What was your opinion of "prime" Eminem?

Love Sosa

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Top 5 emcee of all time.

Lyrics, flow, etc he was untouchable.

But as people have said, his main discography hasn't aged the best, even tho a lot of it is underrated.

But if you just listen to his verses and features he was absolutely killing it
 

Love Sosa

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Top 5 emcee of all time.

Lyrics, flow, etc he was untouchable.

But as people have said, his main discography hasn't aged the best, even tho a lot of it is underrated.

But if you just listen to his verses and features he was absolutely killing it
A lot of people also don't take into consideration that the way he was rapping was the style back then. With redman, canibus, big pun, etc
 

Ghostface

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When I was a kid I used to listen to his music a lot but now when I go back I could barely hear the whole album And I have no idea why, I just can't. His 8 mile material and Eminem show I can still play some of it but all the way through, nah
 

krackdagawd

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I'm from Jersey n used to see Em when I was a lil kid hanging around tagging on Park Ave in Newark he's been good w me hip hop wise, dope mc, dope production(prime), ehhh content but his wittiness made up for it imo . Tossing the Outsidaz to the bushes tho :to: Hearing him shout them out in the 1st album had me like :ohlawd: because I thought he was gonna put those nikkas on.
 

who killin it?

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eminem show/8 mile was his peak

then the hardcore wigger phase went into full throttle and he never recovered
 

re'up

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Middle school 98 &99: Never bought an album, never turned it up in the car, never had someone burn me a song on a cd....Definitely saw him on SNL and the video for "Stan", and friends listened to him, I remember my friend copped the MM Lp, and I just couldn't believe how wack it was, that music was never something that connected with me.

High school 2000-2004: I liked The Eminem Show, I know I downloaded it, and played a few songs from time to time, he was such overwhelming presence in those days, I remember going after school with my boy so he could get his copy of TES. With the rise of 50, who I followed since 99, I also listened to more Em, as the Shady/Interscope/G-Unit powerhouse formed in 2002, which took me through 8 Mile, which I also liked, and Get Rich or Die Trying, and the beginning of the White Pac era, with artists like Obie Trice, who I fukked with. "I'm Gone", and 'We All Day Some Day"

He was something of a begrudging presence by this point, that I accepted, and even listened to here and there, but almost always as a guest. Also, in the days of ripping groups, and burned cd mixes, it was something of a pride point, to have the latest Em bonus tracks or remixes.

Also, 2003 saw the Ja Rule era implode, and the "Hail Mary", plus other assorted G-Unit disses, which was the hottest thing that summer.

2004: I had to hear Encore over and over, due to my ectascy addled friends, I liked Mosh, Spend Some Time, and Like Toy Soldiers, as the Em era came to a close, I remember, I also liked 'When I'm Gone", from 2005 or so. I thought some of his production, the darker stuff mostly, was dope.

Though his skill at certain points was undeniable, he was always something of a joke to me at worst, and something resembling guilty pleasure at best.
 

Alvin

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One of the best, but whites bring him in every fukking discussion so he's gotten a ton of backlash these past couple of years. It doesn't help that his catalog has a bunch of corny songs that really shouldn't haven't left the studio. But, SSLP still plays well and is one of the few albums he has that doesn't sound dated. Deep down, I think he wanted to go back to the introspective/horrorcore shyt with Relapse, but gave up midway. Really wish he gave it a shot.
he kinda did and was going to expound on that with relapse 2 but the fans hated it so he went with recovery (which I like) but he got more and more corny
 

James Worthy

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I never cared about white rappers until he came along and the Dr. Dre co-sign was huge.


After leaving Deathrow, Dre didn't have a star. That Deathrow roster was deep. Before that he had N.W.A.


So thats why the first Aftermath projects or artists didn't click.


Almost all the rappers Dre worked with during that time were established by their own right (Cypress Hill, Scarface, Nas).... so he couldnt change their narrative.... and.... those who weren't established didn't have anything special about them. (Except Mel Man, he found his pocket during the Chronic 2001 wave).


OR Dre just didnt have the vision to make it work ( Eve was signed to him early and the Firm should have just been him and Nas with features from the Firm)


So as a Dre fan, Eminem was a unique way for a come back. Not only was this dude white but he was ill lyrically and he was saying some wild shyt!


Shock factor really served Eminem well for his first three albums. He was entertaining and the skill and talent undeniable.


It was some real "Great White Hope" shyt for white boys.


They could get over the shame of Vanilla Ice.


They was like we got one:

595463fc0f424.jpg



But you can only hate your momma for so long.

Ok we get it, you hate your baby momma and your only true targets are pop artists who cant really go back and forth with you. Justin Timberlake and Moby don't have bars.

Benzino is not a worthy opponent.

His formula got played out real quick after The Eminem Show.

After that album...i was like:

billbored.gif



There was nothing else to say. The jokes became predictable or just weren't funny anymore. The stories were the same. The issues were white man problems i couldn't relate to.



Plus someone told him he was a good producer.


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