The beats have been stuck in the mid 90s dusty nikka NYC shyt. Nas had the best releases mostly because he chose a producer that was current (I didn't like the Hitkid stuff as much as the previous joints however)
The beats have been stuck in the mid 90s dusty nikka NYC shyt. Nas had the best releases mostly because he chose a producer that was current (I didn't like the Hitkid stuff as much as the previous joints however)
My post in this thread highlights how full of shyt OP is and u highlighting these posts actually makes me not take anything he’s saying seriously cause that shyt is flagrant.I gotta be honest, I don't like this implication, and frankly this does a disservice at Al too, because it puts unnecessary friction on him. People are rightfully gonna start taking shots at him to defend what feels like an attack on the culture. Hiphop is black expression and black art at its core, and it always will be. White people are guests in the house. One of the reasons Al has the widespread respect that he does is because he believes that he's a guest in this art form and shows reverence and gratitude for that.
It just rubs me the wrong way whenever an argument is framed as "white people are doing black music better than black people." It really does feel kind of racist, and I feel like there are better ways to critique the game and make the kinds of points you're making.
IMO the issue isn't that the beats are dusty. Most people here like dusty beats. There are some dope beats on the albums. Then you get shyt like this...
Both the Rae and Ghost albums also have these really dramatic beats with loudly mixed drums that just feel like something you'd pick in 2008 if you wanted an imitation Dre beat.
Ghost always had a great ear for beats and constantly worked with the best underground producers while other veteran rappers were spitting over lazy shyt. Ghost rocked over Madlib, Dilla, DOOM, Jake One, Frank Dukes, Alchemist, etc. Yet here it seems like he's completely divorced from the current underground.
This is definitely a big factor. There's a lot of posters on here that were from SOHH and never really fund new musical taste, and a lot of them (no oiffense to some of ya'll) are the ones asking for folks to Pass the Mustard when 99% of the world has moved on to having a Spotify or Apple Music account and just streaming everything.
It really surprised me how many people on here just now heard about Roc Marci because they clicked on his thread here because they say Preemo produced it. Like, how can anyone even slightly tapped in not have heard of Roc Marci between 2010 and 2025?
Most of us here are old heads and uncs, but there are levels to the old head and unc game. There are for real some people that never listened to any new hip-hip after the 200's. fukk, even Havoc is one of them. Havoc and ALC had a livestream last year, and ALC was talking about modern era classics (he was implying the last 10-15 years) and Al named DS2, TPAB, Pinata, etc, and he asked Havoc what his favorite new era classic album is, and Havoc said Get Rich or Die TryingAl was like "I meant like last 10 years" and Hav couldn't really name anything. He looked dumbfounded. It just seemed like Hav stopped listening to new shyt after the 2000's.
Surprises me that people read, or care about comments under Youtube videos.
Rae's album was forgettable
Ghost's album was dope for the most part. Metaphysics and The Zoom are 2 of the best tracks to come out this year, regardless of genre
Bro... I know its gonna be fire because when does alchemist every fukking disappoint? If erykah chose alc to produce her first album in 20 years or whatever it is... Im already knowing it's going to be crazy. If it ends up being wack then I'm going to say it... But my confidence in this album being dope comes from a decade long run of alc releasing bangersNot surprised to hear that. Just pointing out OP already made up his mind it's a great album without hearing anything outside the underwhelming single. Same type of biased behavior he accusing everyone else of in here.
I hear you, I wasn't even going to go down that route and neither do I care but someone told me that it's an agenda that I'm bigging up a white man doing hip hop better than others. I don't care about that agenda but since people wanted to bring it up, I'm bringing up that actually white dons are carrying the scene when it comes to soulful productionsI gotta be honest, I don't like this implication, and frankly this does a disservice at Al too, because it puts unnecessary friction on him. People are rightfully gonna start taking shots at him to defend what feels like an attack on the culture. Hiphop is black expression and black art at its core, and it always will be. White people are guests in the house. One of the reasons Al has the widespread respect that he does is because he believes that he's a guest in this art form and shows reverence and gratitude for that.
It just rubs me the wrong way whenever an argument is framed as "white people are doing black music better than black people." It really does feel kind of racist, and I feel like there are better ways to critique the game and make the kinds of points you're making.