AFRAM GLORY
Superstar
AFRAM GLORY
Superstar
Migos whole flow is owed to them old school Memphis boys. Lil Corb, Tommy Wright 3rd..Lord Infamous, man everybody was rocking that flow in they own lil way back then
...Man it's all good
He got some bangers...but alot of his beats are simple and generic sounding...what T-Mixx produced Ball & G album has better production than Coming Out Hard? (a album that Ball & G produced themselves)
iFightSeagullsForBread
The Working Class Hero
This is really spot on.
At a few of these nikkas in here. 
Over Satanist making music, meanwhile they haven't had one record inciting violence towards others.
Makes you wonder #Lucifergang
AFRAM GLORY
Superstar
He got some bangers...but alot of his beats are simple and generic sounding...what T-Mixx produced Ball & G album has better production than Coming Out Hard? (a album that Ball & G produced themselves)
In My Lifetime Vol 1 hands down...Hell I'd put Album of The Year up there too...It's a good debate bruh but squeeky and zirk are not on t-mixx's level.
Compare the music and the resumes bruh...t-mixx is the truth
In My Lifetime Vol 1 hands down...Hell I'd put Album of The Year up there too...It's a good debate bruh but squeethky and zirk are not on t-mixx's level.
Compare the music and the resumes bruh...t-mixx is the truth
Half of Lifetime was done by Organized Noize but if u talkin the hardest T-Mixx ever did
Yeah.
Last year I think Gangsta Boo was on twitter calling 'em out.
Of course no one heard her.
Playaz Eyez
Veteran
Only listened to a pinch of this awhile ago, but is this 1 person, or a group? Outside of early 90's to early 00's music, Memphis music would be my favorite, and I love what I've heard so far from this
In My Lifetime Vol 1 hands down...Hell I'd put Album of The Year up there too...It's a good debate bruh but squeeky and zirk are not on t-mixx's level.
Compare the music and the resumes bruh...t-mixx is the truth
Breh...In my lifetime is not even close to fukkin' with coming out hard production wise
not even close
not fukkin' with zirk's beats on memphis underworld either
to say squeeky n zirk aint on t-mixx's level (or ANYBODY's for that matter) is tantamount to blasphemy in the world of memphis rap...at their best, both could go beat for beat with anybody...and they're pretty much the partial architechts of paul & juice's sound...and we all know (or should know) the impact their sound has had on the modern sonic landscape of rap for the past 15 years or so...
squeeky & zirk were both
by the time in my lifetime was recorded...so they probably wouldn't have done no better than t-mixx on that album...they shoulda been snatched up around 94-95 for the on the outside lookin' in & on top of the world albums...those versions of ball & g rappin' over beats like these 
AFRAM GLORY
Superstar
"Iron Chin Wilder, post: 15111153, member: 14593"]Breh...In my lifetime is not even close to fukkin' with coming out hard production wise
not even close
not fukkin' with zirk's beats on memphis underworld either
to say squeeky n zirk aint on t-mixx's level (or ANYBODY's for that matter) is tantamount to blasphemy in the world of memphis rap...at their best, both could go beat for beat with anybody...and they're pretty much the partial architechts of paul & juice's sound...and we all know (or should know) the impact their sound has had on the modern sonic landscape of rap for the past 15 years or so...
squeeky & zirk were both by the time in my lifetime was recorded...so they probably wouldn't have done no better than t-mixx on that album...they shoulda been snatched up around 94-95 for the on the outside lookin' in & on top of the world albums...those versions of ball & g rappin' over beats like these
You got some solid points there bruh and I do agree that Zirk and Squeeky are the partial architects of paul and juicy's sound(paul definitely). Hell paul has straight up just taken their shyt blatantly SO MANY times it's just funny, sad, and fukked up...I'm a big fan of squeeky's work with Tom Skeemask and it felt good to see them make some noise especially when hcp was rising and the check writers was on some straight up fukk shyt. But I stand my ground and I'm riding with tmixx over those two. You see there's a reason why ice cube, scarface, cmr, beanie sigel and plenty heavy hitters have given tmixx production and engineering credits.
not even close
not fukkin' with zirk's beats on memphis underworld either
to say squeeky n zirk aint on t-mixx's level (or ANYBODY's for that matter) is tantamount to blasphemy in the world of memphis rap...at their best, both could go beat for beat with anybody...and they're pretty much the partial architechts of paul & juice's sound...and we all know (or should know) the impact their sound has had on the modern sonic landscape of rap for the past 15 years or so...
squeeky & zirk were both
by the time in my lifetime was recorded...so they probably wouldn't have done no better than t-mixx on that album...they shoulda been snatched up around 94-95 for the on the outside lookin' in & on top of the world albums...those versions of ball & g rappin' over beats like these You got some solid points there bruh and I do agree that Zirk and Squeeky are the partial architects of paul and juicy's sound(paul definitely). Hell paul has straight up just taken their shyt blatantly SO MANY times it's just funny, sad, and fukked up...I'm a big fan of squeeky's work with Tom Skeemask and it felt good to see them make some noise especially when hcp was rising and the check writers was on some straight up fukk shyt. But I stand my ground and I'm riding with tmixx over those two. You see there's a reason why ice cube, scarface, cmr, beanie sigel and plenty heavy hitters have given tmixx production and engineering credits.
Blackout is one dude...another underrated producer that's up there with anybody on his best day...nikka beats were straight up disturbing.
He was ji-type nice on the mic too