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South rap killed the competition and competitive nature every body tryna
Be the same trap rap is also very redundant and forgettable
Trap is basically the Stephen king urban horror wing of horrorcore like people under the stairs is.
Horror is a small investment based genre in film, books media and in rap.
meant to make a large return from a smaller investment than most rap in the industry.
in that rap's horror genre or horrorcore is its equivalent.
The problem is the Mecca allowed the protection mechanism to be compromised and when cultural emcees who supposed to protect it in the Mecca failed to respond, accordingly to defend.
Instead sold out and hid their hands on some bullshyt afterwards.
Horrorcore always existed and has been a b*stard son culturally of the rap industry.
Esham, natas, bone, brotha lynch hung was never accepted culturally wholeheartedly.
shyt em may have sold the most but his horrorcore direction.
from comedy to serious is questioned just like his horrorcore predecessors before him. That now Eminem does not permeate in the same manner and that is to be expected because horrorcore acts will wane in draw and permeation like horror as a genre will always do.
Trying to cite the genre for going awry.
when it is meant to be a shock based low submission is inaccurate.
when culturally we had music built around the fortitude of our culture.
That horrorcore could and did exist.
yet never had dominate sway culturally over hiphop.
Culture based emcees from the Mecca are supposed to set the example regardless.
especially if they were the lead protector and our lead protector.
Gave an erroneous pass to puff after being duped and then never attacked puff the way he should have been dispatched.
Instead he shirked his responsibility.
If krs is not gonna act.
Especially after being used and duped.
Then, that creates a discrepancy and slippery slope.
The culture has never been about wavering.
If you gon diss cube for flodge'n.
then puff supposed to have caught it as well.
If you dissin' kool rock steady and destroying hiphouse like it should have been. Puff supposed to catch it. Not to mention, in that same instance you had the best album sales and single in 1997 as well. With puff on it and regardless you still supposed to serve puff.
All because puff erroneously used your cosign to also draw.
If you got pos dissin puff, it won't stick if you got krs protecting puff.
If you got young em dissin mase that is cool.
Yet, you needed krs dispatching puff.
Instead we got the foreshadow to krs shirk'n responsibility the same way just shy of two decades later we got krs shirk'n his responsibility as protector to bam. Which is not right and our culture is fukked up from that.
If you dissin nelly for infringe'n on being number one.
which we know is bogus because b real said and gave homage based props for covering I am still number one
Then why the fukk is puff allowed to flodge and not be called out and ruin the Mecca and the culture's most important song.
Regardless, if it was melle's record or not.
The problem is the Mecca and out protector allowing this bullshyt on his watch and permitting shyt that he never allowed previously.
That just till now twenty years later showed up again in his failure to act.
Puff is the issue but krs not acting is also why things are awry as well.
The entire cultural guard let us down after that continually and violated the culture.
Yet the precdent was set by krs to look the other way as well.
Art Barr