This is Drake & 21 Savage's Tour. Billed and presented as a co-headlining event. Drake hasn't had a solo headlining tour since 2017
The same way Her Loss was a Drake and 21 album

This is Drake & 21 Savage's Tour. Billed and presented as a co-headlining event. Drake hasn't had a solo headlining tour since 2017
I've also studied the business for the past 20 years (independantly and thru college education). Even if you were there...even if Birdman did own his masters (he doesnt)...thats still not how masters works. You don't give up show dough (unless you have that included in some sort of 360 deal which would be unrelated to masters still). WAYNE sold Drakes old masters...but Drake owns all of his masters since CLB. None of this matters because you can still earn tour money even if you dont own your masters.
So what’s drakes deal with the big label? Because nikkas can work with any artist and the label don’t even block it…
You're moving the goal post talking about 360 deals. Im well aware of what they can cover. I've even mentioned them in other posts on here. Lets bring this back to your original post where you said Drake had to pay Birdman for this tour because of his MASTERS. Masters are your master recordings. With your ownership of masters you can generate revenue thru streaming, tv shows, film, sampling and public broadcast, etc. Being that this would be a live performance...Drake's masters and who owns them is irrelevant. Thats why Jay-Z is able to do Reasonable Doubt songs without paying Dame. Thats why Taylor Swift is able to perform her old songs after Scooter Braun sold her masters (and why she re-recorded some) and make money. Does Drake have to give Birdman money from his tour due to a previous 360 deal...perhaps. But it has nothing to do with his MASTERS. Hence why I said to you..."thats not how masters work". Hopefully you now have a better idea of how they do.Studying the business is cool. But you'd need to actually be in the business to see how these deals have gone down. If you've been studying the business, you'd know that 360 deals give the label full control over your masters. This also includes your publishing rights. You can't even use your name to do other business, without having to kick mad big portions of your earnings back to the label. This is the deal he signed with Baby. And it's why he said he doesn't have to "release another album ever" because like he said, "Drizzy is going to get that money forever".
Show money is a part of publishing, bro. 360's cover ALL earnings. That includes performances, commercials, TV and film appearances, revenue from concerts, even down to your merchandise sales. This is literally why Lupe said he wouldn't do a show, when he was boycotting. Because his masters and publishing were included in the 360 he was signed to with Atlantic and he said he didn't want to make them any more money.
So you said you've been studying the business, but you clearly haven't covered how these deals work. And that's kinda why so many people get caught up in them. You need to know how they work, to see why certain artists have the trouble they do financially.
You're moving the goal post talking about 360 deals. Im well aware of what they can cover. I've even mentioned them in other posts on here. Lets bring this back to your original post where you said Drake had to pay Birdman for this tour because of his MASTERS. Masters are your master recordings. With your ownership of masters you can generate revenue thru streaming, tv shows, film, sampling and public broadcast, etc. Being that this would be a live performance...Drake's masters and who owns them is irrelevant. Thats why Jay-Z is able to do Reasonable Doubt songs without paying Dame. Thats why Taylor Swift is able to perform her old songs after Scooter Braun sold her masters (and why she re-recorded some) and make money. Does Drake have to give Birdman money from his tour due to a previous 360 deal...perhaps. But it has nothing to do with his MASTERS. Hence why I said to you..."thats not how masters work". Hopefully you now have a better idea of how they do.
You're moving the goal post talking about 360 deals. Im well aware of what they can cover. I've even mentioned them in other posts on here. Lets bring this back to your original post where you said Drake had to pay Birdman for this tour because of his MASTERS. Masters are your master recordings. With your ownership of masters you can generate revenue thru streaming, tv shows, film, sampling and public broadcast, etc. Being that this would be a live performance...Drake's masters and who owns them is irrelevant. Thats why Jay-Z is able to do Reasonable Doubt songs without paying Dame. Thats why Taylor Swift is able to perform her old songs after Scooter Braun sold her masters (and why she re-recorded some) and make money. Does Drake have to give Birdman money from his tour due to a previous 360 deal...perhaps. But it has nothing to do with his MASTERS. Hence why I said to you..."thats not how masters work". Hopefully you now have a better idea of how they do.
Read my response to bro above.
I speak in detail on his deal and how it's actually set up. Nothing I'm saying is guesswork. Like I said, I was there. So I don’t need to assume anything or give examples based on what I "think". So if you want to actually know how these things work and are currently working for dude, you can read and learn. If not, you can keep posting the sh*t you're posting, lol. Either way, the information is there for you.
you, like the other guy, are missing the whole point of my post. I'm talking about MASTERS. Not a 360 deal or any deal for that matter.The 360 deal didn't exist when Reasonable Doubt came out. Taylor Swift didn't sign a 360 deal either. Her issue with Scooter Braun is about some slimeball shyt.
you, like the other guy, are missing the whole point of my post. I'm talking about MASTERS. Not a 360 deal or any deal for that matter.
I'm not missing the connection...because there is none. That live performance payout has nothing to do with the Masters is what i'm trying to explain. An artist may have to give earnings from live performances to someone else due to a fukked up deal, yes thats true. It would be thru whoever the label is...not whoever owns the masters...they may be the same in alot of cases but there is no connection between the master recordings ownership and a live performance revenue....unless the performance is being recorded. So when he said he has to pay Birdman for the tour because Birdman owns his masters...thats incorrect. He may not be incorrect about Drake paying Birdman, but it would be due to stipulations in the 360 deal....but not the Master Recordings....thats simply the wrong term to use in this scenario.You're missing the connection between the two though. The master by itself means any time the song is played on the radio, TV/film, sold, streamed, etc results in a payment going to the person who owns it. The master alongside a terrible 360 deal means any time a song is PERFORMED (including live) it results in a payment going to the person who owns it.