Swahili P'Bitek
Absorbingpovertywithoutlimitations
You're taking the socio-economic conditions that gave rise to your version of "cool", as being entirely unique.That same aura of non-chalance,calm smooth talking etc. was/is also present in many cultures around the world and is associated with specific socio-economic classes who don't even speak English, from Western Europe to Communist Russia to Africa.AADOS men created the concepts of game, smoothness, drip, swag, sauce, and even the concept of being "cool" itself(which is why we'll always be solidified number 1 on this list). Most of them at their core had nothing to do with name brand clothes. It's *outsiders* tryna mimick us who simplify it to that.
Cool (aesthetic) - Wikipedia
Style, sure to some extent, but that doesn't just include clothes but jewelry, hair style, shades, and the unique ways of wearing certain clothing items and mixing and matching with others as well. But much more than that, the essence of it lies in the aura, demeanor, mannerism of the individual. In fact, the mouthpiece is more important than clothes when it comes to those things in our culture. But, it outwardly manifest in many different ways such as in physical gestures, non-verbal sound ques like the "chk-chk”, rhythm of basic speech and movements like while walking etc etc and other little quirks.
Due to the fact that black people in the diaspora had better musical skill than majority of the world, it is not uncommon to find AA/Jamaican influence in urban culture, especially Africa, but it can't be wholesale, since people will straight out call you out for trying to be what you are not.It is not a coincidence that every culture has its own slang, preferred dressing style, dance styles etc. that are dictated by the youth from specific socio-economic classes.
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