D. Dot Of The Hitmen : "No Disrespect But J Dilla Cant See My Catalog"

[Zero]

None of you hitman did anything outside of the puffy/bad boy coc00n

I’ll never forget a Stevie J interview when he talked about “none of these producers can see me in the studio and they know that” I’m like the delusion

If you don't know, just say that then

 

[Street Knowledge]

If you don't know, just say that then

Woohaa by rashad smith? That’s basically it. Unless you wanna give Sean C credit for can’t knock the hustle

Bad Boy Records - Wikipedia

en.m.wikipedia.org

Their catalogue outside of standing next to Puffy in the bad boy coc00n is week as fukk.

 

[Guvnor]

This dude is talented but no Dilla. Let's not wild out.

Lmao the guy who had Kanye doing his beats on the low?

Nope

He said that was a lie in this interview. He said Kanye always got credit with the exception of one Nas beat on the lost tapes which the situation was not his fault for.

 

[Tetris v2.0]

This dude is talented but no Dilla. Let's not wild out.


He said that was a lie in this interview. He said Kanye always got credit with the exception of one Nas beat on the lost tapes which the situation was not his fault for.

I get that, I just don't have a lot of respect for non-beatmaking "producers" in rap

 

[Yehuda]

Styles are too different IMO. I'm not part of the "J. Dilla is the GOAT" brigade but he should just let dude rest in peace and compare himself to Poke and Tone or some shyt like cats in this thread said.

 

[Yehuda]

"What's the nicca that passed away?" "I love him to death"

Man dude is mad disrespectful. "We're samboing our way right to the fukking bank".

 

[Guvnor]

I get that, I just don't have a lot of respect for non-beatmaking "producers" in rap

How you know he don't actually make beats? I think he actually works a beat machine on his records.

 

[ISO]

Hitmen catalog ain't even fukking with Trackmasters he wildin'

Is this supposed to be an insult or something?

https://en.m.wikipedia.org/wiki/Trackmasters_production_discography

Dilla ain’t on this level classic records over everything

 

[The War Report]

He already made clear what the difference is between being a beat maker and a producer.

 

[☑︎#VoteDemocrat]

 

[FeloniousMonk]

I think he used Dilla as an example because he's everyone ones fav "backpack" producer.

 

[Razzay]

dope

 

[YakSpiller]

D.Dot got something that a lot of these legendary producers don't, residual royalties 20 plus years later. I don't care how many tracks ya favorite producer produced but for someone to have 1, let alone 3 MAJOR PRODUCED HIT RECORDS that are still being played today on a high level is a FLEX itself and should be celebrated. This man produced "Hypnotize", "Feel so Good", "All about the benjamins" that are still being played today as if they we're fresh out. Your fave producer gotta produce 20 joints a year just to see half of those royalties at LEAST. I know some of yall get triggered easily when someone talks their sh* but D.Dot got receipts to back up what he's speaking on.

* forgot "Been around the world" which i still hear it played regularly and i believe i heard it on a movie trailer this year

yeah brehs, stay out ya feelings, D.Dot got a mf point, and i ain't even go deep in his catalog

Outside of AATB(that sample is not really recognizable)The people who own the publishing rights to the samples and Nile Rodgers probably eat more of that shyt than him though

He does have classic hits under his belt though.

 

[keond]

Outside of AATB(that sample is not really recognizable)The people who own the publishing rights to the samples and Nile Rodgers probably eat more of that shyt than him though

He does have classic hits under his belt though.

Wasn't All about the Benjamins Barry White/Jackson 5?

 

[NormanConnors]

He didn't diss Dilla. He just said he couldn't see his catalog and said no disrespect and said he loved J. Dilla. I don't understand why people are up jn arms like he said something disrespectful. Nothing he said required a hypothetical response from Dilla if he were alive. In fact, he was more so speaking to backpackers/purists who were dismissive of his catalog and compared him to Dilla.

And to D. Dot's point, a lot of people don't understand that he was integral in putting Kanye and 50 on. "How To Rob" was a big deal. That was a D. Dot joint featuring 50. He helped Kanye develop his sound. Wasn't no ghost production and the records D. Dot got credit for, but Kanye actually did was due to label/industry politics not D. Dot stealing credits. Even on D Dot's album, Kanye got credited with the joints he did.

Also of note, the term "ghost production" in Hip Hop exists because Kanye pushed the narrative that he ghost produced for D. Dot, when that's not true. There was a difference in Kanye's and D. Dot's styles even then.

It is a diss simply to due to the fact D Dot is incorrect