Dart Adams is insufferable to me, but I'll read this pieceAn Alternate Take On The Perception Of Nas’ “Illmatic” 25 Years Later
Dart Adams points out the myth that Illmatic pioneered the multi super producer album
Dart Adams is insufferable to me, but I'll read this pieceAn Alternate Take On The Perception Of Nas’ “Illmatic” 25 Years Later
Dart Adams points out the myth that Illmatic pioneered the multi super producer album
Kills me that Arrested Development outsold The Chronic in 1992. Now people forget they existed. It's crazy to think a group like them could reach that level of popularity, I just don't see it today.
I’ve always thought that was mainly an early 90’s thing since it seemed like a lotta rappers after 1993 were either too cool or too gangsta to dance on record anymore.
Dart Adams is insufferable to me, but I'll read this piece
Can't take anybody who listens to or cites rosenberg seriously.For example, 30 seconds into Google Play’s mini-documentary for the 20th anniversary of “Illmatic” in 2014, Peter Rosenberg said that “in a lot of ways established Hip Hop as an artform to be taken really seriously”. Really, Peter?
more bullshyt from Rosenberg, showing he doesn't really have an in depth knowledge of this shyt
Yep, this was a b-side to the "Straight From The Sewer" single, a sign of their shift in style that was coming. The next album dropped a year later and it didn't get the same audience... it was like people were over them just that fast. Also, it dropped the same month as 36 Chambers, Midnight, and Doggystyle, so... yeah...
Yep, this was a b-side to the "Straight From The Sewer" single, a sign of their shift in style that was coming. The next album dropped a year later and it didn't get the same audience... it was like people were over them just that fast. Also, it dropped the same month as 36 Chambers, Midnight, and Doggystyle, so... yeah...
DEFINITELY
THE 90S SEEMS LIKE IT HAD WAYYYY MORE ERAS THAN THE 10S, ITS WEIRD
AND IN 2000 WE WERE LOOKIN AT SHIIT FROM 1989 LIKE IT WAS ANCIENT
NOWADAYS, SHIIT FROM 2009 DOESNT SEEM THAT FAR IN THE PAST TBH
Who would you say were the Yachty’s and Carti’s of the 90’s ? And that’s no knock to Carti and Yachty I love them but who in the 90’s came with a distinctive style that was widely critiqued by the older crowd ?Rappers having more “substance” than this generation. A lot of those 90s rappers had the same money, hoes, and clothes material rappers talk about now. And then there were the super lyrical miracle rappers who spent their whole careers rapping about how good they rapped and thought that made them more righteous than the money, hoes, and clothes rappers.
Yeah it's hard for people not from that era to actually understand how different it was. Like obviously people talked about if albums were dope but nikkas was really into singles, videos or random joints that dropped. An artist might be your favorite that summer off of 1 song and maybe a feature, not an entire album. Redman was my favorite rapper before I even got a chance to hear Whut Thee Album.That's why when people mention the 90s and all they refer to is the albums, to me that's just HALF of the story... a lot of great albums no doubt but it's also the singles that kept the energy. Some had not-so-dope albums, but they still had songs that made impact. AND there are remixes that came out as the singles that were crazy, then you buy the album and it ain't same version from the video![]()
Especially when albums back then were pushed back or shelved on the regular. People were bumping albums but low key (90 to about 94) people were copping cassette singles and mixtapes more so then full length artists albums. And if they would cop an album, 75% of the time it was bootlegged. I remember Brand Nubian’s first album and Illmatic being heavily bootlegged on the streets and people listening to those versions. nikkas in the streets weren’t buying real albums like that until the rise of Death Row with The Chronic (which blew up on the East Coast around Winter going into Spring of 93), Doggystyle, and BIG’s Ready To Die.Yeah it's hard for people not from that era to actually understand how different it was. Like obviously people talked about if albums were dope but nikkas was really into singles, videos or random joints that dropped. An artist might be your favorite that summer off of 1 song and maybe a feature, not an entire album. Redman was my favorite rapper before I even got a chance to hear Whut Thee Album.
Facts! Plus nikkas did not have money like that to just cop tapes every time they dropped, so I borrowed a lot of albums until I could cop my own. I was a short in the 90s, so if my parents didn't cop it, I had to just wait to get a dub or borrow a lot of the times.Especially when albums back then were pushed back or shelved on the regular. People were bumping albums but low key (90 to about 94) people were copping cassette singles and mixtapes more so then full length artists albums. And if they would cop an album, 75% of the time it was bootlegged. I remember Brand Nubian’s first album and Illmatic being heavily bootlegged on the streets and people listening to those versions. nikkas in the streets weren’t buying real albums like that until the rise of Death Row with The Chronic (which blew up on the East Coast around Winter going into Spring of 93), Doggystyle, and BIG’s Ready To Die.
Facts! Plus nikkas did not have money like that to just cop tapes every time they dropped, so I borrowed a lot of albums until I could cop my own. I was a short in the 90s, so if my parents didn't cop it, I had to just wait to get a dub or borrow a lot of the times.
I got some meh albums in my collection only because I knew the single lol and my mom would be like "You can buy ONE ALBUM" and then I would cop from that.
When them Columbia House CDs came towards the mid-late 90s it was a game changer lmao. nikkas was coping 12 CDs for like 1 penny or some crazy shyt like that.