Am I the only one who thinks Young Chop sucks

Broccoli Rob

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You're not the only person.

But the other person is also wrong.

He's good.
 

DaveyDave

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Let's examine the evidence...

Are you saying 3Hunna sounds like Kobe, which sounds like Traffic, which sounds like I Don't Like, which sounds like Monster, which sounds like Love Sosa, which sounds like Bad, which sounds like Beef, which sounds like Us...

Seriously, do you really have no ears for music...

Dude is beat maker of the year hands down...

Banger after banger after banger...

You act like in the past we didn't know a RZA, Havoc, Dre, Premo, Kanye, Timbo, Neptune and etc beats when we heard them...

:comeon:
a RZA beat didn't have "prince rakeem on the beat" at the start of EVERY fukkin beat ever. producers who ACTUALLY have their own sound don't use drops at the start so you can identify their beats
 

Art Barr

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Mike Will is the only newjack who put a new spin on the trap sound, a change is needed badly

soul controller,....
I told them you was my guy and all..

Yet and still triple6 and shawty red would like a word with you about these comments.


Art Barr
 

mortuus est

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Him and lex did a tape with some rapper i never heard of, saw it on livemixtapes a month ago
 

MrMofat

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Its like cigarettes.. everyone has the one that they constintly go back and buy that tends to their preferences

cant knock another producer for giving ppl what they want but at the same time know his place
 

Art Barr

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a RZA beat didn't have "prince rakeem on the beat" at the start of EVERY fukkin beat ever. producers who ACTUALLY have their own sound don't use drops at the start so you can identify their beats


Mentioning rza,...
To make your argument.
Totally defeats what statement you were trying to make.
As rza, when he made a beat did not use the verbiage of what is now known as a drop.
Yet rza,..did have what would be id'd as a trademark.
or, what is now known as a drop in his earliest work, before the fire/flood.
Which eliminated him from furthering his hof production credit legacy.
In the same manner in which it stated.
all producers who typically had some form of mainstream traction in the precursor of the sales spike era
to the end of the sales spike era, till now.
All had some discernible 'thing' in their production.
That is now termed or simplified into the obnoxious drop found in most new work made in this day and age.

Any producer from the era who had some cultural traction or mainstream traction or both.
All had a signature sound, or something that was the precursor to the 'drop'.


shyt even Marley on worls he wanted you to know were his in the early nineties.
After he gifted Eric b with a career featured his signature old wino pimp daddy voice.
To the point when he did, sauce money's record a full decade later damn near, to comeback.
Featured said pimp old man wino vocals on the fukk'n hook.

MOS DEF : IF I AIN'T A BBOY,..THEN PREMIER NEVER USED A BELL,..TING TING!

UNIVERSAL MAGNETIC 97



Art Barr
 

DaveyDave

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Mentioning rza,...
To make your argument.
Totally defeats what statement you were trying to make.
As rza, when he made a beat did not use the verbiage of what is now known as a drop.
Yet rza,..did have what would be id'd as a trademark.
or, what is now known as a drop in his earliest work, before the fire/flood.
Which eliminated him from furthering his hof production credit legacy.
In the same manner in which it stated.
all producers who typically had some form of mainstream traction in the precursor of the sales spike era
to the end of the sales spike era, till now.
All had some discernible 'thing' in their production.
That is now termed or simplified into the obnoxious drop found in most new work made in this day and age.

Any producer from the era who had some cultural traction or mainstream traction or both.
All had a signature sound, or something that was the precursor to the 'drop'.


shyt even Marley on worls he wanted you to know were his in the early nineties.
After he gifted Eric b with a career featured his signature old wino pimp daddy voice.
To the point when he did, sauce money's record a full decade later damn near, to comeback.
Featured said pimp old man wino vocals on the fukk'n hook.

MOS DEF : IF I AIN'T A BBOY,..THEN PREMIER NEVER USED A BELL,..TING TING!

UNIVERSAL MAGNETIC 97



Art Barr

My point was that RZA had a SOUND of his own. These days you have to have a drop that says your name because other wise most of the time it just sounds like some generic shyt that 50 other people could have made.
 

BigMan

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Young Chop's engineer is dope. The swine is wack tho, no versatility and tons of producers more talented then him, there are much better "Trap" producers then him
 
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Difference is all those producers had their own unique sound they werent emulating. Young chop is generic trap producer #347847774849

You are flat out wrong...

Every producer has been influenced by a popular producer that came before them...

Name 1 producer who is making beats like "Traffic"...? Name one song before "3Hunna" that sounds like it...? Name 1 song before "Monster" that is in that same style...? Name one beat that sounds like "I don't like"...Name 1 beat that sounds like "Kobe"...

Just because dude uses 808's it doesn't mean he doesn't have a "unique" sound...

Young Chop's style is pretty variable..."Traffic" sounds nothing like "Kobe" which sounds nothin like "I don't like" which sounds nothing like "3Hunna"

If dude didnt use his signature, it would be anybody's guess who made those beats...

In comparison, we all knew a Kanye beat when we heard it, back in the "College Drop Out" days...Same with Dre when he dropped "2001" we all knew which beats Scott Storch helped him on, when we heard the signature keys...
 
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