All i know is i saw multiple music videos for songs from both albums on mainstream TV (MTV, BET) when they came out. That is mainstream in my mind, at the very least mainstream exposure.
Gritty street music in all of it’s forms had Appel to wide audience outside of just the urban crowd.No one considered Wu, Nas or Mobb as sellouts in 94-95. Whit kids in suburbs wanted Snoop and Dre.
Getting AirPlay on mainstream radio, gettitn airplay on music television shows. Music being featured on soundtracks. Artist making it to live tv shows(like Nas performing on All That.)I’ll never for the life of me understand the shot at Das Efx. I get why he would mention Onyx given their image and that the song is partially about him pining for hip hop before west coast gangsta shyt became dominant. But at the end of the day, he gave Onyx and Das half a bar, even if it flew under the radar at the time.
If East Coast hardcore was very much commercial by 94, who were the artists doing numbers at that time without making radio singles? I’ll give you Wu. But they are the exception to the rule. East Coast hardcore shyt was absolutely not commercially viable then or really ever outside of a few exceptions.
What is your definition of commercial hip hop in 94-95? Spell out the parameters so I can understand what you mean.
Of course. But most of grimy underground NY albums in 94-95 didn’t go gold. So they had far less of an audience than more commercial NY shyt and west coast shytGritty street music in all of it’s forms had Appel to wide audience outside of just the urban crowd.
what do you mean by mainstream radio and music television shows.Getting AirPlay on mainstream radio, gettitn airplay on music television shows. Music being featured on soundtracks. Artist making it to live tv shows(like Nas performing on All That.)
In the Tri-State area for the most part & more than likely. You can't forget how regional rap was back then. I highly doubt Shook Ones Pt 2 was getting crazy spins outside of NY like that in 95
You forget NY was the epicenter of media & entertainment back then. Pretty much the end all be all. And like I said, most of those spins were more than likely coming from the Tri-State area & probably Maryland/DC since they're close.
And I know they're outlier regions that might've been playing them but not like the Tri-State
I actually agree to a certain degree but let me ask you this. Where do you think Billboard's HQ is located........I already acknowledged how regional rap was back then. Put this in perspective though. "If I Ruled The World" was huge. You want to know where that song peaked? It peaked at #53. You're really going to tell me that song only got play in the Tri State area? Keeping it 1995, Lost Boyz "Jeeps, Coups, Bimaz, and the Benz" peaked at #67. You can't tell me that song didn't get play outside the Tri State area.
Of course. But most of grimy underground NY albums in 94-95 didn’t go gold. So they had far less of an audience than more commercial NY shyt and west coast shyt
I actually agree to a certain degree but let me ask you this. Where do you think Billboard's HQ is located........![]()
With If I Ruled The World, the sample was extremely familiar to the older generation that listened to hip hop. And it had singing from L-Boogie who was scorching hot coming off the success of the Fugees. Tracks like that usually hit mainstream way easier then others. The Lost Boyz had Easy Mo Bee as producer of that track; who happened to produce about half of RTD from Big. It also wasn't hardcore track either so it made it more relatable for casual rap listeners. Easy Mo Bee had a pretty damn successful 94/95 too
No play in Detroit eitherShook Ones Pt 2 didn’t get daytime radio play nationwide. I’ve told you that in CA. @hex told you that for Kansas City. @BmoreGorilla told you that for Baltimore. You didn’t even have a hip hop station in ATL apparently.
You forget NY was the epicenter of media & entertainment back then. Pretty much the end all be all. And like I said, most of those spins were more than likely coming from the Tri-State area & probably Maryland/DC since they're close.
And I know they're outlier regions that might've been playing them but not like the Tri-State
Kuripus didnt get 2 albums in 2 years, multi ost promotion and his beats playing on mixtapes and the like. Mobb deep did.What is your definition of mainstream within hip hop in 94-95? Spell out the parameters as you see them. Then I’ll address everything here.
By the way - RD is Riding Dirty, not Reasonable Doubt.
Kurious wasn’t underpromoted. He got three videos and a segment on Rap City. Basically what most rappers got back then.

There’s no way of quantifying this. Most NY rappers then and now best markets are the Northeast, Mid-Atlantic, Upper South, and rust belt. The Billboard 100 chart is an American chart, I highly doubt that the Tri-State alone could propel a song to the Billboard 100.You forget NY was the epicenter of media & entertainment back then. Pretty much the end all be all. And like I said, most of those spins were more than likely coming from the Tri-State area & probably Maryland/DC since they're close.
And I know they're outlier regions that might've been playing them but not like the Tri-State
@Art Barr were you in Chicago when Shook One’s Pt 2 and Infamous dropped?
Was Shook Ones Pt 2 getting daytime regular rotation radio play in Chicago?
I know Chicago wasn’t really a hip hop city at that time, was there even a radio station playing hip hop during the day?
If you were old enough back in 95, you'd understand where I'm coming from. I'm not saying definitively that that's where they came from either but it's more than likely. There weren't many hip hop stations back then, add to the fact music was super regional back then, & hot songs took a bit to make it to other regions tooThere’s no way of quantifying this. Most NY rappers then and now best markets are the Northeast, Mid-Atlantic, Upper South, and rust belt. The Billboard 100 chart is an American chart, I highly doubt that the Tri-State alone could propel a song to the Billboard 100.