Lupe Fiasco - SLR3 (Royce Diss)

spliz

SplizThaDon
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NY all day..Da Stead & BK..
Just dropped ghostwriting jewels all over this without saying it. They think he is them cause he came become them on their own tracks
Nas was barely ever around Lu and when he did get around him Lu did some weird shyt and Nas dubbed him. U looking too deep into the shyt bruh. Both them nikkas literally said they see them in him. That’s what he meant. Also. Nas been seen in the studio with a million nikkas and nothing came of it. Dead Prez I already broke that down plenty times.
 

NoHalfWay

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And nikkas need to stop talking like this was light work and Lupe wasn’t even trying :mjlol:
He most likely had most of the punches penned down already. Just had to lace the verse with the rebuttals
If you are familiar with Lupe’s raps you can tell that a lot of this is freestyle’d

That 2 minute small room practice track was more deliberate lyrically
 

The Devil's Advocate

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Better to reign in Hell than serve in Heaven
Nas was barely ever around Lu and when he did get around him Lu did some weird shyt and Nas dubbed him. U looking too deep into the shyt bruh. Both them nikkas literally said they see them in him. That’s what he meant. Also. Nas been seen in the studio with a million nikkas and nothing came of it. Dead Prez I already broke that down plenty times.
How you gonna break down the situation when the people there already broke it down


As a producer can you talk about how you approached your collaboration with Nas?
To me, ghostwriting, as far as I know, is hiring somebody to write words for you to actually say. That didn’t happen. The way we got hired for Nas’ project wasn’t clear up front. M1 was in L.A. before I came to L.A. and he was like, “Nas wants to bring you out here to work on this project.” I remembered thinking we were just going to do a song together. But I later found out we were there to work in general: production, writing and ideas to help develop some of the songs on the album. So of course I’m thinking, “It’s called the ****** album so that means you want dead prez type songs together, right?” But it was revealed to me that Nas wasn’t looking for that. He didn’t want us to rap. He wanted help with beats and concepts. And that surprised me because I’m thinking, “You want beats??? Of all the people to make beats for, you want us to make beats?” I was like, “Wow.”



Somebody coming in the studio helping you write and give you ideas... They helping your pen. I'm sure Lupe has toured plenty of studio doing the same thing. Call it what you want. But COMBINE THIS WITH WHAT HE SAID TO GURU, and you get the story



Time stamped:

"I GAVE JAY SONGS TOO GURU"





Now can someone please explain the other 10 ways to take "I gave songs to jay too" Cause doing the drums on one song isn't "I gave songS to jay too"
 
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