Rembrandt
the artist
there's been a lot of talk recently about rappers maturing in both public persona and content wise. T.I. went from creating trap music to creating two CDs supporting blacklivesmatter and race relations. 2 Chainz' new album is much more personal about death and loss. 21 Savage transformed into a more socially aware rapper grateful for the opportunity, aware of the loss and pain in his past and put it into songwriting. even chief keef has become aware of what that whole time was and has made music about it, surprisingly. it's not a new trend, but it's surprising to see which rappers are doing it. with the grammys, that got me thinking about push and all the praise he still receives even though his content hasn't changed at all since the clipse. he's improved a lot, but all that means is he's found more inventive ways of rapping about selling drugs and as of late, it's been through high fashion/art references. go read some hell hath no fury lyrics and daytona lyrics. they're pretty much identical.
though some people here don't believe it, it's not an uncommon belief that the majority of his fans now are white kids that found him through the kanye connection or a dislike of drake. white publications love him because of his ability to bridge a connection from cocaine to a obscure painting or designer. it's honestly very classy drug dealing rap.
out of curiosity, i went through the lyrics before the grammys just to see again what was so special and saw that he called himself the youth's ghost and rae, so i also pulled up built for cuban linx and went through those lyrics to see. he has a song with ross, his closest competitor, so i pulled up rather you than me and went through some of those and yeah.. somebody's gonna have to explain to me why exactly he's so praised or even why daytona is getting the reviews it is. no, production doesn't count. he does make two attempts to conceptualize something other than drugs on santeria and what would meek do, but those songs actually kinda show why he doesn't do it more.
read how he talks about santeria in an interview:
here's the final verse about the death of his friend:
Of all the things I've ever paid for
Know that it's no price tag when I wage war
It's no more to pray for, nikkas get preyed on
Darken my doorstep, they told me the day's gone
You listenin', De'Von?
As I'm talkin' to your spirit, for God's sakes
I'm dealin' with heartbreak
Checkin' my ego, I'm livin' with lost faith
I'm backin' this hit, nikka, you ever seen Shark Tank?
I paid 'em in small bills, all of 'em small face
I bet when we draw blood, you nikkas will draw a blank
Dress you in all black, partnered with All Saints
Our numbers is all facts, my shooters give all thanks
And all praise, no jail bars can save
Leave you like Malcolm where X marks your grave
Hey, it's probably better this way
It's cheaper when the chaplain prays
Santería!
in comparison, here's the final verse to Ross' Game Has No Sympathy:
though some people here don't believe it, it's not an uncommon belief that the majority of his fans now are white kids that found him through the kanye connection or a dislike of drake. white publications love him because of his ability to bridge a connection from cocaine to a obscure painting or designer. it's honestly very classy drug dealing rap.
out of curiosity, i went through the lyrics before the grammys just to see again what was so special and saw that he called himself the youth's ghost and rae, so i also pulled up built for cuban linx and went through those lyrics to see. he has a song with ross, his closest competitor, so i pulled up rather you than me and went through some of those and yeah.. somebody's gonna have to explain to me why exactly he's so praised or even why daytona is getting the reviews it is. no, production doesn't count. he does make two attempts to conceptualize something other than drugs on santeria and what would meek do, but those songs actually kinda show why he doesn't do it more.
read how he talks about santeria in an interview:
Listen, it took quite some time. And the record itself is me being creative, me being creative and toying with the idea of the options that a person in my position, from my background, you know? How entrenched I am, how I’m still close and how in touch I was. I wanted to write a song that just embodies my emotion and let people know, we’re sad. We were and we’re extremely sad still today. But it’s like, I just want to show people how my mind works, ’cause people don’t even know – people don’t even know once a situation like that happened, and not everybody is as thought out as me.
here's the final verse about the death of his friend:
Of all the things I've ever paid for
Know that it's no price tag when I wage war
It's no more to pray for, nikkas get preyed on
Darken my doorstep, they told me the day's gone
You listenin', De'Von?
As I'm talkin' to your spirit, for God's sakes
I'm dealin' with heartbreak
Checkin' my ego, I'm livin' with lost faith
I'm backin' this hit, nikka, you ever seen Shark Tank?
I paid 'em in small bills, all of 'em small face
I bet when we draw blood, you nikkas will draw a blank
Dress you in all black, partnered with All Saints
Our numbers is all facts, my shooters give all thanks
And all praise, no jail bars can save
Leave you like Malcolm where X marks your grave
Hey, it's probably better this way
It's cheaper when the chaplain prays
Santería!
in comparison, here's the final verse to Ross' Game Has No Sympathy:
Uh
Gang violence ongoin', let's fight our own wars
Chicago been out of hand, the city lost it's soul
Funeral every weekend or either you cremated
Homie's son, he been murdered, he didn't seem faded
Holdin' guns on the gram, out of my league baby
Real killers and hitters would rather live nameless
I got a homie I know with a twenty body count
Maybe once or twice a month he leave the house
Older brother, type to get a curly perm
Pappy Mason type respect for holdin' thirty birds
Never was a gangster, I just wanted in
No longer could I deny that I wanted a Benz
Booby gave me blessings and a ruse for me to win
I showed him my ambition in two different fields
Also, said I was a rapper, Booby here it is
Real talk my nikka, here it
pusha talked about that song like it was gonna be a confessional or something. if you're feeling all that emotion about a close friend dying and finally deciding to open up, shouldn't it be more than just a song about how you can theoretically place a hit? shouldn't it be vivid, emotional, detailed, regretful, something more than references to shark tank and the untouchables?
