fukk no.
Nobody in the south sounds like Outkast...BUT Outkast. Not even in Atlanta.
Dallas Rapper Dissing Houston, Says They Are Soft And Gay, and full of Suckas
- Thread starter aboss4real24
- Start date
fukk no.
Nobody in the south sounds like Outkast...BUT Outkast. Not even in Atlanta.
fukk no.
Nobody in the south sounds like Outkast...BUT Outkast. Not even in Atlanta.
eric biddines sounds jus like andre3000
He said the rappers was soft
....But what can we really compare it to when it comes to Dallas though
? im sure majority of they rapper population is soft as baby shyt too but we just don't know them nikkas so nobody can publically namedrop and call them out for bein soft
....But what can we really compare it to when it comes to Dallas though? im sure majority of they rapper population is soft as baby shyt too but we just don't know them nikkas so nobody can publically namedrop and call them out for bein soft
So, Twister, Common and Do or Die didn't exist in the early 90's.
Koopsta was the person for the idea of the dark 3-6 sound breh.
Oh... Common sounds like 3-6 now??????
3-6 had their tapes being sold in stores all across the mid-south before Do or Die was even thought of.
And Twista was on some square ass riggity rap hippity hop shyt around the same time 3-6's debut.
And Koopsta wasn't even around when Paul & Lord recorded Serial Killaz & Portrait of Serial Killa in '92 & early 93... so how could he have been the one behind their "dark sound"
I'm the one that doesn't know about Memphis rap though.
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I just remember the audio guy at my job used to record some of Three Six songs back in day. OG head in the Memphis Rap scene back then.
So, I showed him Tony posts and dude bust out laughing.
You can't even get basic facts correct... Koop was behind their "dark sound" even though two of their darkest projects to date were recorded before he was even a member. You disqualified yourself from the discussion right there.
Oh... Common sounds like 3-6 now??????
3-6 had their tapes being sold in stores all across the mid-south before Do or Die was even thought of.
And Twista was on some square ass riggity rap hippity hop shyt around the same time 3-6's debut.
And Koopsta wasn't even around when they recorded Paul & Lord recorded Serial Killaz & Portrait of Serial Killa in '92 & early 93... so how could he have been the one behind their "dark sound"
I'm the one that doesn't know about Memphis rap though.
Dude did you even watch the video I posted? Koopsta and Paul was rapping in high school together.
Breh stop posting. Do or Die and Twister was all in Memphis doing shows in the early 90's when they was underground.This is what people in Memphis has told me. So, who should I believe......you........or people in Memphis themselves?
Dude did you even watch the video I posted? Koopsta and Paul was rapping in high school together.
Whether they went to highschool with eachother is irrelevant. Koop had NO recorded material with 3-6 until late '93 on DJ Paul vo.15 that a FACT. Paul, Juice & Infamous had released about a dozen or so underground tapes before Koop was added to the roster. Again, you don't have a clue what you're talking about. Somebody's feeding you false info. Or you're just making up shyt, pulled from your imagination.
Do or Die didn't have any released material in the stores or in the streets until around '96... so how could they have influenced the Memphis rap scene? When all the top guys had debuted years before that? And Twista's early material, content-wise sounded nothing like what Memphis nikkas was rapping about at the time... but Face/Geto Boys, Ganksta Nip, Point Blank, UGK shoooo nuff did.
This is what people in Memphis has told me. So, who should I believe......you........or people in Memphis themselves?
Your getting faulty info breh... you got some major shyt wrong. things that someone who allegedly knows soooooo much about Memphis rap shouldn't be getting wrong.
maybe i should get my nikkas Killah Murphy, D.O.N. or Homicyde to sign up and set the record straight.
.
Lord Infamous: I was a real big Ganksta Nip fan too. When we started we were called The Serial Killers and we did a show with Ganksta Nip in Club Obsession. We were still in high school.
http://www.murderdog.com/feb_2008/Lord_Infamous.htm
Now... about those Do or Die and Twista shows in Memphis that supposedly had such a profound impact on Memphis rap in the early-90's
I expect you to post evidence of these occuring any second now (just as i did).
Or any songs where 3-6 are sampling or quoting Twista or Do or Die's music or ANY Chicago's rappers music in the early to mid 90's (like they've done a gazillion times with NIP, Face, Geto Boys, Point Blank, UGK, SPC etc.)
you won't be able to because you were making up shyt
AlbertPullhoez
The Takeover
Just to add to this Memphis/Houston/Chicago thing
DJ Paul did do a Screwed version of Big Business on Mystic Stylez and even shouted out Texas, so obviously the Houston sound/style had SOME kind of influence on Three 6
DJ Paul did do a Screwed version of Big Business on Mystic Stylez and even shouted out Texas, so obviously the Houston sound/style had SOME kind of influence on Three 6
King Jove
King Of †he Gawds
flip kicked the door in for houston rappers?
like dj screw and the geto boys didn't give texas it's style that dallas took and tried to be like before they started doin the dougie?
dallas whole rap scene was built on piggie-backing off houston's style.
dallas has no identity rap wise outside of the dougie. no respected hip hop legends, no classic albums. nothing,
but they had dorrough and lil twist tho
like dj screw and the geto boys didn't give texas it's style that dallas took and tried to be like before they started doin the dougie?
dallas whole rap scene was built on piggie-backing off houston's style.
dallas has no identity rap wise outside of the dougie. no respected hip hop legends, no classic albums. nothing,
but they had dorrough and lil twist tho
So, Houston influence the Memphis Buck movement, that later became the Crunk movement. Houston laid back slow screw sound created the Buck/Crunk movement now
Tony what influence did Houston have on this song?
Ends conversation
Houston laid back slow screw sound created the Buck/Crunk movement now Tony what influence did Houston have on this song?
Ends conversation
flip kicked the door in for houston rappers?
like dj screw and the geto boys didn't give texas it's style that dallas took and tried to be like before they started doin the dougie?
dallas whole rap scene was built on piggie-backing off houston's style.
dallas has no identity rap wise outside of the dougie. no respected hip hop legends, no classic albums. nothing,
but they had dorrough and lil twist tho
