Waiting for Biatch (Edit: Check out SirBiatch Yall)

SirBiatch

Prince of Persia. Stalked for daps
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I hear rumblings of a 'grand exposal' coming, spearheaded by @Oldhead.

Yet it's been days and nothing's come through :lupe: Was it one big ducktale?

If and when my stalkers find out I'm up to cool shyt, work full time AND make their lives miserable ...all 3 things they can't do.... :wow: :banderas:

I hope they really don't commit that sui

@jamaicaiwonder1993 salute breh! @Da King :salute:

Salut to all!

'expose' that SirBiatch is a bold new filmmaker
expose SirBiatch while exposing his fanboys as faceless jobless trolls with nothing to their names
base your life around winners like Drake and SirBiatch
let's go!!!
 
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SirBiatch

Prince of Persia. Stalked for daps
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mobbinfms

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TPC


It's on his Twitter feed.



In that video you posted he said he learned about rap from a Palestinian kid when he was living in Saudi Arabia.

Why didn't you say you were gay? Think I remember you lying about "bytches/women" but apparently from somebody that knows you you've never had any. I don't have anything against gay people or anybody for that matter but it's the lying and fraudulence about everything that is wack.

Tochi Osuji
12 June · Toronto, ON, Canada ·
Considering I was out last night and came home safe, the reality of homophobic terrorism at a club angers me.

In the video he talks about his earliest experiences with hip hop being downloading real audio files. I guess he could have been on that wave earlier than me, but that was the late 90s for me.
He didn't actually experience hip hop, in real time, when it was raw and authentic. Not everyone did, and there's nothing wrong with that. But it explains why he loves Missy and other shyt.

@Oldhead delivered. :wow:
I'm generally opposed to the idea of exposal threads, I know I wouldn't want it happening to me, but @SirBiatch is just such a terrible poster and miserable human being :lolbron:

@SirBiatch heard Shook Ones Pt 2 for the first time on 8 Mile :lolbron:

Breh. @SirBiatch has no idea what's going on because he has most of us on ignore. But he doesn't have you on ignore. Call him Tochi and let's see the reaction. :lolbron:

"Mobb Deep and all dat!"
November 15, 2013 at 4:13pm
Via @Jahari Pittman

Artist(s) I was given: Mobb Deep

Do I like them? Like is a gross understatement. I LOVE Mobb Deep. Or used to I should say. To this day, "The Infamous" is one of my favorite albums ever. Top 5.

When did I first hear them? Sometime in 1998/99. I was living in Saudi Arabia at the time. I was surfing an 'underground playlist' on someone's Angelfire page, which was my go-to place for dope hip hop (Whoever that person was, he/she really held me down for at least 2 years when it came to rap stuff. Impeccable taste). There was no MTV, definitely no radio or anything like that in Saudi at the time. 90% of rappers I love, I heard them in Saudi and had no idea what they looked like. It was strictly about whether their music grabbed me or not. That's probably why I'm really picky about what hip hop I choose to listen to - image/hype doesn't mean shyt to me. The music has to speak for itself. A lot of rappers in hip hop now - you gotta get into their persona FIRST before the music. It's not always a bad thing and sometimes the music is good but usually it's weak because the music is there to service the persona, instead of the persona servicing the music.



Anyway, I saw the song "Hell on Earth" on this playlist. Had no idea who "Mobb Deep" were. So I downloaded it and played it in RealOneplayer (damn remember that?!) and I was just blown away. I thought the beat was AMAZING and I instantly fell in love with Prodigy's final verse. The part from "I'll tell you what Black, here's the issue - it's a package deal" to "Sometimes I test myself to see if I still GOT IT!" was so engrained in my mind I used to listen to the track constantly for at least a year just to get to that part. Something about it stuck and still sticks with me. Stop me on the street and I can quote that word for word despite having not heard the song in years (maybe because I overplayed it back then). I guess it stuck with me because it was the first time I'd heard something so raw and contemplative.

A friend of mine at the time told me that Mobb Deep had the nicest beats PERIOD. For whatever reason, I didn't rush to check out their album. Back then, it wasn't really about the albums. It was about singles. And there were tons of great singles. I only started going back to albums later in life, around 2003/2004.