Let's compare it the creator of trap music's verse on Dead and Gone about his friend Phil getting shot:
I ain't never been scared, I lived through tragic
Situation coulda been dead lookin' back at it
Most of that shyt didn't even have to happen
But you don't think about it when you out there trappin'
In apartments, hangin', smokin' and rappin'
nikkas start shyt, next thing you know we cappin'
Get locked up, then didn't even get mad
Now think about, damn, what a life I had!
Most of that shyt, look back, just laugh
Some shyt, still look back, get sad
Maybe my homeboy still be around
Had I not hit the nikka in the mouth that time
I won that fight, I lost that war
I can still see my nikka walkin' out that door
Who'da thought I'd never see Philant no more?
Got enough dead homies, I don't want no more
Cost a nikka his jaw, cost me more
I'da took that ass-whoopin' now for sure
Now think before I risk my life
Take them chances to get my stripe
A nikka put his hands on me, alright
Otherwise, stand there, talk shyt all night
‘Cause I hit you, you sue me
I shoot you, get locked up, who? Me?
it's not trying to show off "creativity" but it's instead some very real reflection what happened n and this was released during the time he was arrested for the guns he bought because of this very situation. consider T.I.'s persona at the time. he was fresh off T.I. vs T.I.P where he conceptualized the spelling of his name as two different personas with T.I.P. being the angrier side. he was resonating heavy with people at that time and the more dangerous side of him was being shown, especially after everybody saw the armory he was bringing just to the BET Awards. i don't think anyone was expecting him to go from making War to being vulnarable enough to admit he fukked up and wishing he got beat up instead. even now thoughts of revenge are more common than losing your pride for a night.
probably the most glaring example in terms of difference in skill is on the track drug dealers anonymous with jay z, another one of his drug dealing peers. push was inspired by tomi lahren's comments to beyonce about jay selling drugs for 14 years and push hit him saying the world needs those ghost stories after jay said it took him to a dark place. (maybe a shot? interesting term, nonetheless).
I'mma post both of their lyrics for comparison:
[Verse 1: Pusha T]
Valentino summers and wave runners
Chains on my nikkas like slave runners
Drug dealers anonymous
How many Madonnas can that Mazda fit?
My brick talk is more than obvious, it’s ominous
Garages, the phantom, ghouls, ghosts and goblins
Blonde mohawk the collection I’m Dennis Rodman
The money count is the only moment of silence
Cause hush money balances all this drugs and violence
Hat trick under my mattress
Date I stop still has an asterisk after it
After all I can make a call
I can baptize a brick
As I wash away my sins like a catholic
Who the fukk ain't mastered this
America’s nightmare's in Flint
Children of a lesser God when your melanin’s got a tint
And I can’t even mention what I sent or what I spent
Cause my name in 18 wheelers is evidence
I put my boos in those cruise collections
Life’s a bytch
A to Z on her shoe collection, take your pick
Paid in full like ’86, Gs on my body
The new Gucci has less monograms, God’s got him
Let he without sin cast the first stone
So I built that all glass quad level first home
Shatter all of your misconceptions
Hold all of them missing weapons
You thought I would miss my blessing
The ultimate misdirection ya
[Skit: Tomi Lahren]
Your husband was drug dealer
For 14 years he sold crack cocaine
[Verse 2: Jay Z]
Federico Fellini in the flesh
Sergio Tacchini inside his mesh
bytch I been brackin’ since the ‘80s
Google me baby, you crazy
’89 in London pull the Benz up
Type it in, Google’s your friend bruh
14-year drug dealer and still counting
Who deserves the medal of freedom is my accountant
He been hula hooping through loop holes, working around shyt
IRS should’ve had the townhouses surrounded
Thanks to the lawyers
I marbled the foyer
I tore the floor up
Yeah, that’s for the Koi fish
We been dining on oysters
I walk though the garage it’s like multiple choices
I told ‘em pull the Royce up
I’m getting ghost, I’m hearing noises
I think it’s the boys, but I been banking at Deutsche
We got storefronts, we got employee stubs
We been opening studios and 40/40s up
The paper trail is gorgeous
Cases we buries ‘em
Before Reasonable Doubt dropped, the jury hung
Bling bling
Every time I come around your city bling bling
My tenure took me through Virginia
Ask Teddy Riley ‘bout me
Ask the Federalis ‘bout me
Tried to build a cell around me
Snatched my nikka Emory up
Tried to get him to tell about me
He told 12, “Gimme 12”
He told them to go to hell about me
Drug dealers anonymous
Y’all think Uber’s the future, our cars been autonomous
Mules move the drums, take ‘em to different spots
We just call the shots by simply moving our thumbs
I’m a course of miracles with this shyt
Nothing real can be threatened, nothing unreal exists
Therein lies the piece of God
I always knew I was a prophet, but I couldn’t find a decent job
Life made me ambidextrous
Countin’ with my right, whippin’ white with my left wrist
Daaaaaaaamn Daniel
FBI keep bringing them all white vans through
if that doesn't directly show what i mean then nothing will. it's like jay went out of his way to highlight the difference between the two with actual storytelling but with bringing up va and having teddy confirm everything is true. pusha didn't even try to match it.
and in the 5 years since this verse, jay dropped 4:44 tackling entirely new themes, revealing more about himself and his life, ideas about black empowerment, race relations, etc. it was an entirely new side of jay. push dropped daytona which is essentially just different versions of this verse.