but nobody wants to take action. Whether it’s violent or not, take action. If you so mad at the police, go kill one of the police.
You’ve said before that you don’t go in the studio everyday because you need to live a normal life to have things to rap about.
Because, bro, I don’t care about rap music like that. That shyt means nothing to me. I don’t sit at my house looking at vinyls. shyt don’t mean nothing when there’s people out here dying and starving with no hope. That’s what matters, so you don’t want to get jaded and lose sight of where you came from. I might be okay now, but I’m not really okay, because nobody else is okay.
Summertime '06 is a double album, released June 30th.

He's right. Hip hop albums have no staying power right now. J Cole's album went fukking platinum and I never hear about it anymore.


On God I don't read lipstick alley fam, great minds think alike and all that.

