Is Every Memphis Rapper A Demon?

[AFRAM GLORY]

Memphis nikkas are demons

The south always had this front as the bible belt, but you can't fall for the tourist trap and don't think there has always been another side of the spectrum as well as life my friend

Freemasons invaded this country, Native and South Americans had their own versions of righteous and satanic practices. Now let's not act like some slaves prolly lost their faith in christianity and turned to the dark side of voodoo,hoodoo, and santeria

 

[Art Barr]

Blues influence

Yo, the break on this jay Hawkins is next level.


Art Barr

 

[Peter Parker]

90s Memphis is the Norweigian Black Metal scene of hip hop tbh

 

[Sccit]

ANY1 MENTION EVIL PIMP IN HERE

 

[Yehuda]

90s Memphis is the Norweigian Black Metal scene of hip hop tbh

So which one of these dudes is Varg Vikernes?

 

[sawalrath]

My personal favorite Memphis tape:

 

[Juggalo Fred]

People in here underestimating how great horrorcore is

 

[IllmaticDelta]

Yo, the break on this jay Hawkins is next level.


Art Barr

He invented modern Shock Rock

Hawkins had originally intended to record "I Put a Spell on You" as "a refined love song, a blues ballad." However, the producer "brought in ribs and chicken and got everybody drunk, and we came out with this weird version... I don't even remember making the record. Before, I was just a normal blues singer. I was just Jay Hawkins. It all sort of just fell in place. I found out I could do more destroying a song and screaming it to death."[1]



This theatrical act was one of the first shock rock performances, and an obvious basis for much of what came later in rock and roll, including Dr. John, Alice Cooper, Eric Burdon, Screaming Lord Sutch, Warren Zevon, Arthur Brown (whose band the Crazy World of Arthur Brown recorded "I Put a Spell on You" in 1968), Black Sabbath, Ted Nugent, George Clinton, the Butthole Surfers, the Cramps, and Marilyn Manson

https://en.wikipedia.org/wiki/Marilyn_Manson_(band)

 

[Peter Parker]

So which one of these dudes is Varg Vikernes?

good question, it'd have to be a nikka who was a satanist, then switches it up and says he was always a black power act invoking Satan in the name of the lost black deities, then switches it up again and says he never hated white people/jews he just wants everyone separate for the good of the world

Also the nikka has to drop a body for no reason then call it self defense

 

[O.Red]

isnt one of their dad's a pastor also?... i sometimes go to the gym and see project pat there just walking on the treadmill.

 

[H.I.M.]

Suave House Records "relocated" to Houston and J Prince went out his way to torment Tony Draper and the whole label. It's a shame because the CEO pulled one of the stupidest business moves I can think of in my lifetime. For you young ones and others out of the loop with southern rap/hip hop, Suave House was arguably right there with No Limit Records and fukked up and let Prophet Posse/HCP and Slip n Slide take their spot. That compilation junt "The Album of the Year", had the south ON FIRE and that was their 400 Degreez and Draper dropped the damn ball.

I remember reading Murder Dog mag and Tony Draper was complaining about the psychological bullying and J Prince exhorting the shyt out his label. Had legends(ball&mjg) in their magazine spread with red eyes and sad faces like they stressed out and crying. Ball and G was like why we left Memphis, we was doing good and we caught up in some fukk shyt. I think T-Mixx might still be with the label and his production needs to be respected and placed with the Mannie Fresh's, Rico Wade's, KLC's, DJ Paul/Juicy J.

T-Mixx ain't a bad producer...but fa'real fa'real...he ain't een as good a producer as Ball & G themselves.

T-Mixx ain't een fukkin' with Squeeky & Zirk either...them 2 are who they should've made their full-time producers...as great as on the outside lookin in & on top of the world are...they would've been even better with Squeeky & Zirk on the boards.

 

[R-Typ3]

T-Mixx ain't a bad producer...but fa'real fa'real...he ain't een as good a producer as Ball & G themselves.

T-Mixx ain't een fukkin' with Squeeky & Zirk either...them 2 are who they should've made their full-time producers...as great as on the outside lookin in & on top of the world are...they would've been even better with Squeeky & Zirk on the boards.

But T Mixx production style fit everybody on Suave House..Can u picture Mr Mike or Crime Boss back then behind their M Town style beats??

 

[Playaz Eyez]

Who fathered Migos' style

 

[H.I.M.]

But T Mixx production style fit everybody on Suave House..Can u picture Mr Mike or Crime Boss back then behind their M Town style beats??

Never listened to them dudes like that

Crime Boss came hard on Lay It Down tho

Always prefered Ball&G over Memphis-Style production...shyt...if it was up to me EVERYBODY would rap on mid-90's Memphis style production...

To me... "Memphis Underworld" is their 2nd best project after coming out hard (even though it's really just a underground compilation) they may have been spittin better on their later albums... but their shyt just sound so smooth over Memphis-style production.

Ball&G over DJ Zirk's production










I don't think i ever heard a t-mixx beat as hard as any of these.

 

[R-Typ3]

Never listened to them dudes like that

Crime Boss came hard on Lay It Down tho

Always prefered Ball&G over Memphis-Style production...shyt...if it was up to me EVERYBODY would rap on mid-90's Memphis style production...

To me... "Memphis Underworld" is their 2nd best project after coming out hard (even though it's really just a underground compilation) they may have been spittin better on their later albums... but their shyt just sound so smooth over Memphis-style production.

Ball&G over DJ Zirk's production










I don't think i ever heard a t-mixx beat as hard as any of these.