Kendrick Lamar-good kid, m.A.A.d city-2012 (CLASSIC)

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The backlash is becoming more comically stupid than the overreaction. At least I can pinpoint the source of the overhyping - it's just the typical exuberance which accompanies an anticipated album actually delivering on the anticipation. It's like seeing a 9th inning game-winning homerun in the World Series, it's just going to produce more excitement because of context. Some people will call it the most significant play in history, etc.

The backlash is more difficult for me to figure out. Something about Kendrick makes certain people really dislike him, almost instinctively. I have some people I respect both on The Coli and in my immediate social circle who really can't stand the kid or his music. I had a mixed response to him too when I heard Section 80 - thought he made some good songs and could spit, but something about homie felt... off. Maybe it's the voice, maybe it's some kind of nerd vibe I got off him, maybe it was that boring hipster aesthetic video for Rigamortis. I don't know. I didn't like the Recipe or Compton when they leaked, and Backseat Freestyle sounded like shyt to me. I figured Kendrick was about to drop some dull, watered down mainstream garbage that had no real soul to it.

Then I got the album and I couldn't deny the sheer talent this little dude has. From the music to the crafting of songs and concepts and the fukking flow and wordplay and the integrity of the overall product... powerful. I'm not in the right generation to truly feel this is some next level shyt, but I understand why other people do. There's a true brilliance to songs like M.A.A.D City and Sing About Me. I don't remember the last time I got genuine chills listening to a verse. Actually, there might've been a couple Jay Elec joints when he first hit the scene that gave me that feeling. But aside from then, it has been years, and years, and years.

At a time when every rapper has used some tired ass basketball analogy using LeBron or Kobe or Dikembe or Magic or Olajuwon, or Yao Ming, or Shaq, or Iverson, or Jordan to represent how dope he is or the kind of drugs he sells, Kendrick makes Aaron Afflalo the main sports namedrop of his album, and spins it into some honest, self-deprecating sociological, and ultimately inspiring shyt. :wow:

For the last decade I've been thrilled if I can find albums that have even 4 tracks I might keep in rotation here and there. There are 3 tracks on this album, bonus songs included, I don't care for. That's it. That's a minor miracle for me. I feel like I just watched Kirk Gibson hit that homerun off Dennis Eckersley and there are a bunch of Dodgers fans calling in the greatest homerun of all time because they're caught up in the moment, but much worse are the weirdos angrily shouting "first of all, Bill Mazeroski's homerun in 1960 actually won a game 7 against the Yankees so I'm not about to call Gibson's a classic; second of all, I've technically seen harder hit doubles, and in certain ballparks that might've been a long flyout, and I think these young fans are just gassed off him limping to the plate, I doubt he was even really that hurt, plus he needs to shave that mustache for to take him seriously, and isn't the Dodgers' uni kind of boring?"

Dude is the new Andre 3000. Critical success, albums flying off the shelves, his peers can't stop gushing about his talent, but he has that rare cult following of haters who are going to be making threads about his voice and clothes and playing the "drop a verse that proves he's lyrical... I'll wait" game for years to come.

HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA

The little nikka won.

:lolbron:

The OG Walt has spoken..album is officially certified now. :skip:
 

Turbulent

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The backlash is becoming more comically stupid than the overreaction. At least I can pinpoint the source of the overhyping - it's just the typical exuberance which accompanies an anticipated album actually delivering on the anticipation. It's like seeing a 9th inning game-winning homerun in the World Series, it's just going to produce more excitement because of context. Some people will call it the most significant play in history, etc.

The backlash is more difficult for me to figure out. Something about Kendrick makes certain people really dislike him, almost instinctively. I have some people I respect both on The Coli and in my immediate social circle who really can't stand the kid or his music. I had a mixed response to him too when I heard Section 80 - thought he made some good songs and could spit, but something about homie felt... off. Maybe it's the voice, maybe it's some kind of nerd vibe I got off him, maybe it was that boring hipster aesthetic video for Rigamortis. I don't know. I didn't like the Recipe or Compton when they leaked, and Backseat Freestyle sounded like shyt to me. I figured Kendrick was about to drop some dull, watered down mainstream garbage that had no real soul to it.

