part 2
What’re you listening to these days?
Fetty Wap. I like K Camp. Jose Guapo. 21 Savage. He from Chi-lanta, that’s what I’ma say. I’m bringing him to Chicago. I fu*k with 21. He on some straight other sh*t. I like that hard sh*t. Don’t get it twisted, when a n*gga can do hard records, they can really go crazy on a lot of sh*t.
That’s what we saw with Keef, he got a whole range.
When the n*gga did “Hold My Liquor” and all that sh*t, I was like aw….He’s got some songs that’s not released and he’s rapping over a fu*king piano. Just a piano. I think K.E. On The Track did it. Shout out to K.E. I’m not a hater. I embrace this sh*t. I buy the albums so I can hear that sh*t. Yes, I bought the Travis Scott album. Yes, I wanted to hear that. I like that “Apple Pie” song. That bi*ch a fu*king banger.
Why’d you feel the need to say Kanye is gonna make it look like he’s putting Vic Mensa on?
When I read [Vic Mensa’s] comments – oh yes I read everybody’s comments from Chicago – they’re saying, “Kanye put you on!” Why would you even say some sh*t like that? They say it to me too, “Kanye put you on!” Yeah, Kanye put me on…with some other sh*t! With the overseas sh*t! I went to Paris, they had [“Don’t Like”] blasting. Can’t speak a fu*kin’ drop of English but they playing it on the radio with the cussing in it and the DJ Pharris part. That’s what I can say [Kanye] did. OK cool, that’s love. Now we overseas. sh*t, thank you.
Vic is from the south side. He was in the Kids These Days band. They was fu*king big. That’s why he’s big. And then when I see Kanye jumped on his song, I was like OK cool…but don’t make it seem like you put [Vic] on.
[Someone mentions how Young Chop produced Big Sean’s “10 2 10”]
Bro…I got fu*ked. I ain’t even gonna discuss that song. That was one song I really got fu*ked out of. I really felt hurt, and that’s really when I said, “fu*k n*ggas.” Because of that. When that n*gga took that much publishing off that record. I ain’t gonna say his name, but once that n*gga took that much publishing and left me and KeY Wane with that little a.ss sh*t. I was like fu*k these n*ggas boy. We the young n*ggas, you supposed to split that. You got way more money than us.
I ain’t even talking about Big Sean, I’m talking about the other producer that was on the record. Read the fu*king credits. But no, they went over the sh*t and put that sample in there. That beat wasn’t even supposed to sound like that. I’m telling you the truth. I ain’t never brought this sh*t up. I did the sh*t in a Yeezus session. My dumb a.ss, I gave them the track out to my drums and sh*t. I still got my credit but the percentage? I’m like…I’m not even gonna see a fu*king dollar!