If the first episode was a fairy tale, drawn with darker and darker shades, until the last moment, this episode is almost all realism, a bleak, critical, perilous look at the spiraling, inefficient, brutal system our criminal justice system has become. As well as themes of the weariness of the working class and the sheer amount of labor, sweat, that goes into the darkly comedic process of criminal justice, the clerks, the judges, the police, the transcribers, the bailiffs, the lawyers, all just pieces of a flawed machine whose gears dismember, disconnect those who end up twisted in it's insides.
I've been through the system, so in knowing half laughter, and disgust I watched the scenes in the holding cells, and the junkie getting beaten, and remember all that shyt I saw when I was in.....and how everyone how has been in has a story like that, and much worse. It's a system that encourages primal behavior, and it's do or die. I remember sleeping on toilet paper rolls and watching dudes catch those kicks to the ribs, and wanting to do it myself, anger and rage, just cruelty seething inside.
The ending scenes were particularly grim in their constant themed shots of doors closing, opportunity, freedom, success, family, sex, romance, heavy imperialist doors of the machine closing down all around you. I remember those bus sides, shackled, and cuffed, two to three men, those last glances of the rest of the world, you never thought to miss, or appreciate. A sidewalk, and a passing sun. The ominous music and direction as he enters Rikers and ending with the prisoners entering a literal blackness, one apart from the world around them was powerful.
It's a process of dehumanization, on the inside. And a wrenching process on the outside, as the parents deal with the brunt of the law, even guys who aren't awful or evil, like Box. 'The Night Of' is doing an impressive work walking through this process, step, step by step. It's a quiet show in it's best moments, marching towards ever grimmer and darker days, I suspect.