Then I got the album and I couldn't deny the sheer talent this little dude has. From the music to the crafting of songs and concepts and the fukking flow and wordplay and the integrity of the overall product... powerful. I'm not in the right generation to truly feel this is some next level shyt, but I understand why other people do. There's a true brilliance to songs like M.A.A.D City and Sing About Me. I don't remember the last time I got genuine chills listening to a verse. Actually, there might've been a couple Jay Elec joints when he first hit the scene that gave me that feeling. But aside from then, it has been years, and years, and years.

At a time when every rapper has used some tired ass basketball analogy using LeBron or Kobe or Dikembe or Magic or Olajuwon, or Yao Ming, or Shaq, or Iverson, or Jordan to represent how dope he is or the kind of drugs he sells, Kendrick makes Aaron Afflalo the main sports namedrop of his album, and spins it into some honest, self-deprecating sociological, and ultimately inspiring shyt. :wow:

For the last decade I've been thrilled if I can find albums that have even 4 tracks I might keep in rotation here and there. There are 3 tracks on this album, bonus songs included, I don't care for. That's it. That's a minor miracle for me. I feel like I just watched Kirk Gibson hit that homerun off Dennis Eckersley in the World Series and there are a bunch of Dodgers fans calling it the greatest homerun of all time because they're caught up in the moment, but much worse are the weirdos angrily shouting "first of all, Bill Mazeroski's homerun in 1960 actually won a game 7 against the Yankees so I'm not about to call Gibson's a classic; second of all, I've technically seen harder hit doubles, and in certain ballparks that might've been a long flyout, and I think these young fans are just gassed off him limping to the plate, I doubt he was even really that hurt, plus he needs to shave that mustache for me to take him seriously, and isn't the Dodgers' uni kind of boring?"

Dude is the new Andre 3000. Critical success, albums flying off the shelves, his peers can't stop gushing about his talent, but he has that rare cult following of haters who are going to be making threads about his voice and clothes and playing the "drop a verse that proves he's lyrical... I'll wait" game for years to come.

HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA

The little nikka won.

:manny:
well i love the album but i stillfeel like he overdid the voices a little on certain parts.
 

OG Talk

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Except for the gang banging culture, dude did an excellent job of making me feel nostalgic about my childhood...

The Art of Peer Pressure is 100% relatable to me at that age...


Just replace Sherane with Chantel and Aaron Afflalo with Shareef Abdur Rahim...And this could be my story... Even down to the religious aspects and ties to Christianity..It's been a long time since I connected to an artists vision like this on a personal level...

This album was more than just entertainment and escapism to me...
 

HARLEM AL

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Except for the gang banging culture, dude did an excellent job of making me feel nostalgic about my childhood...

The Art of Peer Pressure is 100% relatable to me at that age...


Just replace Sherane with Chantel and Aaron Afflalo with Shareef Abdur Rahim...And this could be my story... Even down to the religious aspects and ties to Christianity..It's been a long time since I connected to an artists vision like this on a personal level...

This album was more than just entertainment and escapism to me...
Thats exactly how i feel. i went threw all that shyt minus the gang banging shyt. This album will be a personal favorite for me for a long as time. shyt brings back my chill hood memories during the 90s.
 

Turbulent

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one this about this album is that it has a lot of "moments" and parts that stick in your head.

"you killed my cousin back in 94, fukk your truce'

it's not even that they are super great lines. it's just the way it's said/delivered it just sticks in your head.

"ya bish"

i think everyone did shyt like that as kids where we'd mispronounce words on purpose and it just becomes part of the way we talk. he also did it a little bit on Section 80 ("Fhuck Dhat").
 