I heard "Shook Ones" for the first time through 8 Mile. I was blown away! Still didn't check out their catalogue. Then "Got It Twisted" came out (which is MY shyt!). I used to love hearing that in the club. After that, I said "Aight, I really gotta listen to these guys' albums. I'm sleeping on them like crazy!"

I started with The Infamous because it had Shook Ones. I'm listening to the album for the first time... the intro "Start of the Your Ending." and it's coo.... then "Survival of the Fittest" comes on... and I was gone! That beat! and the opening line: 'There's a war going on outside no man is safe from!" It was a wrap. I knew I was on to something incredible. From there the next track that really hit me was "Temperature's Rising." and finally... UP NORTH TRIP. That is my favorite song on the entire album. Something about that beat...it's happy, but not really, and the subject matter's depressing, but kind of uplifting... crazy!

Soon after, I heard "Hell On Earth" the album. I 'borrowed' it from a student at Concordia and never returned it. At first listen I didn't really like the album. It's very dark. Now as a filmmaker I appreciate it more. In fact, I listen to Mobb Deep instrumentals while I write. Particularly from that album. Actually, when it comes to writing, I can't listen to hip hop when I write, with the exception of Hell on Earth and Liquid Swords. Both of them are major inspirations.

Have I seen them live? YES. At Rock the Bells 2011(?) in New York. One of the best hip hop live shows I've ever seen. The crowd was really into it and it felt amazing. No hypemen, just Havoc and P. They paused at the right times to let the crowd fill in the words and the sound was great. None of that live band bullshyt. P did Shook Ones at twilight. Really gave the concert an eerie, cool feel.

Favorite track? impossible to say. It really depends on where I am emotionally. At one point I was obsessed with GOD Part 3, then when I heard "Get Away", I couldn't stop listening to that. Though I've listened to Shook Ones Pt 1 (particularly the instrumental) more than any Mobb Deep track over the last couple years. It always helps me write. "More Trife Life" is an underrated instrumental. Havoc should have gotten into movie soundtrack producing, particularly for horror films. His stuff is very vivid. I think he's one of the greatest hip hop producers ever (not high on the list, but he's there)

Ironically, I haven't heard their later albums despite being such a huge fan. Partly because I've heard they're weak, (and I've already heard the strong tracks/singles) and I don't want to be disappointed. Prodigy's decline from great rapper to utterly terrible (That Jay-Z diss hit him hard?) is one of the most frustrating things to happen in hip hop from the 90s into the 2000s. I'll get around to it eventually.

Like this post and I'll give you a musician to talk about. Or not.

Tochi Osuji
19 April 2014 ·
https://www.facebook.com/tochi.osuji?fref=nf
My first time hearing Illmatic and other reflections
Music lovers have that song/album that means a ton to them. Illmatic, among other albums, means a lot to me. Illmatic sits on top though. Hearing that album for the first time changed how I listen to hip hop, period.



It's 2003. Summertime. I'm transitioning from 1st to 2nd year university. I'd been a hip hop fan since 1998. I heard It Was Written b...ack in 1998. And I remember thinking: "wow, this Nas guy can write his ass off. (And this was back then when CDs came with rhyme booklets) The songs on here are mostly slow and boring, but does all rap look this well on the page when written down?" I loved "The Message" (A thug changes, and love changes...hit me hard back then). Then I heard "Nas Is Like" a year later and was transported to another planet. I must have heard that song a thousand times back in 1999. At that moment, I was forever a DJ Premier fan. So I looked for anything Nas/DJ Premier. Heard "NY State of Mind" and really liked it.



Fast forward back to 2003. My boy Gafar's telling me about hip hop albums I should hear. He mentions Illmatic. The joke is, I'd never even heard of Illmatic. I thought It Was Written was Nas's first album, lol. Gafar says, "you'll like it. It's really street. Just real."



So I take the CD and give it a listen. And this is what I remember



1. Intro - "meh. This is boring. Subways, dudes talking about random stuff (I didn't know anything about Wild Style at the time, forgive me). Skip."



2. NY State of Mind - "ohh! I've heard this song before! What a great tune! So it's off this album? Hmm... the scratching at the end is amazing! Na-na-na-nasty nas!!"



