Can we talk about how Oh No was the perfect marriage of mainstream and underground?
Mos and Monch spittin dope ass verses
Nate's classic hook made it extremely radio friendly
Beat was knockin on top of all that
We'll never see no shyt like this again
That vibe is outrageous. 
Honestly man that might be THE best example of a joint that has the perfect appeal to both underground and mainstream heads and that time. And it sounded so natural and nothing forced about it.Can we talk about how Oh No was the perfect marriage of mainstream and underground?
Mos and Monch spittin dope ass verses
Nate's classic hook made it extremely radio friendly
Beat was knockin on top of all that
We'll never see no shyt like this again
Can we talk about how Oh No was the perfect marriage of mainstream and underground?
how the fukk does Oh No have even a tiny bit of mainstream appeal?When I first read this I thought you meant Madlib's brother Oh No (since he produced for Mos Def) and I thought
Favorite album of all time
Did anybody else never take Talib serious after the beatings he took from Mos on Black Star? The clear gap in skills between them on that album just stood out to me. I never felt like that with Outkast.
He was miles ahead of Kweli and I didn’t wanna admit it because Kweli held his own in their early colabs like Fortified Live. But I had to admit it to myself when this album dropped. It was even more clear when that Reflection Eternal album dropped
The crazy thing is Kweli has actually had a much more consistent career after all this
Can we talk about how Oh No was the perfect marriage of mainstream and underground?
Mos and Monch spittin dope ass verses
Nate's classic hook made it extremely radio friendly
Beat was knockin on top of all that
We'll never see no shyt like this again
...I stopped liking it because of that 