TYBG

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The album gets better with every listen. Been bumpin this shyt since last week:heh:
 
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after letting it soak in....


favorite tracks

Sing About Me, I'm Dying of Thirst- best song on the album, hands down

Black Boy Fly

Good Kid

Poetic Justice- I don't care what anyone says, Drake killed that shyt. His "presence" on the track is so much more impactful and noticeable than Kendrick's










Songs I Skip

Backstreet Freestyle- I know I know, it's weaved into the narrative by young Kendrick spittin a freestyle in the backseat of his boy's car. But like @Loose said, a wack song is a wack song, no matter the context; and this shyt is horrible. Why couldn't he just spit a dope "freestyle" type song, would it have lessened the narrative in any way?

M.A.A.D. City- I like when the beat changes, but I can never make it to that part because the first half is so wack

Swimming Pools- Not because it's wack, I've just heard it too much

Compton- Dre's verse is generic as hell and it sounds like Just Blaze tried to make another Lord Knows

Now Or Never- Mary ruins the song



other observations...


- The Art of Peer Pressure is dope as hell, but the first minute and change is retarded. That shyt is so pointless, I can't wait for it to be over so the actual song can start

- Money Trees is hyped on here, but I just don't see it. For a so-called lyricist, Kendrick's first verse is pathetic, that "ya bish" shyt is annoying as hell... Jay Rock saves the song

- The hook on "Real" is lazy as hell, man... "I'm real, I'm real, I'm really really real" :what: come on bruh... beat and verses are cool though











I know I'm nitpicking, but like I said before, the highs on this album are really high, and the lows (the hooks and the Urkel voice inflections) are really low... still a 3.5/5 record though



At the end of the day, as a fan, I'm glad Kendrick is getting the attention and acclaim that he deserves. This can only be good for the overall perception and direction of hip hop when the work of a true MC is being applauded and holding its own in terms of sales. Hopefully this shows the majors that actual rapping and storytelling can be marketable and rappers don't have to dumb down their music to have success.

The overall theme and message of the album is something that should be preached more, as well. Reminds me a lot of Cuba's character in Boyz n the Hood, a smart dude with a good head on his shoulders and solid support system at home just growing up around violence and trying to stay on the straight and narrow while trying not to succumb to the outside influences offered up by his surroundings.
 
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KillbertArenas

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Finally got to listen to every track...

Album is very Andre 3000 - The Love Below inspired...

This is a personal classic...Im goin to target to cop the retail
 
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after letting it soak in....


favorite tracks

Sing About Me, I'm Dying of Thirst- best song on the album, hands down

Black Boy Fly

Good Kid

Poetic Justice- I don't care what anyone says, Drake killed that shyt. His "presence" on the track is so much more impactful and noticeable than Kendrick's










Songs I Skip

Backstreet Freestyle- I know I know, it's weaved into the narrative by young Kendrick spittin a freestyle in the backseat of his boy's car. But like @Loose said, a wack song is a wack song, no matter the context; and this shyt is horrible. Why couldn't he just spit a dope "freestyle" type song, would it have lessened the narrative in any way?

M.A.A.D. City- I like when the beat changes, but I can never make it to that part because the first half is so wack

Swimming Pools- Not because it's wack, I've just heard it too much

Compton- Dre's verse is generic as hell and it sounds like Just Blaze tried to make another Lord Knows

Now Or Never- Mary ruins the song



other observations...


- The Art of Peer Pressure is dope as hell, but the first minute and change is retarded. That shyt is so pointless, I can't wait for it to be over so the actual song can start

- Money Trees is hyped on here, but I just don't see it. For a so-called lyricist, Kendrick's first verse is pathetic, that "ya bish" shyt is annoying as hell... Jay Rock saves the song

- The hook on "Real" is lazy as hell, man... "I'm real, I'm real, I'm really really real" :what: come on bruh... beat and verses are cool though











I know I'm nitpicking, but like I said before, the highs on this album are really high, and the lows (the hooks and the Urkel voice inflections) are really low... still a 3.5/5 record though



At the end of the day, as a fan, I'm glad Kendrick is getting the attention and acclaim that he deserves. This can only be good for the overall perception and direction of hip hop when the work of a true MC is being applauded and holding its own in terms of sales. Hopefully this shows the majors that actual rapping and storytelling can be marketable and rappers don't have to dumb down their music to have success.

