1. If you don't know the ins and outs of her situation, you're doing exactly what I'm doing - speculating.
Well, no. Not all speculation is created equal. It's a specious and cliche debate tactic to say "at the end of the day neither of us knows for sure, so who knows what's true?" I have a family member who is a MLB scout. If I kick it with him about how much some random player from the Atlanta Braves makes in the offseason from the autograph hustle, and he tells me that based on his personal knowledge of what players on his taam cake off that hustle that I'm way off, I can't be like "well we both speculating, fam." His is an informed opinion. Mine is very basic speculation.
2. $2,000 isn't a ton of my money. That's peanuts compared to what some of these people make per night.
$2,000 is a shytload of money for an hour or two of work. Who are "some of these people," fam? In hip hop you make real show dough two ways: you have to be an established artists with years of proven drawing power or you have too be a popular of-the-moment rapper with a buzz that makes your show bonafide events i.e. nikkas and bytches come out, pay a decent amount for a ticket, and buy drinks for that shyt because it's like going to thee club or being at a party.
Hip hop ain't like jazz, where you can count on 5-10 dates at the Blue Note with a wealthy white and bougie black clientele that will make a classy evening out of your show. Hip hop just doesn't have that kind of culture or fanbase. Now some of those old jazz musicians make real good cake, because they are viewed by a wealthier subset of America and Europe as artsy, and therefore paying for their shows is, in a way, validation of the audience's notion of their own sophistication.
It's very possible for her to be in that vicinity. I'm not saying that she's performing in arenas or anything like that. Also, shows don't begin or end with just her either; she could open for or tour with with other artists.
I'd also like to say that I was low balling when I said 50 shows per year. There are 365 days in a year, I'm sure she could play at least 75 of those days. So even if she was to be seeing about $1,500 per show; she'd still be clearing $100K with a bit extra on top.
Jean Grae ain't the Rolling Stones, fam. She can't roll out of bed one day and decide to do an extra 30 shows for the year and it just happens. It just doesn't work that way, period. Management has to secure booking; the small venue owners have to determine there's sufficient interest; figures have to be worked out in terms of expected revenue and whether she'll be paid a flat fee or paid based on people who show up and how much liquor sells. Jean Grae is not someone who can just throw together 75 show dates across America and expect enough clubs to be interested and enough fans to be in each location for her to make an average of $1,500 a show. That's a preposterous notion.
Also, I never said that she herself would pocket every dime. I said the average CD price is anywhere from $10-$13. If her album sold at least 10K copies within a year, that would be at the least another $100K generated. Being that she's on an indie, she would more than likely be seeing more money per sale than the average major label artist.
Jean is a borderline irrelevant artist. She's a female m.c. with zero buzz and a very small following who would have to play small venues, mostly local ones to draw a crowd, and occasionally could be part of a list of opening acts. Her friendships with other, more famous rappers might throw some extra work her way, and maybe her father - who is a famous jazz musician - still has connections that would benefit her too. But Jean would need to put out an album every year and sell a shytload of copies of that album for that to generate serious income. There are taxes, there are expenses, there are different pieces the pie has to be cut. The world in which Jean can clear 100k per year off hip hop is pretty much such a Utopian one that it's comical. Maybe she makes money as a ghostwriter. I hope so for her sake.