What's the success rate on "industry plants"??? doesn't seem too profitable.

RichYung

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plants are just like regular artists but instead of a label giving you a huge signing check and advance on funds they just feed you cash on the low and fund your "movement" so it looks organic because people like that "I was on him before he blew up feeling" and due to 360 deals a label can fund a 10K mixtape then make money off of all the thousands the artist gets as a result of that mixtape

90% of artist fail to be "successful" before planting and 90% of artist still fail after planting
So it's not even worth "planting" correct?
Great post also
 

No Homo

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plants are just like regular artists but instead of a label giving you a huge signing check and advance on funds they just feed you cash on the low and fund your "movement" so it looks organic because people like that "I was on him before he blew up feeling" and due to 360 deals a label can fund a 10K mixtape then make money off of all the thousands the artist gets as a result of that mixtape

90% of artist fail to be "successful" before planting and 90% of artist still fail after planting

What makes this artist different from another artist? What makes them not a regular artist? A label finds someone they think can be a star and they fund them? I dont get this term.
 
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hex

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That article is about album sales. which I made a comment about in my first post.

I knew you would google the first article that goes against my post

The article is about anything recorded, in any format. Singles, albums, streams, Itunes, anything.

So if the record industry is the lowest it's been in decades....that means one of two things:

1. The profits from concerts aren't enough to offset the losses in other areas.

2. Concerts have jack shyt to do with the profits of the recording industry.

Either way, you're wrong.

Or, since you seem a bit slow, here's a nice picture to break it down:

The music industry has hit its rock bottom

global_recorded_music_industry_revenue_-_adjusted_for_inflation_revenue_inflation_adjusted_chartbuilder-1.png


Once adjusted for inflation, the global recorded music industry has basically been cut in half in less than two decades. That can largely be explained by growth in piracy and illicit file-sharing services, and the busting of the industry’s product bundle (generally known as the album) with the advent of individual track downloads through services such as iTunes.
Cut in half. But nah, the industry is doing "very well" due to singles and concerts. :mjlol:

I swear the more someone stans Drake, the lower their IQ is.

Fred.​
 

CrimsonTider

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The article is about anything recorded, in any format. Singles, albums, streams, Itunes, anything.

So if the record industry is the lowest it's been in decades....that means one of two things:

1. The profits from concerts aren't enough to offset the losses in other areas.

2. Concerts have jack shyt to do with the profits of the recording industry.

Either way, you're wrong.

Or, since you seem a bit slow, here's a nice picture to break it down:

The music industry has hit its rock bottom

global_recorded_music_industry_revenue_-_adjusted_for_inflation_revenue_inflation_adjusted_chartbuilder-1.png



Cut in half. But nah, the industry is doing "very well" due to singles and concerts. :mjlol:

I swear the more someone stans Drake, the lower their IQ is.

Fred.​
What you quoted isn't profits... Its revenues

This article is about the selling of music and that chart you posted.

concerts have jackshyt to do with profits :what:
 

hex

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What you quoted isn't profits... Its revenues

This article is about the selling of music and that chart you posted.

concerts have jackshyt to do with profits :what:

A Drake stans, ladies and gentlemen.

Fred.
 

hex

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What makes this artist different from another artist? What makes them not a regular artist? A label finds someone they think can be a star and they fund them? I dont get this term.

I will give you an example.

Wu-Tang pooled together a bit of money, pressed up their own vinyl and ran up on DJs in person, asking them to play their shyt. It got played, NY was feeling it, the rest is history.

Imagine a scenario where Wu-Tang was already signed to....let's say Def Jam....pretended to be indie....and the "we pressed our own vinyl and did all our own leg work" story was completely fabricated.

One built it's buzz naturally. A grass roots approach. One pretended to, with the exact same help as any other big budget artist.

At face value, no, there isn't much difference if the music is dope. But some people like to hop on a bandwagon, say they were an "early adopter" of a new artist, whatever. The plant shyt is a marketing tool created to lure in those people.

Hell, I remember people were saying Drake was indie, a new artist, completely outside of "the industry" etc. when "Room For Improvement" and "Comeback Season" were out. In reality he was already at Aftermath a year before his "indie" debut, and a part of the industry.

Fred.
 
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