The overall theme and message of the album is something that should be preached more, as well. Reminds me a lot of Cuba's character in Boyz n the Hood, a smart dude with a good head on his shoulders and solid support system at home just growing up around violence and trying to stay on the straight and narrow while trying not to succumb to the outside influences offered up by his surroundings.

That Real hook is def on some lazy shiit...he could have done better on that one. I also think his next album is gonna be even better than this one..this will go down as a classic but it still has several flaws in it..the overdoing of the voice, some hooks..def not a perfect project.

Kendrick looks and sounds like he takes his craft seriously..I see a Pac type of career in him..getting better with every album. Section 80 was average imo.
 
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WeDemBoyz

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If yall never listened to section 80, do ya self a favor and knock it out before the end of the day.
 

Roadie pipeher

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The backlash is becoming more comically stupid than the overreaction. At least I can pinpoint the source of the overhyping - it's just the typical exuberance which accompanies an anticipated album actually delivering on the anticipation. It's like seeing a 9th inning game-winning homerun in the World Series, it's just going to produce more excitement because of context. Some people will call it the most significant play in history, etc.

The backlash is more difficult for me to figure out. Something about Kendrick makes certain people really dislike him, almost instinctively. I have some people I respect both on The Coli and in my immediate social circle who really can't stand the kid or his music. I had a mixed response to him too when I heard Section 80 - thought he made some good songs and could spit, but something about homie felt... off. Maybe it's the voice, maybe it's some kind of nerd vibe I got off him, maybe it was that boring hipster aesthetic video for Rigamortis. I don't know. I didn't like the Recipe or Compton when they leaked, and Backseat Freestyle sounded like shyt to me. I figured Kendrick was about to drop some dull, watered down mainstream garbage that had no real soul to it.

Then I got the album and I couldn't deny the sheer talent this little dude has. From the music to the crafting of songs and concepts and the fukking flow and wordplay and the integrity of the overall product... powerful. I'm not in the right generation to truly feel this is some next level shyt, but I understand why other people do. There's a true brilliance to songs like M.A.A.D City and Sing About Me. I don't remember the last time I got genuine chills listening to a verse. Actually, there might've been a couple Jay Elec joints when he first hit the scene that gave me that feeling. But aside from then, it has been years, and years, and years.

At a time when every rapper has used some tired ass basketball analogy using LeBron or Kobe or Dikembe or Magic or Olajuwon, or Yao Ming, or Shaq, or Iverson, or Jordan to represent how dope he is or the kind of drugs he sells, Kendrick makes Aaron Afflalo the main sports namedrop of his album, and spins it into some honest, self-deprecating sociological, and ultimately inspiring shyt. :wow:

For the last decade I've been thrilled if I can find albums that have even 4 tracks I might keep in rotation here and there. There are 3 tracks on this album, bonus songs included, I don't care for. That's it. That's a minor miracle for me. I feel like I just watched Kirk Gibson hit that homerun off Dennis Eckersley in the World Series and there are a bunch of Dodgers fans calling it the greatest homerun of all time because they're caught up in the moment, but much worse are the weirdos angrily shouting "first of all, Bill Mazeroski's homerun in 1960 actually won a game 7 against the Yankees so I'm not about to call Gibson's a classic; second of all, I've technically seen harder hit doubles, and in certain ballparks that might've been a long flyout, and I think these young fans are just gassed off him limping to the plate, I doubt he was even really that hurt, plus he needs to shave that mustache for me to take him seriously, and isn't the Dodgers' uni kind of boring?"

Dude is the new Andre 3000. Critical success, albums flying off the shelves, his peers can't stop gushing about his talent, but he has that rare cult following of haters who are going to be making threads about his voice and clothes and playing the "drop a verse that proves he's lyrical... I'll wait" game for years to come.

HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA

The little nikka won.

:manny:

:salute: powerful..
 
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