I'm talking the former and while we're at it the influence of African Music isn't just syncopation. Let's say we did stop at syncopation and rhythm though, it's still the guiding hand in all Black American Music and has been for the past century or so and if anything it's an example of the lasting effects of Africa on the Black American.
My ideas about music and particularly Black American Music doesn't fall to far from a lot of my personal musical heroes.
And as I'm certain you know, rhythm and syncopation were at times purposefully over emphasized in the music to reinforce it's Black(African) Origins (Hip-Hop, Jazz and Funk) all have several easily searchable movements which show this.
Obviously contemporary diasporic music is heavily influenced by Black Americans simply by the sheer influence of and over exposure to American Culture in general but brehs need not forget the catalyst to all this shyt.
There is no jazz, blues, funk,soul, rock n' roll or Hip-Hop without the slave trade and the clash of culture it causes.
I'm sure I'm not telling you anything my breh
@IllmaticDelta but the breh
@Cadillac seems a bit off in his assumptions about my stance on or knowledge of black music.
Trust
@Cadillac I didn't order all of these books because I have no interest in music theory or how it relates to Black American Music.
I'm really about this Jazz, Hip-Hop, Blues etc. shyt.
After this though, I'm dipping out on this thread

I'll lurk or whatever but The Coli's Hero Worship and dikk Riding is exactly why
my posting is to a minimum.