Hmm would you look at this..

Lil Gangsta

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So what would be the point of putting him in the credits at all? Ya'll really not making ANY SENSE with what you're saying. And last I checked, OVO was a group of artists together, stop moving the goal posts.
Answer my question:

Did you or anyone have any idea that the random nikka Drake put in the credits of his songs was responsible for that LARGE of a contribution to IYRTITL? :comeon:

nikka like i said ppl never thought twice about that name becuz usually names r in the credits for any little contribution.

Everyone assumed this new Drake was a result of him findin a new flow and lingo.

And secondly, Quentin Miller is not apart of OVO so stop bringin up the group thing :pachaha: Drake had seemingly no intentions of puttin that nikka on
 
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Houston911

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And when Hush stopped getting writers credits is when Quentin Miller appeared :dead:

This is an actual lyric from q miller performed by drake

"The flow was getting too predictable
Had to switch it up, my new sh*t is on steroids
I would never pass a physical"

:dead:

Shyts funny on so many levels

Whoever drake ghostwriter was on "who do you live" got him sued by rappin 4-tay

They wasnt listening to that sh*t in canada :camby:

Now this thread right here is "snitching"

Drake got exposed and yall on some "bu bu bu he did it too"

Fukk outta here
 

Mr. Jack Napier

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Answer my question:

Did you or anyone have any idea that the random nikka Drake put in the credits of his songs was responsible for that LARGE of a contribution to IYRTITL? :comeon:

nikka like i said ppl never thought twice about that name becuz usually names r in the credits for any little contribution.

Everyone assumed this new Drake was a result of him findin a new flow and lingo.

And secondly, Quentin Miller is not apart of OVO do stop bringin up the group thing :pachaha: Drake had seemingly no attention of puttin that nikka on

No. And we can ask the same question for all artists.
 

010101

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from the blocks of shaolin
first hand experiences with the things they rap about
consistent in character from beginning to end in and out the booth

vs.

from the lower middle class suburbs of canada
fell in love with rap/hip hop as an observer no first hand connection to the environment that birthed the sound
became who he portrays himself to be only after signing a recording deal and surrounding himself with individuals and characters from the environments that birth the music he now makes


quality entertainment is quality entertainment

but no matter how high the quality of the music if the artist is fraudulent
that's a automatic disqualification
that shyt is only okay in the fantasy world of pop

but how can a fictional character hold more weight in the real world than an authentic one¿


the indoctrination of weak minds unable to separate their entertainment from reality

6god and his blind flock


z*
 

StretfordRed

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I think this beef is bringing out the most illogical, stanning posters and it's embarrassing.

Do you guys have jobs? Have you lost all reading comprehension?

I'm genuinely wondering if The Coli is the worst hip hop forum I've frequented.
 

SirBiatch

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Stop being dumb, Ghostface spit a verse that he himself did not pen. It doesn't matter who wrote it, or how cool he his with them, it wasn't Ghostface's original work. That's the main argument people have been using all week long. And as I've been saying all week long, this is not a new occurrence and has been going since the birth of hip-hop.

You're acting like this has happened several times with Ghostface. The one time he spits a whole verse he didn't write, and y'all act like ghostwriting is a common accepted practice in hip hop :what:

Ghost has shown he is more than capable of writing whole albums of brilliance, and rhymes so specific to his situation/personality that the likelihood of them being ghostwritten is near zero. If he takes a line here or there, as long as it's tasteful, what's the problem? HIP HOP been doing this. You take a line from a brotha to quote him/shout him out, etc.

It's been well understood that rappers will hang in the studio, and one of their boys might toss a line. shyt... "Represent" has half of Queensbridge on that track. In the 90s, it was common to have someone in your crew finish a rhyme on the actual song as though you were having a convo with more than just the listener on a song.

Y'all really comparing this to fukking reference tracks?!

Besides, the really hard work in hip hop is figuring out the flow/personality on a beat. It's not even the pen part. It's the "how do I flow to this beat" part and how does it match my personality. That's why reference tracks are so offensive. Because it's literally: "here's your rhyme and this is how you flow". All the hard work has been done for you.

Do y'all even understand this culture you claim to love?

Sometimes I just :snoop: at these threads.
 
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