3. Life's A bytch - "This is too slow and kinda boring. Nice line about the lotto though."



4. World is Yours - "Hmm... I like this. Kinda chill, not too boring. Did Premier do this? (I was thrown off by the scratching, a Premier trademark. Turns out Pete Rock did it).



5. Halftime - "oh this is my shyt! [Note: Halftime is the first time I'm actually feeling a song on here, for real]. The beat's killer. Catchy. Upbeat. [Then the Malcolm X line comes in] whoaa! shyt! "More kicks than a baby's stomach". whoaaa. Let's start this track again. [I heard Halftime 3 times before deciding to move on].



6. Memory Lane - "ugh. This beat sucks! What's with the church-like voices? This shyt is way too slow. SKIP [that's right - I didn't even give the song a chance]"



7. One Love - "meh. Beat's weird and too low key. What the fukk is he rhyming on? SKIP"



8. One Time 4 Your Mind - "I'm kinda feeling this. Beat's slow and a little boring but Nas is really killing it. Some of the best lines on this CD so far are here. "Shot my way out my mom dukes", "what up nikkas, it's Nasty the villain!" "I hold a Mac-11, and attack a reverend, I contact eleven Ls and MAX IN HEAVEN" (That was, and still is, MY shyt!)



9. Represent - "ugh. this is boring. It's just some guys shouting Represent over and over again. SKIP"



10. It Aint Hard To Tell - "Holy shyt...."



It Aint Hard To Tell hit me like a ton of rocks. Right away it threw me back to my childhood days. Hearing the SWV "Right Here" song my mom used to love playing over and over again. And I hadn't heard that song in a decade, but I always loved it as a kid. Something about that MJ melody is just timeless. It reminded me of everything I loved about being a little kid in Saudi. Playing in haunted houses with my friends, playing tag in the dark, etc.



When the song ended and the CD popped out, I popped it back in. And this time, I relaxed and paid attention.



Let's just say that It Aint Hard To Tell changed my perspective on hip hop, period. And this is coming from a guy who had been listening to hip hop seriously since 1998.



Before hearing Illmatic, the album I was absolutely in love with was "Get Rich and Die Tryin" (still a great album). Looking back, I realize that getting into hip hop in '98 was good but hip hop was becoming quite poppy. I was right there as a listener when Neptunes & Timbaland started taking off and dominating the shyt out of everything. And radio started moving toward one kind of sound. The point is, I wasn't looking for nuance in records. Just whatever was catchy. I was collecting the hottest singles at the time. Whatever was mainstream in rap, I liked. I still heard Gang Starr, Mos Def/Rawkus stuff like that but only their singles because they made radio (and I loved the singles I heard). I never bothered to look into the albums because I wasn't really looking for anything deeper.



I wasn't an album listener. It was "what's hot? What's simple and catchy? what can I easily dance to?"



Illmatic (and Samurai Champloo as well, but that's another story) made me pay attention to ATMOSPHERE in hip hop. Nuance. Meaning. Photographic memory. Melodies that evoke something deeper and more passionate. There's a certain attention to atmosphere that older rap has that doesn't exist at all in modern mainstream rap. And it makes it really hard for seasoned fans to listen to. New beats don't evoke a vibe or a meaning or something that gets really deep into you. Nobody's really trying to capture an environment/feeling in musical form, unless it's the club (which is boring).



The production on Illmatic is perfect. Every single beat on there will never get old. They're all beautiful in their own way. Strangely enough, Nas was going through all this shyt when he recorded Illmatic. And Illmatic has to be one of the most peaceful hip hop albums I've ever heard. Maybe people with immense struggles who are actively trying to deal with them are always looking for some sort of peace. I wonder...



Illmatic made me go back and catch up on all the great hip hop I had missed.



On lonely nights in Montreal, "The World is Yours" held me down like a muhfukka! And one day, I happened to give Memory Lane another chance and had a similar "It Aint Hard To Tell" experience.



I love every one of those songs. I've probably bought the album 4 or 5 times. "Lost" it two times. "Borrowed" from me and never returned.



It's just one of those albums.

"On lonely nights in Montreal" :dead::dead::dead::dead::dead::dead:
 
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