Ameriie on the Breakfast Club

Pop123

Peace
Joined
May 13, 2012
Messages
30,883
Reputation
7,235
Daps
116,217
Reppin
NULL
Emotional = one of the best RnB albums of the last 20+ years IMO.


I seen yall two say it's great and I heard from other people it was great too, def gonna scoop that jawn up over the weekend, don't know why I fronted on Carl Thomas so long.
 
  • Dap
Reactions: Rev

JustCKing

Superstar
Joined
Jun 17, 2012
Messages
26,087
Reputation
4,219
Daps
49,802
Reppin
NULL
Yeah. It does.

Enough so that Ameriie alluded to it in this interview and even made that song several years ago.

Some of ya'll love rewriting history for the sake of it just so you all can trot out this ad hoc reasoning.

What she alluded to in the interview had more to do with the label than it did one particular artist. That's not a history rewrite. "Crazy In Love" is one song. Although it's the song that put Beyoncé's solo career in orbit, it isn't her defining sound. Again, Rich was doing records for Kelly Rowland around the time Ameriie debuted. The difference is what he did for Kelly didn't take off. This type of stuff happens all the time. Once one artist blows up with a sound, the label will shop the same sound to other artists under their umbrella.
 

dora_da_destroyer

Master Baker
Joined
May 1, 2012
Messages
66,652
Reputation
17,220
Daps
274,888
Reppin
Oakland
I'm shocked that Amerie can get so many replies in The Booth...chick really was a 1 hit wonder
No she wasn't, she has at least 3 popular songs people in general remember and one classic album - back when people listened to albums - and a second good to very good album.
 

☑︎#VoteDemocrat

The Original
Bushed
WOAT
Supporter
Joined
Dec 9, 2012
Messages
337,890
Reputation
-34,939
Daps
641,354
Reppin
The Deep State
What she alluded to in the interview had more to do with the label than it did one particular artist. That's not a history rewrite. "Crazy In Love" is one song. Although it's the song that put Beyoncé's solo career in orbit, it isn't her defining sound. Again, Rich was doing records for Kelly Rowland around the time Ameriie debuted. The difference is what he did for Kelly didn't take off. This type of stuff happens all the time. Once one artist blows up with a sound, the label will shop the same sound to other artists under their umbrella.
Bruh. It was like 4 songs.
 

JustCKing

Superstar
Joined
Jun 17, 2012
Messages
26,087
Reputation
4,219
Daps
49,802
Reppin
NULL
Bruh. It was like 4 songs.

Four songs isn't enough to define someone's sound especially when "Baby Boy", "Naughty Girl", "Me, Myself, and I" sounded nothing like "Crazy In Love". The song Rich Harrison did on her second album wasn't big at all. "Soldier" for Destiny's Child, which Rich Harrison produced doesn't sound like Ameriie's sound at all.
 

☑︎#VoteDemocrat

The Original
Bushed
WOAT
Supporter
Joined
Dec 9, 2012
Messages
337,890
Reputation
-34,939
Daps
641,354
Reppin
The Deep State
Four songs isn't enough to define someone's sound especially when "Baby Boy", "Naughty Girl", "Me, Myself, and I" sounded nothing like "Crazy In Love". The song Rich Harrison did on her second album wasn't big at all. "Soldier" for Destiny's Child, which Rich Harrison produced doesn't sound like Ameriie's sound at all.
Hey. take it up with Amerie. 10+ years ago, she felt the internal politics and behind the scenes drama was enough to make a song addressing the fukkery.

But everyone knows Beyonce sharked her in many ways.
 

JustCKing

Superstar
Joined
Jun 17, 2012
Messages
26,087
Reputation
4,219
Daps
49,802
Reppin
NULL
Hey. take it up with Amerie. 10+ years ago, she felt the internal politics and behind the scenes drama was enough to make a song addressing the fukkery.

But everyone knows Beyonce sharked her in many ways.

Which again, doesn't necessarily mean that Beyoncé sharked her and it was more of an industry thing. She made it a point in that interview that she wasn't dissing Beyoncé and that she didn't feel like she was being bitten.
 

Rev

Bong
Joined
Apr 30, 2012
Messages
23,204
Reputation
3,852
Daps
74,982
Reppin
Uptown
my fav 2000s r&b chick. those albums were summer soundtracks.

columbia fumbled the shyt outta her career. i remember being in ny around 2001 july 4th weekend and fat joe was on hot 97 throwing a fit because she had a single that everyone in the world loved and no one knew who she was. then they played why dont we fall in love w/ the 80+ different rappers that remixed it.

wonder what those "one thing" checks look like. i still hear that shyt floating through movie scenes. timeless
Did Columbia just shift 100% of the focus to the start of Beyonce's solo career at the time? I remember they kinda tried to make her into Beyonce-lite later on too.
 

spliz

SplizThaDon
Joined
May 2, 2012
Messages
66,083
Reputation
10,539
Daps
221,034
Reppin
NY all day..Da Stead & BK..
What she alluded to in the interview had more to do with the label than it did one particular artist. That's not a history rewrite. "Crazy In Love" is one song. Although it's the song that put Beyoncé's solo career in orbit, it isn't her defining sound. Again, Rich was doing records for Kelly Rowland around the time Ameriie debuted. The difference is what he did for Kelly didn't take off. This type of stuff happens all the time. Once one artist blows up with a sound, the label will shop the same sound to other artists under their umbrella.
If Beyonce ain't have a history of this bullshyt then I would be more inclined to see where u coming from. But she been on it her whole solo career damn near. Alotta industry females don't fukk wit Bey. Bey damn near didn't give credit to NeYo for his track Irreplaceable. She tried to say she came up with it but his fans already heard his version and called her out on it and she gave him credit when she accepted her award for the song.
 
Top