Kiss Land is the let down of the year.

Big Mel

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He's actually strained vocally ala Ginuwine. He's limited. I haven't heard nor plan on listening to his album.

He was straining on the Blu & Exile album in 2007 and he strained on Adorn.

Cornball shyt.
 

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He's actually strained vocally ala Ginuwine. He's limited. I haven't heard nor plan on listening to his album.

He was straining on the Blu & Exile album in 2007 and he strained on Adorn.

Cornball shyt.
:snoop:

Well continue to listen to Kiss Land then
 

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It's not wack. Far from. But is it really dope? Nah. It's a 3.5 for me. If you rank it better than a 4, you gotta be a stan.
 

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It's a near perfect album, I think it's so tired and predictable to sing the praises of 'Trilogy' or any of his prior work, and discount this...this is evolution and growth, plus diversification, it's also a major label release, it's cleaner, tighter, less experimental, more defined and concise, it also shows a more mature and insightful Weeknd, then we have previously seen, who looks at himself as much as he looks at the women, the production is mostly sparse and restrained, perfect backdrop for stripped down vocals, showcasing lyrics that are sexual and provocative, as well as haunting and regretful..it's exactly the album I wanted, without even realizing it, as I never gave much thought to HOW it would sound...Weeknd is an artist, not just a one note singer, for dudes to live out their drugged up misogyny/models on coke fantasies, his music is from the heart, emotionally compelling and relatable, if you can't feel the disconnect and acceptance of 'Tears In The Rain', or the lust and desperate seduction of 'Love In the Sky', or the casual cynicism of 'Wanderlust', the eloquent pain and beauty of 'Professional'.....I don't know what to fukking tell you....
 

Big Mel

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It's a near perfect album, I think it's so tired and predictable to sing the praises of 'Trilogy' or any of his prior work, and discount this...this is evolution and growth, plus diversification, it's also a major label release, it's cleaner, tighter, less experimental, more defined and concise, it also shows a more mature and insightful Weeknd, then we have previously seen, who looks at himself as much as he looks at the women, the production is mostly sparse and restrained, perfect backdrop for stripped down vocals, showcasing lyrics that are sexual and provocative, as well as haunting and regretful..it's exactly the album I wanted, without even realizing it, as I never gave much thought to HOW it would sound...Weeknd is an artist, not just a one note singer, for dudes to live out their drugged up misogyny/models on coke fantasies, his music is from the heart, emotionally compelling and relatable, if you can't feel the disconnect and acceptance of 'Tears In The Rain', or the lust and desperate seduction of 'Love In the Sky', or the casual cynicism of 'Wanderlust', the eloquent pain and beauty of 'Professional'.....I don't know what to fukking tell you....



A regretful Weeknd seems to make music that isn't as compelling as a hedonistic weeknd. Plus, the beats aren't even close. You're truly in convince yourself mode if you claim this to be perfect.

And lyrically I haven't culled much writing as profound or crudely insightful as the trilogy. shyt is actually trite and predictable. But I've only played it twice.
 

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A perfect album....in life or history? No. For what he wanted....needed to accomplish with this..definitely.....He did three fukking albums of hedonism, tinged with a lot of regret, a cleaner, lighter, more introspective, and reflective album is exatcly the right touch....you you have to learn and evolve as an artist, even if you are learning from your overindulgences and self destructive desires....

It's not just the lyrics, they are stripped down for clarity and diverse appeal, it's the delivery...
 

Big Mel

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A perfect album....in life or history? No. For what he wanted....needed to accomplish with this..definitely.....He did three fukking albums of hedonism, tinged with a lot of regret, a cleaner, lighter, more introspective, and reflective album is exatcly the right touch....you you have to learn and evolve as an artist, even if you are learning from your overindulgences and self destructive desires....

It's not just the lyrics, they are stripped down for clarity and diverse appeal, it's the delivery...


You just made a bunch of excuses for why the album isn't as good as the first 3. I'm all for evolution, but the weeknd as an artist has only been around for a couple years. Lets continue to strike while the iron is hot until age forces evolution.

This album ain't got the cuts man. You know it, I know it, pitchfork knows it.
 

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I've been playing this all but non stop since last sunday, and I've been playing 'Kissland', 'Love In The Sky', 'Belong To The World' all summer....You wanted another 'Echoes...', and you got this, it is progression, enhancement, and, yes, it's somewhat lighter in sound and content, as well as execution,.....'Kissland' shows he can do that, effortlessly, (the darker, tradtional content) and the rest of the album, shows what ELSE he can do....'28', 'Enemy', and 'Til Dawn' kind of foreshadowed the direction this would go in....I think it's incredibly evolved from his first work, and shows range, and talent, understanding, maturity....nothing detrimental.
 

Big Mel

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I just wanted cool ass songs. I could listen to some goof like Miguel for lighter shyt.

I'm playing it again tomorrow to make sure it's not a grower (pause) before shelving it.

All this talk has me wanting to play the trilogy. Even the title...Kiss Land. Pretty lame.
 
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